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 Contributor(s):A piyyuṭ sung by the Jews of Algiers on Shavu’ot and Simḥat Torah (and by some Moroccans for baqashot on Parashat Toldot). Yayin Tov Ratov is a love song from the perspective of God that uses a lot of language from Song of Songs. Wine and song, in this case, are both metaphors for the Torah. Of unknown origin, the acrostic spells out the name יצחק, although I can confirm that it wasn’t me who wrote it. . . . Contributor(s):The genre of B’raḥ Dodi piyyutim, a variety of geulah piyyut oriented around many Shir haShirim citations, is exclusively associated with Pesaḥ in Ashkenazi practice. Maḥzorim for Pesaḥ include B’raḥ Dodi piyyutim for the first two days and Shabbat Ḥol ha-Moed of Pesaḥ and nowhere else. So to reflect the themes of Pesaḥ Sheni, a B’raḥ Dodi piyyut is a great fit! . . . Contributor(s):A zulat for Pesaḥ Sheni. Each line begins with a word from Numbers 9:11 followed by a letter spelling out “Remember me for good, amen,” excepting the final five lines. The first of these concluding lines is the refrain from the ahavah for the same set, and the final four all begin with hei and transition into the berakhah. This zulat focuses largely on the Temple, where Pesaḥ Sheni offerings were held. . . . יִשְׂרָאֵל אִם־לֹא בְּשִׂמְחָה | Yisrael Im Lo b-Simḥah — an ahavah for Pesaḥ Sheni, by Isaac Gantwerk Mayer Contributor(s):An ahavah for Pesaḥ Sheni. An acrostic spelling out “Yitsḥaq son of Avraham, the priest, ḥazaq,” with a refrain derived from Mishnah Pesaḥim 9:1. . . . Contributor(s):An ofan for Pesaḥ Sheni in tripartite stanzas. Each stanza begins with a citation of Numbers 9:12-14, then an acrostic spelling out “the son of Avraham the priest, ḥazaq.” . . . Contributor(s):A yotser for Pesaḥ Sheni. Each stanza is written with a threefold acrostic — the first two lines in atbash, the third spelling “Yitsḥaq Har’el Ḥazaq,” and the fourth a verse from Numbers 9. . . . אֵין אַדִּיר כַּיְיָ (מִפִּי אֵל) | Ayn Adir kAdonai | לָא קָאדִּר סַוָא אַלְלָה (There is none like Allah), minhag Cairo variation with a Judeo-Arabic translation Contributor(s):This is a variation of Mipi El in Hebrew with a Judeo-Arabic translation found in the Seder al-Tawḥid for Rosh Ḥodesh Nissan, compiled by Mosheh Asher ibn Shmuel in 1887 in Alexandria. . . . כִּי־לְךָ תֻּקְרָא כׇּל־בְּרָכָה | Ki Lᵊkha Tuqra Kol Bᵊrakhah, a macaronic poem for Yom Meturgeman by Isaac Gantwerk Mayer Contributor(s):This is a macaronic poem for Yom Meturgeman. Macaronic poetry is poetry in multiple languages at once. In this case, the languages reflected are Hebrew, Aramaic, Judeo-Arabic, Yiddish, Ladino, and English, with a repeated Hebrew refrain. Each language is meant to rhyme with the colloquial Hebrew as it would be read — i.e. though the Yiddish doesn’t rhyme with the modern Hebrew pronunciation, it rhymes with the traditional Ashkenazi one. . . . Qedushta Additions for the Public Repetition of the Amidah on Sigd, adapted from the original liturgical texts by Isaac Gantwerk Mayer Contributor(s):This is a Hebrew adaptation of the poems traditionally recited by the Beta Israel community for the festival of Sigd, altered and adapted to fit the traditional qedushta form of poetic Amidah additions. The texts of the first few prayers were rewritten substantially and combined with relevant verses so as to fit in the strict form of the magen, mehaye, meshalesh, and El Na. After this, the qiqlar is slightly edited to fit a couplet rhyme scheme, while the silluq (the freest of the genres of qedusha piyyut) is almost entirely preserved — the only change being several verses whose placement is postponed so as to better lead into the qedusha as a silluq should. Regarding translations, the