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tag: national anthems Sorted Chronologically (old to new). Sort most recent first? This is an English translation of Maoz Tsur published by The Hebrew Standard for their 1893 Ḥanukkah issue (vol. 29, no. 12, New York, Friday, 8 December 1893 — 29 Kislev 5654). The Hebrew Standard was one of the biggest English-language Jewish papers in America around the turn of the twentieth century, generally taking a more traditionalist line than the Reform papers and a more moderate line than the leftist ones. This translation, simply titled “Chanukah”, unfortunately goes unattributed in the pages of The Hebrew Standard. The translation follows an ABABCCDD rhyme scheme (for those unfamiliar with rhyme scheme notation, this is the same rhyme scheme as “The Star-Spangled Banner“), unlike the Hebrew’s ABABBBccB. . . . Categories: Ḥanukkah לה מרסֵיֶיז | La Marseillaise, by Claude Joseph Rouget de Lisle (1792); Hebrew translation by Efrayim Dror (ca. 1940)“La Marseillaise” is the national anthem of France. This Hebrew translation was made by Efrayim Dror for the Free French Army (Forces Françaises Libres) and its many Jewish volunteers during the early years of World War II. The translation was published in 1951. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled “Chant de guerre pour l’Armée du Rhin” (“War Song for the Army of the Rhine”). The French National Convention adopted it as the Republic’s anthem in 1795. The song acquired its nickname after being sung in Paris by volunteers from Marseille marching to the capital. After the fall of Napoleon in 1815 “La Marseilles” was banned and it became the anthem of the French left. The Government brought back the iconic anthem in an attempt to motivate the French people during the Franco-Prussian War. During the nineteenth and early twentieth centuries, “La Marseillaise” was recognized as the anthem of the international revolutionary movement; as such, it was adopted by the Paris Commune in 1871, albeit with new lyrics under the title “La marseillaise de la Commune.” Eight years later, in 1879, it was restored as France’s national anthem. On Simḥat Torah (18–19 October) 1973, the Lubavitcher Rebbe adapted the melody to the Jewish prayer “Ha’aderet v’ha’emuna”. In ḤaBaD, the melody is believed to convey the idea of a “spiritual French revolution” – in that Torah should be spread around the world as an advent to the messianic era. . . . Tags: 18th century C.E., 56th century A.M., anti-fascist, First French Empire, Forces Françaises Libres, Le Marseillaise, national anthems, World War Ⅱ Contributor(s): Efrayim Dror (translation), Claude Joseph Rouget de Lisle and Aharon N. Varady (transcription) An die Freude | שִׁיר לְשִׂמְחָה | ode to Joy (Shir l’Simḥah), a Hebrew adaptation of the hymn by Friedrich Schiller (ca. late 18th c.)In 1785 Friedrich Schiller wrote his ‘An die Freude an ode ‘To Joy’, describing his ideal of an equal society united in joy and friendship. Numerous copies and adaptations attest to its popularity at the time. The slightly altered 1803 edition was set to music not only by Ludwig van Beethoven in his Ninth Symphony but also by other composers such as Franz Schubert and Pyotr Tchaikovsky. Hs. Ros. PL B-57 contains a Hebrew translation of the first edition of the ode (apparently rendered before the 1803 alteration), revealing that the spirit of the age even managed to reach the Jewish community in the Netherlands. Whereas the imagery of Schiller’s original is drawn from Greek mythology, the author of the שִׁיר לְשִׂמְחָה relies on the Bible as a source. In fact, he not only utilises Biblical imagery, but successfully avoids any allusion to Hellenistic ideas whatsoever. . . . Categories: 🇪🇺 European Union, 🇺🇸 Brotherhood Week, 🌐 Day of Democracy (September 15th), Rosh Ḥodesh Adar (אַדָר) Alef & Bet The Star-Spangled Banner (די שטערן־שטרײפיקע פאָן), the national anthem of the United States by Francis Scott Key (1814)The National Anthem of the United States of America with a Yiddish translation by Berl Lapin. . . . אֵל שְׁמֹר הַמֶּֽלֶךְ | God Save the King (Hebrew translation with an additional stanza by Hyman Hurwitz 1831)“God Save the King” was originally written by an unknown author and circulated in three stanzas during the reign of Britain’s King George Ⅱ, circa 1745. This Hebrew translation, “El Shemor haMelekh,” as translated by Hyman Hurwitz with an added fourth stanza, was first published in his The Etymology and Syntax of the Hebrew Language (1831), pp. 276-279, during the reign of King William Ⅳ (1765-1837). . . . Categories: 🇬🇧 United Kingdom הָאִינְטֶרְנַצְיוֹנָל | the Internationale, by Eugène Pottier (1871); Hebrew translation by Avraham Shlonsky (1921)The Chanson Internationale (‘International Song’) was originally written in 1871 by Eugène Pottier, a French public transportation worker, member of the International Workingmen’s Association (The First International), and activist of the Paris Commune. He wrote it to pay tribute to the commune violently destroyed that year. The song became the official anthem of The Second International, of the Comintem, and between 1921 and 1944 also of the Soviet Union. Most socialist and communist parties adopted it as their anthem during the last decades of the 19th century and throughout the 20th century, adapting it in local languages (Russian, Yiddish, etc.) to their particular ideological framework. The anthem was first translated into Hebrew by Avraham Shlonsky in 1921. . . . Categories: 🇫🇷 France, Nirtsah, 🌐 International Workers' Day (May 1st), 🇺🇸 Labor Day (1st Monday of September) The poem, Hatiḳvah, in its original composition by Naphtali Herz Imber, later chosen and adapted to become the national anthem of the State of Israel, with a full English translation, and the earliest, albeit abbreviated, Yiddish translation . . . אֵל שְׁמֹר הַמַּלְכָּה | God Save the Queen, an adaptation of Hyman Hurwitz’s Hebrew translation of “God Save the King” for Queen Victoria’s Jubilee Celebration (1887)“God Save the Queen” is an adaptation of “God Save the King,” a work by an unknown author, first circulated in three stanzas during the reign of Britain’s King George Ⅱ, circa 1745. This Hebrew translation was published in a pamphlet circulated by New Road (Whitechapel) Synagogue in 1892 “on the 73rd Birthday of Her Majesty Queen Victoria,” an event attended by then chief rabbi of the British Empire, Rabbi Dr. Hermann Adler. . . . בִּרְכַּת עָם (תֶחֱזַקְנָה) | The People’s Blessing (a/k/a Teḥezaqnah), by Ḥayyim Naḥman Bialik (1894)Before HaTikvah was chosen, Ḥayyim Naḥman Bialik’s “People’s Blessing” (בִּרְכַּת עָם, also known by its incipit תֶחֱזַֽקְנָה Teḥezaqnah) was once considered for the State of Israel’s national anthem. Bialik was 21 years old when he composed the work in 1894. It later was chosen as the anthem of the Labor Zionist movement. We hereby present the first ever complete English translation of this poem. . . . Categories: 🇮🇱 Yom ha-Atsma'ut (5 Iyyar) A religious Zionist national anthem composed by Rav Kook in response to the secular Zionist Hatikvah. . . . | ||
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