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פיוטים piyyuṭim —⟶ tag: פיוטים piyyuṭim Sorted Chronologically (old to new). Sort most recent first? An original Aramaic-language “meturgeman piyyut” for Simḥat Torah and the reading of v-Zot haBerakha. I’m working on creating a seder meturgeman liturgy, akin to those for day 7 of Pesaḥ and for Shavuot, to be recited on Simḥat Torah. Mostly incorporating older Aramaic poems, I’ve also decided to write some originals myself. This is one of them, in praise of Moshe, to be recited after Deut. 34:11. In an atbash structure, it celebrates the great actions that Moshe did in the senses of Israel, using the ten names of Moshe listed in Vayikra Rabba 1:3:3. Categories: Tags: acrostic, Alphabetic Acrostic, Aramaic, אתבש atbash, Mosheh Rabbenu, פיוטים piyyuṭim, Simḥat Torah, תרגום targum Contributor(s): In the style of the full Eliyahu haNavi piyyuṭ recited by some communities every Havdalah, a piyyuṭ in honor of Seraḥ bat Asher, retelling the events of her life according to the midrashim. This is not the first time I’ve written a Havdalah piece on Seraḥ, the distaff counterpart to Elijah in the midrash. She also inspired this shorter song. Like the full Eliyahu haNavi piyyuṭ, this is in three-line rhyming stanzas with a repeated refrain. Unlike it, it is in a tashraq reverse alphabetical acrostic, followed by an authorial tag — this time using a matronymic. Categories: Tags: 21st century C.E., 58th century A.M., Acrostic signature, הבדלות havdalot, פיוטים piyyuṭim, Psychopomp, reverse acrostic, Seraḥ bat Asher, זמירות zemirot Contributor(s): An ofan for Tu b’Av, the second part of an intended cycle of yotsrot. Structured around Hosea 11:1 and Ezekiel 3:12, and focusing on the bridal love between Israel and God as well as the corresponding of Israel’s and angelic hymning. Written in honor of my friend Eliran’s anniversary. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, ofanim, פיוטים piyyuṭim, יוצרות yotsrot Contributor(s): An original Aramaic-language “meturgeman piyyut” for Simḥat Torah. I’m working on creating a seder meturgeman liturgy, akin to those for day 7 of Pesaḥ and for Shavuot, to be recited on Simḥat Torah. Mostly incorporating older Aramaic poems, I’ve also decided to write some originals myself. This piyyut, written in the structure of the famous Aqdamut Milin reshut still recited on Shavuot, is meant to be inserted before the translation of the first verse of the first aliyah on Simḥat Torah. It discusses the halakhic status and history of Shmini Atzeret, as well as the final blessing and death of Moses. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, Aramaic, Mosheh Rabbenu, פיוטים piyyuṭim, תרגום targum Contributor(s): | ||
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