silluq largely uses my original translation with slight alterations (replacing the clunky use of ‘God’ as a pronoun with a gender-neutral THEIR, translating the Agaw passages into Latin rather than English to preserve general comprehensibility while clarifying that this is a different language), while the rest of the poems are different enough for their translation to largely be from scratch. These would be recited with the Ark open for all the piyyutim, as one would on the Yamim Noraim, ideally using melodies from the Sigd liturgy. . . . תפילת גשם כולל אמהות | Tefillat Geshem including the matriarchs with stanzas in a backwards acrostic, an adaptation by Eliran Sobel Contributor(s):On Shemini Atseret, one is supposed to begin mentioning rain in the second blessing of their Amidah prayers (Ta’anit 2a). In many communities, this is liturgically marked by a poetic introduction in the repetition of the Amidah, called Geshem, specifically with the piyyut “Zekhor Av” written by Rabbi Eleezer BeRabbi Kalir, which alludes to the references of our forefathers’ relations to water. One feature of this poem is that it utilizes an alef-bet-ical acrostic, and while there are various modern adaptations that include biblical women, those break the acrostic. This is my attempt to compose a version including stanzas for our foremothers, while maintaining the acrostic by writing the women’s stanzas as a backwards acrostic (i.e. starting from tav and going to alef). This backwards acrostic containing the foremothers is then interspersed with Kalir’s original. . . . Contributor(s):This is an original piyyut, inspired by the structure of the beloved Yom Kippur Ne’ilah piyyut El Nora ‘Alila. In the era of the Sanhedrin, every fast day would have a Ne’ilah service between Minḥa and the conclusion of the fast. While these are no longer in practice for any days other than Yom Kippur, the editor personally feels like it could be worth bringing them back. As part of this idea, this piyyut is meant to be sung after the end of Tishah b’Av mincha but before the fast ends, as we prepare for the weeks of comfort. It is expressly *not* a qinah. . . . מָעוֹז צוּר | Maoz Tsur for Yom ha-Atsma’ut, a complete poetic translation with an added stanza for the State of Israel’s Independence Day by Isaac Gantwerk Mayer Contributor(s):This is a complete poetic rhyming translation of Maoz Tsur with all six of its stanzas including a seventh, final stanza written by Isaac Gantwerk Mayer specifically for Yom ha-Atsmau’ut. . . . Contributor(s):The first day of Pesach, according to the Sages, is the day the world is judged for grain and dew. Because of this, many customs have developed tying it into the pomp of the High Holy Days. One custom preserved in many medieval maḥzorim is to extend the final blessing of the the Musaf “Tal” (Dew) service, including a Hayom piyyut, a piyyut form otherwise almost exclusively associated with the Yamim Noraim. This extended Sim Shalom berakha including piyyutim is presented here, largely based on the form compiled by Ernst Daniel Goldschmidt (zatsal). . . . הָאֵל בְּתַעֲצֻמוֹת עֻזֶּךָ | 上帝，拥有绝对的力量 | Ha-El b’taatsumot Uzekha (Shàngdì, yǒngyǒu juéduì de lìliàng) — Chinese translation by Richard Collis (2022) Contributor(s):This Chinese translation of the short piyyut “Ha-El b’taatsumot” following Nishmat Kol Ḥai is found on page 2 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . Contributor(s):This Chinese translation of an Ashkenazi nusaḥ for the piyyut “Shokhen Ad” following Nishmat Kol Ḥai is found on page 3 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . Contributor(s):This Chinese translation of an Ashkenazi nusaḥ for the alphabetic acrostic piyyut “El Adon,” is found on page 8 