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פיוטים piyyutim —⟶ tag: פיוטים piyyutim Sorted Chronologically (old to new). Sort most recent first? כִּי אֶשְׁמְרָה שַׁבָּת | Ki Eshmerah Shabbat, a piyyut by Avraham ibn Ezra (trans. Rabbi David Aaron de Sola, 1857)This translation of “Ki Eshmera Shabbat” by Rabbi David Aaron de Sola of a piyyut by Avraham ibn Ezra was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Categories: Se'udat Yom Shabbat Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, כי אשמרה שבת Ki Eshmerah Shabbat, פיוטים piyyutim, rhyming translation, זמירות zemirot Contributor(s): David de Aaron de Sola (translation), Avraham ibn Ezra and Aharon N. Varady (transcription) יוֹם זֶה לְיִשְׁרַאֵל | Yom Zeh l’Yisrael, a piyyut by Rabbi Yitsḥaq Luria (translation by Rabbi David Aaron de Sola, 1857)This translation of “Yom Zeh l’Yisrael” by Rabbi David Aaron de Sola of a piyyut by Rabbi Yitsḥaq Luria was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Categories: Se'udat Yom Shabbat Tags: 16th century C.E., 54th century A.M., Acrostic signature, פיוטים piyyutim, יום זה לישראל Yom Zeh l'Yisrael, זמירות zemirot Contributor(s): David de Aaron de Sola (translation), Yitsḥak Luria and Aharon N. Varady (transcription) יְיָ בּוֹקֶר אֶעֱרוֹךְ לְךָ | Hashem Boqer E’erokh Lakh (Hear my voice at dawn), a reshut by an unknown paytan (trans. Rabbi David Aaron de Sola, 1857)This translation of “Adonai boker e’erokh lekha” by Rabbi David Aaron de Sola of a piyyut by an unknown paytan was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Categories: Morning Baqashot Contributor(s): David de Aaron de Sola (translation), Unknown Author(s) and Aharon N. Varady (transcription) This is an English translation of Maoz Tsur published by The Hebrew Standard for their 1893 Ḥanukkah issue (vol. 29, no. 12, New York, Friday, 8 December 1893 — 29 Kislev 5654). The Hebrew Standard was one of the biggest English-language Jewish papers in America around the turn of the twentieth century, generally taking a more traditionalist line than the Reform papers and a more moderate line than the leftist ones. This translation, simply titled “Chanukah”, unfortunately goes unattributed in the pages of The Hebrew Standard. The translation follows an ABABCCDD rhyme scheme (for those unfamiliar with rhyme scheme notation, this is the same rhyme scheme as “The Star-Spangled Banner“), unlike the Hebrew’s ABABBBccB. . . . Categories: Ḥanukkah צוּר מִשֶּׁלּוֹ אָכַֽלְנוּ | Tsur Mishelo Akhalnu, a paraliturgical Birkat haMazon (rhymed translation by Alice Lucas, 1898)A rhymed translation of Tsur Mishelo, a paralitugical Birkat haMazon. . . . Categories: Blessings After Eating חׇנֵּנוּ יָהּ חׇנֵּנוּ | Ḥonenu Yah Ḥonenu (Forgive Us Yah in the Merit of Moshe Rabbenu), by the Ben Ish Ḥai (ca. 19th c.)The 7th of Adar is the traditional date for the yahrzeit of Moshe Rabbeinu and it is also remembered as the day of his birth 120 years earlier. This variation of of the piyyut, Hanenu Yah Hanenu (Forgive Us Yah, Forgive Us), sung on 7 Adar, is attributed to Rabbi Yosef Ḥayyim of Baghdad (the Ben Ish Ḥai, 1832-1909). The earliest published version we could find appears in בקשות: ונוסף עוד פתיחות ופיוטים הנוהגים לומר בזמה הזה (1912) containing piyyutim by Israel ben Moses Najara (1555-1625), a Jewish liturgical poet, preacher, Biblical commentator, kabbalist, and rabbi of Gaza. The contemporary audio recording of the Iraqi nusaḥ presented here was made by משה חבושה (Moshe Ḥavusha). . . . Categories: Shiv'ah b'Adar The piyyut, Refa Tsiri, in Hebrew with an English translation. . . . Categories: Well-being, health, and caregiving The popular table song calling for the