A song by Darshan including the alphabetic acrostic piyyut, El Barukh, part of the morning Yotser Ohr blessing made prior to the Shema at the official beginning of the Shaḥarit service. . . .
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tagged: otiyot 
Contributor(s): Aharon N. Varady (transcription), Paltiel Birnbaum (translation), Eden Pearlstein and Shir Yaakov Feinstein-Feit
Shared on כ״ז בכסלו ה׳תשע״ו (2015-12-08) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories:  Art & Craft, Yotser Ohr
Tags:  hip hop, acrostic, Aleph-Bet, animation, otiyot, 21st century C.E., 58th century A.M., Alphabetic Acrostic, Prayers as poems, English piyyutim, Sefer Yetsirah, אל ברוך El Barukh, rap, יוצר אור yotser ohr
Contributor(s): Aharon N. Varady
Shared on ט׳ בטבת ה׳תשע״ו (2015-12-20) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Art & Craft, Theurgy
Tags: Aleph-Bet, otiyot, gematria 
Basic Hebrew letter and vowel lists adorn the opening pages of a number of siddurim published a century ago — evidence of the centrality of the Jewish prayer book as a common curricular resource. But the Hebrew letters are not only essential to fluency in Hebrew language, they are also the atomic elements composing the world of the rabbinic Jewish imagination. This is especially so for those who conceive in their devotional literary practices an implicit theurgical capability in modifying and adapting the world of language though interpretation, translation, and innovative composition. To create a world with speech relies on thought and this creative ability is only limited by the facility of the creator to derive meaning from a language’s underlying structure. This, therefore, is a table of the Hebrew letters arranged in order of their numerical value, in rows 1-9, 10-90, and 100-900, so that elements with similar numerical structure, (but dissimilar phonetic amd symbolic attributes) appear in vertical columns. Attention has been given to the literal meaning of the letter names and the earliest glyph forms known for each letter in the Hebrew abgad. . . . |
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