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . בִּרְכָּת אַהֲבַה | 满怀爱意 | Ahavah Rabah (Mǎnhuái ài yì) — Chinese translation by Richard Collis (2022) Contributor(s):This Chinese translation of an Ashkenazi nusaḥ of the Birkat Ahavah (“Ahavah Rabah”) prayer before the Shema in Shaḥarit is found on pages 12 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . אֲדוֹן עוֹלָם (אשכנז) | 世界的主 | Adon Olam (Shìjiè de zhǔ) — Chinese translation by Richard Collis (2022) Contributor(s):This Chinese translation of an Ashkenazi nusaḥ for the piyyut “Adon Olam,” is found on page 73 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . Contributor(s):This adaptation of Yigdal, appears in מַחְזוֹר בִּרְכַּת שָׁלוֹם Maḥzor Birkat Shalom, an egalitarian Rosh haShanah & Yom Kippur maḥzor (Havurat Shalom 2014/2022), at the end of the Maariv service, pp. 62-63. . . . אֶפְתַּח פִּי לְךָ אָדוֹן | Eftaḥ Pi L’kha Adōn, a seliḥah for Kristallnacht by Isaac Gantwerk Mayer Contributor(s):There’s a lot of controversy over Yom haShoah as a date. One of the key issues is this: traditionally, the ways Jews mourn communal tragedies is through establishing a fast day. It’s forbidden to fast during the month of Nisan. It’s hard to pick any specific date to commemorate a tragedy as enormous as the Shoah, but one which seems appropriate to me would be 16 Marḥeshvan, the anniversary of Kristallnacht, the November Pogrom. This piyyut is a seliḥah for Kristallnacht, to be recited on 16 Marḥeshvan (or 15 Marḥeshvan on years like 5782 where the sixteenth falls on a Thursday). . . . רַחֲמָנָא | Raḥamana di N’shaya — Aramaic Seliḥoth Piyyut for Biblical Women, by Isaac Gantwerk Mayer Contributor(s):The Raḥamana piyyut is a litany beloved in Sephardic and Mizraḥi communities, a standard part of their Seliḥoth services throughout the month of Elul and the days of repentance. Traditionally it cites a list of Biblical men (Abraham, Isaac, Jacob, Joseph, Moses, Aaron, Pinhas, David, and Solomon) and asks to be remembered for their merit and their covenants, for the sake of “Va-yaŋabor” — the first word of Exodus 34:6, the introduction to the verses of the Thirteen Attributes recited in Seliḥoth services. This text instead uses Biblical women (Sarah, Rebecca, Leah and Rachel, Serach, Miriam, Deborah, Ruth, Hannah, and Esther). . . . Contributor(s):A prayer for focusing one’s mind and intention during the separation of dough in the preparation of halah before Shabbat. . . . Contributor(s):A companion to the classic piyyut, Yigdal. . . . שָׁלוֹם עֲלֵיכֶם (שְׁלָמָא אֵילוֹכוּן) | Shalom Aleikhem (Shlama Elokhun), Aramaic translation by Yaacov Maoz Contributor(s):The popular piyyut for welcoming the Shabbat, in Hebrew with translations in Assyrian-Aramaic and English. . . . Contributor(s):A 21st century recasting of the iconic 13th century Spanish mystical Rosh haShanah piyyut. . . . אדיר הוא | Awesome One: an Alphabetical English Interpretation of the piyyut Adir Hu, by Isaac Gantwerk Mayer Contributor(s):Adir Hu, a classic Pesaḥ song if ever there was one, is a part of Seder tables all over the planet. Its alphabetical list of God’s attributes, combined with its repeated pleas for a return to Jerusalem, make it a classic, to the point where the traditional German farewell greeting for Passover was not “chag sameach” or “gut yontef” but “bau gut” – build well. This interpretation, while not a direct translation by any means, has the same rhythmic pattern and alphabetical structure, giving a sense of the greatness of God. . . . Additions to Piyyutim on the High Holidays for the Shemitah Year, by Rabbi David Seidenberg (neohasid.org) Contributor(s):Two suggestions for ḥazanim (cantors) and shliḥei tzibur on the High Holidays. . . . Contributor(s):These are piyyutim