On Standing Before God-Who-Sees-Me by Virginia Spatz

The Amidah’s choreography is designed to call to mind an appearance before a sovereign so as to invoke the proper “stance.” Consider, though, the variety of God-communications depicted just in the book of Genesis: God talks to Adam and Eve, to Cain, Noah, and Abimelech. God even talks to the serpent. God heeds Ishmael “where he is”, and Hagar names “YHVH who spoke to her..’God-who-sees-me’.” So, in stepping up to greet God, it is sometimes fruitful to picture, instead of a royal audience, an opportunity to meet God in the cool of the garden, or to approach, at a desert spring, “God-who-sees-me.” . . .


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