redemption of the Messianic age in Tsiyon. . . . The piyyut, Ma Navu Alei, in Hebrew with an English translation. . . . Categories: Engagements & Weddings A popular 20th century piyyut. . . . Categories: Morning Baqashot יָהּ עֶזְרָתִי מִן שְׁמַיָּא | Yah Ezrati Min Shemayya, a piyyut by Ḥayyim Shaul Abboud (ca. 20th c.)A 20th century piyyut by Ḥayyim Shaul Aboud. . . . Categories: Morning Baqashot צוּר מִשֶּׁלּוֹ אָכַֽלְנוּ | Tsur Mishelo Akhalnu, a paraliturgical Birkat haMazon (translation by Nina Salaman 1914)The paralitugical Birkat haMazon Tsur Mishelo, in Hebrew with an English translation. . . . Categories: Blessings After Eating Tags: Acrostic signature, paraliturgical birkat hamazon, פיוטים piyyutim, צור משלו Tsur Mishelo, זמירות zemirot Contributor(s): Nina Davis Salaman (translation), Unknown Author(s) and Aharon N. Varady (transcription) כִּי אֶשְׁמְרָה שַׁבָּת | Ki Eshmera Shabbat, a piyyut by Avraham ibn Ezra (rhyming translation by Israel Abrahams, 1914)The piyyut and popular shabbat table song, Ki Eshmera Shabbat, in Hebrew with a rhyming translation. . . . Categories: Se'udat Yom Shabbat Tags: 12th century C.E., 50th century A.M., כי אשמרה שבת Ki Eshmerah Shabbat, פיוטים piyyutim, rhyming translation, זמירות zemirot Contributor(s): Israel Abrahams (translation), Avraham ibn Ezra and Aharon N. Varady (transcription) Óró sé do bheatha abhaile | הוֹי בָּרוּך הַבָּא הַבַּֽיתָה (Hoy! Barukh ha-Ba ha-Baitah) — adapted by Pádraig Pearse (1916; Hebrew translation by Isaac Gantwerk Mayer)“Óró sé do bheatha abhaile” is one of the most popular Irish rebel songs. Adapted from a folk song (with possible 18th century Jacobite origins), the most popular modern version, written by the poet and republical activist Pádraig Pearse and sung by the Irish Volunteers during the 1916 Easter Rising, is full of messianic and biblical imagery that makes it ripe for adaptation into a Hebrew piyyut. Presented here is “Hoy! Barukh Ha-Ba Ha-Bayta,” a Hebrew adaptation singable to the original melody. . . . Categories: 🇮🇪 Ireland על אהבתך אשתה גביעי | Al Ahavatekha Eshteh Gəvi’i, a piyyut of Yehudah haLevi (German translation by Franz Rosenzweig 1921)The text of Yehudah haLevi’s piyyut, “Al Ahavatekha Eshteh Gəvi’i,” with a German translation by Franz Rosenzweig. . . . Categories: Se'udat Leil Shabbat Contributor(s): Franz Rosenzweig (translation), Yehudah ben Shmuel haLevi and Aharon N. Varady (transcription) שָׁלוֹם עֲלֵיכֶם | Shalom Aleikhem, the piyyut for Friday evenings in German translation by Franz Rosenzweig (1921)The popular adjuration of the angels of peace and ministering angels, Shalom Aleikhem, in Hebrew with a German translation by Franz Rosenzweig. . . . Categories: Se'udat Leil Shabbat Tags: 20th century C.E., 57th century A.M., Angels, German Jewry, German translation, פיוטים piyyutim, שלום עליכם shalom aleikhem, זמירות zemirot Contributor(s): Franz Rosenzweig (translation), Unknown Author(s) and Aharon N. Varady (transcription) A Hebrew translation of the lyrics to Harry Nilsson’s “One” (1967) as sung by Aimee Mann (1995) . . . Categories: Sefirat ha-Omer לְכָה דוֹדִי | Lekhah Dodi, the piyyut for Ḳabbalat Shabbat by Shlomo haLevi Al-Qabets (translation by Rabbi Levi Weiman-Kelman & Shaul Vardi)This translation of the piyyut for Shabbat by Shlomo Al-Qabets can be found in HaAvodah SheBaLev – the Service of the Heart (Kehilat Kol HaNeshama, Jerusalem, 2007). . . . Categories: Ḳabbalat Shabbat Tags: 16th century C.E., 54th century A.M., acrostic, Alphabetic Acrostic, לכה דודי Lekhah Dodi, פיוטים piyyutim, שבת shabbat Contributor(s): Shaul Vardi (translation), Levi Weiman-Kelman (translation) and Shlomo haLevi Al-Qabets “Orah hee” was