written in a traditional style, meant to introduce the opening of each book in the Torah. These piyyutim can be used at any time the opening line of the reading is said – on the Shabbat Minḥa/Monday/Thursday prior to the reading OR on the Shabbat morning of the reading proper. Because of this, the sheets arranged including the readings use two sizes – a larger size for the shorter first reading for weekdays, and a smaller size for the full first reading on Shabbatot. They can only be read when the first verse of the book is read. . . . Contributor(s):This is a piyyut (liturgical poem) which is intended to be recited at a brit. It is connected to my liturgy for a “chag hachnassah labrit” (available here). The explanation for the chag is also the basis for the piyyut. Translation into English by Shoshanna Gershenson, Maeera Schreiber and Aryeh Cohen. . . . Contributor(s):This Yom Kipur, our congregation (Beth Jacob Synagogue in Hamilton) requested a reworking of the piyyut, “Amits Koaḥ” (text, audio) since the language is very tough and resists plain translation into English. I was also commissioned to write a poem describing the history of the world from a Jewish perspective, from scratch and in English, for use at the beginning of the Avodah service. It turned out to be just as obscure as the original so I put in a little column to the right with a little reference what I was talking about. . . . Contributor(s):A piyyut for an under-recognized holiday, Pesaḥ Sheni, the festival of second chances (as described in Numbers 9:6-13 and Mishnah Pesaḥim 9:1-3. I attempted to write this in the manner of a traditional piyyut. The meter is equivalent to the Shabbat zamir “Ot Hi l’Olmei Ad.” The Hebrew spells out Yod – Tzadi – Ḥet – Kuf, because that’s my name. The translation is original, along with the notes. . . . Contributor(s):The time of Sukkot is a time of fullness and generosity, but also a time to pray for the coming season. Shemini Atzeret, the festival when we pray for rain, is an expression of our need for water, which in the Jewish tradition symbolizes life, renewal, and deliverance. Tefillat Geshem, a graceful fixture of the Ashkenazic liturgy, invokes the patriarchs as exemplars of holiness and model recipients of God’s love. This prayer uses water as a metaphor for devotion and faith, asking that God grant us life-sustaining rain. While its authorship is unknown, it is sometimes attributed to Elazar Kallir, the great liturgist who lived sometime during the first millenium. Each year, we are reminded of our people’s connection to the patriarchs and to the rhythms of water, spiritual and physical sources of life, through this medieval piyyut. While we know that rain is a natural process, formal thanksgiving for water as a source of life, energy, and beauty reminds us that our Creator is the source of our physical world and its many wonders. . . . Contributor(s):Supplemental prayers for the Birkat Hamazon on Tu b’Av. . . . Contributor(s):This piyut (liturgical poem) arose after a very meaningful performance of mine in the summer of 2000. It was such a powerful experience that I was moved to say a prayer of thanks to G-d for the opportunity to perform my songs for audiences – but found no such prayer in existence. So I wrote this one. It took about a year to complete and I’ve been saying it backstage right before my performances, and sometimes before recording sessions, since then. . . . Contributor(s):This prayer for rain, adapted by Rabbi Emily Kapor-Mater in 2013, appears in סִדּוּר בִּרְכַּת שָׁלוֹם Siddur Birkat Shalom, an egalitarian Shabbat morning siddur (Havurat Shalom 1991/2021), in the “Holiday Prayers” section, pp. 197-202. . . . אל רם חסין יה | El Ram Ḥasin Yah, a piyyut for Sukkot by Shlomo