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tag: mytho-historical chronicles Sorted Chronologically (old to new). Sort most recent first? A mytho-historical chronicle of the story of humanity and Israel up until the Maccabean revolt depicted as a fable through a dream vision of Ḥanokh. . . . Categories: Tags: 2nd century B.C.E., 36th century A.M., anti-predatory, deuterocanonical works, early Judaism, חנוך Ḥanokh (Enoch), mytho-historical chronicles, pre-rabbinic judaism Contributor(s): We are grateful to Dr. James VanderKam for preparing this critical text of the Book of Jubilees (Sefer Yubalim) in its Ge’ez translation in Ethiopic script. The book of Jubilees is an early Jewish deutero-canonical text originally written in Hebrew and composed during the Second Temple period sometime before the Maccabean struggle (164 BCE). . . . A reading from Jubilees (Sefer haYovelim) 6:15-22, including the text of the Mäṣḥäf Ḳədus (the Ge’ez translation of Jubilees) and original cantillated Hebrew and gender-neutral English translations, for Shavuot. Jubilees is considered to be the earliest source connecting Shavuot with the Sinaitic covenant, and emphasizes the latter as a fulfillment of the Noaḥide covenant (in the narrative of Noaḥ) that had only been maintained through the lineage of Abraham. . . . The following is a cnatillated Hebrew translation of the Martyrdom of Isaiah, the Jewish core of the work — 1:1—3:12 and 5. Also included is the corresponding Geʽez text, and the preserved fragments of the Greek text when available. When proper names are mentioned in the text attested in Greek, the translation follows the Greek. . . . Additional early rabbinic and other sources supplementing the story of the Martyrdom of Isaiah, with attention to Isaiah being granted sanctuary in a tree. . . . One of many variants of this notorious work, the Sefer Toldot Yeshu is an irreverent retelling? a bitter deconstruction? a mocking parody? of the Christian narrative of the birth, life, and death of Jesus of Nazareth. Taking its general structure from the gospels, it coöpts and alters it to make the main character look like a petty, vindictive sorcerer, his disciples into either sectarian liars or loyal rabbinic plants, and his followers into easily duped fools. Toldot Yeshu was a very popular work in medieval times, and you can tell — this sort of a text was certainly written by someone whose primary relationship with Christians was fear. It’s the bitter invective of an oppressed people without power for themselves, the dirty laundry that two thousand years of murder leaves behind. It’s also, just, like unspeakably, hilariously crude. Have a garlicky Nittel, everyone! . . . | ||
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