composed by Rabbi Jill Hammer in 2008 and first published at Tel Shemesh in romanized Hebrew and English translation. . . . Categories: Nirtsah Rabbi Zalman Schachter-Shalomi, z”l, included his adaptation of the liturgy for the final section of liturgy from the Pesukei Dezimrah, “Yishtabaḥ Shimkha,” in his Siddur Tehillat Hashem Yidaber Pi (2009). . . . Categories: Yishtabaḥ Shimkha ברוך ה׳ לעולם | Barukh Hashem l’Olam :: Bless Yah Always, translated by Rabbi Zalman Schachter-ShalomiIn the daily Shaḥarit (morning) psukei dzemirah service, this centos completes the reading of Psalms 145-150 and precedes the reading of Vayivarekh David” (1 Chronicles 29:10-13). Rabbi Zalman Schachter-Shalomi, z”l, included his translation of the linked verse piyyut, “Barukh YHVH (Hashem) L’Olam” in his Siddur Tehillat Hashem Yidaber Pi (2009). . . . Categories: Barukh Hashem l’Olam אַתָּה־הוּא וְאָז יָשִׁיר (מקוצר) | Atah Hu and a condensed Az Yashir, adapted and translated by Rabbi Zalman Schachter-ShalomiRabbi Zalman Schachter-Shalomi, z”l, included his translation of נחמיה ט׃ו-י (Neḥemyah 9:6-10) in his Siddur Tehillat Hashem Yidaber Pi (2009). . . . Categories: Shirat ha-Yam Rabbi Zalman Schachter-Shalomi, z”l, included his translation of “Yehi Kh’vod” in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with the verses comprising the piyyut. . . . Categories: Yehi Kh’vod אל רם חסין יה | El Ram Ḥasin Yah, a piyyut for Sukkot by Shlomo haPaytan (egal adaptation by Noam Sienna, 2012)This is one of my favourite Sukkot piyyutim, not least because of the wonderful and easily singable call-and-response melody! The seven verses each highlight one of the seven traditional ushpizin [mythic guests], and a few years ago I wrote an additional seven verses for the seven female ushpizata according to the order of Rabbi David Seidenberg (neohasid.org). . . . Categories: Sukkot This prayer for rain, adapted by Rabbi Emily Kapor-Mater in 2013, appears in סִדּוּר בִּרְכַּת שָׁלוֹם Siddur Birkat Shalom, an egalitarian Shabbat morning siddur (Havurat Shalom 1991/2021), in the “Holiday Prayers” section, pp. 197-202. . . . This piyut (liturgical poem) arose after a very meaningful performance of mine in the summer of 2000. It was such a powerful experience that I was moved to say a prayer of thanks to G-d for the opportunity to perform my songs for audiences – but found no such prayer in existence. So I wrote this one. It took about a year to complete and I’ve been saying it backstage right before my performances, and sometimes before recording sessions, since then. . . . Categories: Labor, Fulfillment, and Parnasah Supplemental prayers for the Birkat Hamazon on Tu b’Av. . . . The time of Sukkot is a time of fullness and generosity, but also a time to pray for the coming season. Shemini Atzeret, the festival when we pray for rain, is an expression of our need for water, which in the Jewish tradition symbolizes life, renewal, and deliverance. Tefillat Geshem, a graceful fixture of the Ashkenazic liturgy, invokes the patriarchs as exemplars of holiness and model recipients of God’s love. This prayer uses water as a metaphor for devotion and faith, asking that God grant us life-sustaining rain. While its authorship is unknown, it is sometimes attributed to Elazar Kallir, the great liturgist who lived sometime during the first millenium. Each year, we are reminded of our people’s connection to the patriarchs and to the rhythms of water, spiritual and physical sources of life, through this medieval piyyut. While we know that rain is a natural process, formal thanksgiving for water as a source of life, energy, and beauty reminds us that our Creator is the source of our physical