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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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Nusaḥ Sefaradi —⟶ tag: Nusaḥ Sefaradi Sorted Chronologically (old to new). Sort most recent first? Shabbat Shim’u is, in most years, the sabbath before Rosh Ḥodesh Av. In years where Shabbat Shim’u falls on Rosh Ḥodesh Av itself, this reshut would be recited on Shabbat Divrei instead, because the Shabbat blessing of the new moon happens before the new moon and not on it. This is the reshut offered before the shaḥarit Torah service on Shabbat Shim’u, by Rabbi Yehuda haLevi. This reshut, by Yehuda haLevi, is the sixth of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is recited before the Torah Service after the public repetition of the Shaḥarit Amidah. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): This reshut is the fifth of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is recited before Barkhu and the blessings before the Shema of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): This reshut is the fourth of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is recited before the Ḳaddish prior to Barkhu and the blessings before the Shema of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): This reshut by Shmuel (possibly Shmuel haNagid, although it is not found in his diwan) is the third of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is the third and final reshut recited before Nishmat at the outset of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): This reshut by Levi ibn al-Tabban is the second of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is the second reshut recited before Nishmat at the outset of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): This is the first of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is the first reshut recited before Nishmat at the outset of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Alphabetic Acrostic, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): A poetic introduction to the Azharot of Solomon ibn Gabirol read in the afternoon of Shavuot by Sefaradim. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, אזהרות azharot, Decalogue, Har Sinai, Nusaḥ Sefaradi, פיוטים piyyuṭim, התורה the Torah, theophany Contributor(s): Im Afes Rova’ ha-Qen, an Aqedah (poetic retelling of the binding of Isaac) written by the 12th-century scholar R. Ephraim ben Isaac of Regensburg, is one of the few piyyuṭim of Ashkenazi origin to have a beloved place in the Sephardic liturgy. (Much more commonly things go the other way.) In current Sephardic practice it is recited every single weeknight in the month of Elul, as part of the seliḥot liturgy — as well as on the second day of Rosh haShanah. It is also recited in most Ashkenazi Seliḥot liturgies — in the Bohemian and Lithuanian customs on the fast of Gedaliah, and in the Polish custom on the fourth day of the ten days. Which means that not only is this Ashkenazi piyyuṭ beloved by Sephardim, it is substantially *more* beloved by Sephardim than it is by Ashkenazim! And as with any beloved piyyuṭ, it has been translated into the colloquial for all the people to appreciate its language. The following is not only the complete Hebrew text of Im Afes along with a new English translation, but also a rhyming Ladino translation composed by R. Reuven Eliyahu Yisrael, the spiritual leader of the Sephardic community of Craiova, Romania, and published in the aforementioned town in the year 1910 (in טראדוקסייון ליברי די לאס פואיזיאס איבראיקאאס). To demonstrate the techniques used by R. Yisrael in his translation, a literal translation of the Ladino, as well as a transcription into the Latin-script Aki Yerushalaim orthography, is also provided. Categories: Tags: 12th century C.E., 50th century A.M., Avraham Avinu, Children of Avraham, in the merit of our ancestors, Ladino Translation, Nusaḥ Sefaradi, paraliturgical seliḥot, פיוטים piyyuṭim, self-sacrifice, סליחות səliḥot, יצחק Yitsḥaq Contributor(s): The Prayer for the Government offered by Rabbi David de Sola Pool in his service for Thanksgiving Day in 1945. This pizmon, signed with the name Moshe but of otherwise unclear attribution, is recited in the Sephardic communities of Rhodes and Istanbul (and nowadays in Seattle) before the open ark on Shabbat Shirah and the seventh day of Pesaḥ. The main Hebrew text of the first and last two stanzas are as found in the Seattle Sephardic community’s 2002 Siddur Zehut Yosef (as well as the Gözlem Kitap press in Istanbul’s 2011 Şaloş Regalim), with footnotes marking differences in the Shirei Yisrael B’Erets HaḲedem (published in Istanbul in 1921) and the Yeshiva University Library diwan of Baruch Moshe Moreno, written by hand in the monastery neighborhood of Tiberias in 1867 (YU MS. 1126). In between are three additional non-rhyming stanzas found in substantially different form in the other two sources but not recited in modern Sephardic communities. Categories: Tags: Acrostic signature, phonetic alphabetic acrostic translation, Eastern Sefaradim, Nusaḥ Sefaradi, פיוטים piyyuṭim, פזמונים pizmonim, שבת שירה shabbat shirah, שירת הים Shirat haYam, Turkish translation Contributor(s): This pizmon, signed with the name Moshe but of otherwise unclear attribution, is recited in the Sephardic communities of Rhodes and Istanbul (and nowadays in Seattle) before the open ark on Shabbat Shirah and the seventh day of Pesaḥ. The main Hebrew text of the first and last two stanzas are as found in the Seattle Sephardic community’s 2002 Siddur Zehut Yosef (as well as the Gözlem Kitap press in Istanbul’s 2011 Şaloş Regalim), with footnotes marking differences in the Shirei Yisrael B’Erets HaḲedem (published in Istanbul in 1921) and the Yeshiva University Library diwan of Baruch Moshe Moreno, written by hand in the monastery neighborhood of Tiberias in 1867 (YU MS. 1126). In between are three additional non-rhyming stanzas found in substantially different form in the other two sources but not recited in modern Sephardic communities. Maḥzor Aram Tsoba (1560), transcribed by David Betesh for the Sephardic Pizmonim Project. Categories: Tags: Contributor(s): A pizmon for Shabbat Zakhor and Purim, found in many Livorno siddurim (seen as the standard form for most Sephardic communities) as far back as the 18th century and possibly earlier. It is signed with the name Avraham, as well as the names Moshe and Aharon, but the author is otherwise unknown. Seder Mishmeret haKodesh (1847) inserts it as an introduction to the Mi Khamokha piyyut of Yehuda haLevi, recited on Shabbat Zakhor. The bouncy, joyous tune used for this piyyut, of Italian origin, is also used for Purim songs in multiple languages, such as Fate Onore al Bel Purim, Con Gran Placer Señores, and Haman Mamzer el Malo. Categories: Tags: 18th century C.E., 56th century A.M., acrostic, Acrostic signature, Livorno, Nusaḥ Sefaradi, פיוטים piyyuṭim, פזמונים pizmonim, pre-Purim, Purim, שבת זכור Shabbat Zakhor, Western Sefaradim Contributor(s): Part one of Ḥakham Ishak Nieto’s two volume set of prayerbooks: Orden de las Oraciones de Ros Ashanah y Kipur (London, 1740), the basis of all subsequent S&P translations (e.g., those of Isaac Pinto and of Aaron and David de Sola). The first translation of the siddur into English and the first siddur published in the Americas. Part two of Ḥakham Ishak Nieto’s two volume set of prayerbooks: Orden de las Oraciones Cotidianas Ros Hodes Hanuca y Purim (London, 1771), the basis of all subsequent S&P translations (e.g., those of Aaron and David de Sola). One of the earliest bilingual Hebrew-English prayerbooks compiled for Spanish & Portuguese Jews in the British Empire. A siddur for everyday (excepting Rosh haShanah, Yom Kippur, Festivals and Fast Days), this is the first volume in a set of prayerbooks compiled for Spanish & Portuguese Jews in the United States, edited by Isaac Leeser, in 1837. | ||
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