haPaytan (egal adaptation by Noam Sienna, 2012) Contributor(s):This is one of my favourite Sukkot piyyutim, not least because of the wonderful and easily singable call-and-response melody! The seven verses each highlight one of the seven traditional ushpizin [mythic guests], and a few years ago I wrote an additional seven verses for the seven female ushpizata according to the order of Rabbi David Seidenberg (neohasid.org). . . . Contributor(s):Rabbi Zalman Schachter-Shalomi, z”l, included his translation of “Yehi Kh’vod” in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with the verses comprising the piyyut. . . . אַתָּה־הוּא וְאָז יָשִׁיר (מקוצר) | Atah Hu and a condensed Az Yashir, adapted and translated by Rabbi Zalman Schachter-Shalomi Contributor(s):Rabbi Zalman Schachter-Shalomi, z”l, included his translation of נחמיה ט׃ו-י (Neḥemyah 9:6-10) in his Siddur Tehillat Hashem Yidaber Pi (2009). . . . ברוך ה׳ לעולם | Barukh Hashem l’Olam :: Bless Yah Always, translated by Rabbi Zalman Schachter-Shalomi Contributor(s):In the daily Shaḥarit (morning) psukei dzemirah service, this centos completes the reading of Psalms 145-150 and precedes the reading of Vayivarekh David” (1 Chronicles 29:10-13). Rabbi Zalman Schachter-Shalomi, z”l, included his translation of the linked verse piyyut, “Barukh YHVH (Hashem) L’Olam” in his Siddur Tehillat Hashem Yidaber Pi (2009). . . . Contributor(s):Rabbi Zalman Schachter-Shalomi, z”l, included his adaptation of the liturgy for the final section of liturgy from the Pesukei Dezimrah, “Yishtabaḥ Shimkha,” in his Siddur Tehillat Hashem Yidaber Pi (2009). . . . Contributor(s):“Orah hee” was composed by Rabbi Jill Hammer in 2008 and first published at Tel Shemesh in romanized Hebrew and English translation. . . . לְכָה דוֹדִי | Lekhah Dodi, the piyyut for Ḳabbalat Shabbat by Shlomo haLevi Al-Qabets (translation by Rabbi Levi Weiman-Kelman & Shaul Vardi) Contributor(s):This translation of the piyyut for Shabbat by Shlomo Al-Qabets can be found in HaAvodah SheBaLev – the Service of the Heart (Kehilat Kol HaNeshama, Jerusalem, 2007). . . . Contributor(s):A Hebrew translation of the lyrics to Harry Nilsson’s “One” (1967) as sung by Aimee Mann (1995) . . . הַמַּבְדִּיל בֵּין קֹדֶשׁ לְחֹל | Hamavdil Ben Ḳodesh l’Ḥol, a piyyut attributed to Yitsḥaq ben Yehudah ibn Ghayyat (German translation by Franz Rosenzweig 1921) Contributor(s):The text of the piyyut, “HaMavdil,” with a German translation by Franz Rosenzweig. . . . שָׁלוֹם עֲלֵיכֶם | Shalom Aleikhem, the piyyut for Friday evenings in German translation by Franz Rosenzweig (1921) Contributor(s):The popular adjuration of the angels of peace and ministering angels, Shalom Aleikhem, in Hebrew with a German translation by Franz Rosenzweig. . . . על אהבתך אשתה גביעי | Al Ahavatekha Eshteh Gəvi’i, a piyyut of Yehudah haLevi (German translation by Franz Rosenzweig 1921) Contributor(s):The text of Yehudah haLevi’s piyyut, “Al Ahavatekha Eshteh Gəvi’i,” with a German translation by Franz Rosenzweig. . . . כִּי אֶשְׁמְרָה שַׁבָּת | Ki Eshmera Shabbat, a piyyut by Avraham ibn Ezra (rhyming translation by Israel Abrahams, 1914) Contributor(s):The piyyut and popular shabbat table song, Ki Eshmera Shabbat, in Hebrew with a rhyming translation. . . . צוּר מִשֶּׁלּוֹ אָכַֽלְנוּ | Tsur Mishelo Akhalnu, a paraliturgical Birkat haMazon (translation by Nina Salaman 1914) Contributor(s):The paralitugical Birkat haMazon Tsur Mishelo, in Hebrew with an English translation. . . . יָהּ עֶזְרָתִי מִן שְׁמַיָּא | Yah Ezrati Min Shemayya, a piyyut by Ḥayyim Shaul Abboud (ca. 20th c.) Contributor(s):A 20th century piyyut by Ḥayyim Shaul Aboud. . . . Contributor(s):A popular 20th century piyyut. . . . |
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