world and its many wonders. . . . A piyyut for an under-recognized holiday, Pesaḥ Sheni, the festival of second chances (as described in Numbers 9:6-13 and Mishnah Pesaḥim 9:1-3. I attempted to write this in the manner of a traditional piyyut. The meter is equivalent to the Shabbat zamir “Ot Hi l’Olmei Ad.” The Hebrew spells out Yod – Tzadi – Ḥet – Kuf, because that’s my name. The translation is original, along with the notes. . . . Categories: Pesaḥ Sheni This Yom Kipur, our congregation (Beth Jacob Synagogue in Hamilton) requested a reworking of the piyyut, “Amits Koaḥ” (text, audio) since the language is very tough and resists plain translation into English. I was also commissioned to write a poem describing the history of the world from a Jewish perspective, from scratch and in English, for use at the beginning of the Avodah service. It turned out to be just as obscure as the original so I put in a little column to the right with a little reference what I was talking about. . . . Categories: Yom Kippur This is a piyyut (liturgical poem) which is intended to be recited at a brit. It is connected to my liturgy for a “chag hachnassah labrit” (available here). The explanation for the chag is also the basis for the piyyut. Translation into English by Shoshanna Gershenson, Maeera Schreiber and Aryeh Cohen. . . . Categories: Brit Milah & Simḥat Bat These are piyyutim written in a traditional style, meant to introduce the opening of each book in the Torah. These piyyutim can be used at any time the opening line of the reading is said – on the Shabbat Minḥa/Monday/Thursday prior to the reading OR on the Shabbat morning of the reading proper. Because of this, the sheets arranged including the readings use two sizes – a larger size for the shorter first reading for weekdays, and a smaller size for the full first reading on Shabbatot. They can only be read when the first verse of the book is read. . . . Categories: During the Aliyot Additions to Piyyutim on the High Holidays for the Shemitah Year, by Rabbi David Seidenberg (neohasid.org)Two suggestions for ḥazanim (cantors) and shliḥei tzibur on the High Holidays. . . . אדיר הוא | Awesome One: an Alphabetical English Interpretation of the piyyut Adir Hu, by Isaac Gantwerk MayerAdir Hu, a classic Pesaḥ song if ever there was one, is a part of Seder tables all over the planet. Its alphabetical list of God’s attributes, combined with its repeated pleas for a return to Jerusalem, make it a classic, to the point where the traditional German farewell greeting for Passover was not “chag sameach” or “gut yontef” but “bau gut” – build well. This interpretation, while not a direct translation by any means, has the same rhythmic pattern and alphabetical structure, giving a sense of the greatness of God. . . . Categories: Nirtsah A 21st century recasting of the iconic 13th century Spanish mystical Rosh haShanah piyyut. . . . Categories: Rosh haShanah (l’Maaseh Bereshit) שָׁלוֹם עֲלֵיכֶם (שְׁלָמָא אֵילוֹכוּן) | Shalom Aleikhem (Shlama Elokhun), Aramaic translation by Yaacov MaozThe popular piyyut for welcoming the Shabbat, in Hebrew with translations in Assyrian-Aramaic and English. . . . Categories: Se'udat Leil Shabbat A companion to the classic piyyut, Yigdal. . . . A prayer for focusing one’s mind and intention during the separation of dough in the preparation of halah before Shabbat. . . . Categories: Erev Shabbat רַחֲמָנָא | Raḥamana di N’shaya — an Aramaic seliḥoth piyyut for biblical women by Isaac Gantwerk MayerThe Raḥamana piyyut is a litany beloved in Sephardic and Mizraḥi communities, a standard part of their Seliḥoth services throughout the month of Elul and the days of repentance. Traditionally