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tag: Ode to Joy Sorted Chronologically (old to new). Sort most recent first? An die Freude | שִׁיר לְשִׂמְחָה | ode to Joy (Shir l’Simḥah), a Hebrew adaptation of the hymn by Friedrich Schiller (ca. late 18th c.)In 1785 Friedrich Schiller wrote his ‘An die Freude an ode ‘To Joy’, describing his ideal of an equal society united in joy and friendship. Numerous copies and adaptations attest to its popularity at the time. The slightly altered 1803 edition was set to music not only by Ludwig van Beethoven in his Ninth Symphony but also by other composers such as Franz Schubert and Pyotr Tchaikovsky. Hs. Ros. PL B-57 contains a Hebrew translation of the first edition of the ode (apparently rendered before the 1803 alteration), revealing that the spirit of the age even managed to reach the Jewish community in the Netherlands. Whereas the imagery of Schiller’s original is drawn from Greek mythology, the author of the שִׁיר לְשִׂמְחָה relies on the Bible as a source. In fact, he not only utilises Biblical imagery, but successfully avoids any allusion to Hellenistic ideas whatsoever. . . . Categories: 🇪🇺 European Union, 🇺🇸 Brotherhood Week, 🌐 Day of Democracy (September 15th), Rosh Ḥodesh Adar (אַדָר) Alef & Bet “Prinzessin Sabbat” by Heinrich Heine, in Romanzero III: Hebraeische Melodien, (“Princess Shabbat,” in Romanzero III, Hebrew Melodies.), 1851 was translated into English by Margaret Armour (1860-1943), The Works of Heinrich Heine vol. 12: Romancero: Book III, Last Poems (1891). We have replaced “schalet” (unchanged in Armour’s translation) with cholent. . . . בּרידער | “Brothers” – Y.L. Peretz’s Sardonic Rejoinder to Friedrich Schiller’s Paean to Universal Enlightenment, An die Freude (Ode to Joy)Y.L. Peretz rejected cultural universalism, seeing the world as composed of different nations, each with its own character. Liptzin comments that “Every people is seen by him as a chosen people…”; he saw his role as a Jewish writer to express “Jewish ideals…grounded in Jewish tradition and Jewish history.” This is Peretz’s lampoon of the popularity of Friedrich Schiller’s idealistic paean made famous as the lyrics to the climax of Beethoven’s Ninth Symphony. . . . Tags: 20th century C.E., 57th century A.M., contrarianism, Jewish particularism, Ode to Joy, Sardonic poetry, satire, Yiddish songs Contributor(s): Refoyl Finkl (translation), Yitsḥok Leybush Peretz and Aharon N. Varady (transcription) | ||
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