it cites a list of Biblical men (Abraham, Isaac, Jacob, Joseph, Moses, Aaron, Pinhas, David, and Solomon) and asks to be remembered for their merit and their covenants, for the sake of “Va-yaŋabor” — the first word of Exodus 34:6, the introduction to the verses of the Thirteen Attributes recited in Seliḥoth services. This text instead uses Biblical women (Sarah, Rebecca, Leah and Rachel, Serach, Miriam, Deborah, Ruth, Hannah, and Esther). . . . Categories: Rosh haShanah (l’Maaseh Bereshit) אֶפְתַּח פִּי לְךָ אָדוֹן | Eftaḥ Pi L’kha Adōn, a seliḥah for Kristallnacht by Isaac Gantwerk MayerThere’s a lot of controversy over Yom haShoah as a date. One of the key issues is this: traditionally, the ways Jews mourn communal tragedies is through establishing a fast day. It’s forbidden to fast during the month of Nisan. It’s hard to pick any specific date to commemorate a tragedy as enormous as the Shoah, but one which seems appropriate to me would be 16 Marḥeshvan, the anniversary of Kristallnacht, the November Pogrom. This piyyut is a seliḥah for Kristallnacht, to be recited on 16 Marḥeshvan (or 15 Marḥeshvan on years like 5782 where the sixteenth falls on a Thursday). . . . Categories: 🌐 Holocaust Remembrance Day (January 27th), Kristallnacht (9-10 November, 16 Marḥeshvan), 🇮🇱 Yom haShoah (27 Nisan), 🇺🇸 Days of Remembrance of the Victims of the Holocaust This adaptation of Yigdal, appears in מַחְזוֹר בִּרְכַּת שָׁלוֹם Maḥzor Birkat Shalom, an egalitarian Rosh haShanah & Yom Kippur maḥzor (Havurat Shalom 2014/2022), at the end of the Maariv service, pp. 62-63. . . . אֲדוֹן עוֹלָם (אשכנז) | 世界的主 | Adon Olam (Shìjiè de zhǔ) — Chinese translation by Richard Collis (2022)This Chinese translation of an Ashkenazi nusaḥ for the piyyut “Adon Olam,” is found on page 73 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, Chinese translation, cosmological, חתימות ḥatimot (concluding prayers), פיוטים piyyutim Contributor(s): Richard Collis (translation), Shlomo ibn Gabirol and Aharon N. Varady (transcription) בִּרְכָּת אַהֲבַה | 满怀爱意 | Ahavah Rabah (Mǎnhuái ài yì) — Chinese translation by Richard Collis (2022)This Chinese translation of an Ashkenazi nusaḥ of the Birkat Ahavah (“Ahavah Rabah”) prayer before the Shema in Shaḥarit is found on pages 12 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . Categories: Birkat Ahavah Tags: acrostic, אהבה רבה ahavah rabbah, Alphabetic Acrostic, blessings prior to the shema, Chinese translation, פיוטים piyyutim Contributor(s): Richard Collis (translation), Unknown Author(s) and Aharon N. Varady (transcription) This Chinese translation of an Ashkenazi nusaḥ for the alphabetic acrostic piyyut “El Adon,” is found on page 8 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . Tags: acrostic, Alphabetic Acrostic, blessings prior to the shema, Chinese translation, cosmological, אל אדון el adon, Geonic prayers, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, heikhalot literature, פיוטים piyyutim, יוצר אור yotser ohr Contributor(s): Richard Collis (translation), Unknown Author(s) and Aharon N. Varady (transcription) This Chinese translation of an Ashkenazi nusaḥ for the piyyut “Shokhen Ad” following Nishmat Kol Ḥai is found on page 3 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . Contributor(s): Richard Collis (translation), Unknown Author(s) and Aharon N. Varady (transcription) הָאֵל בְּתַעֲצֻמוֹת עֻזֶּךָ | 上帝，拥有绝对的力量 | Ha-El b’taatsumot Uzekha (Shàngdì, yǒngyǒu juéduì de lìliàng) — Chinese translation by Richard Collis (2022)This Chinese translation of the short piyyut “Ha-El b’taatsumot” following Nishmat Kol Ḥai is found on page 2 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . Contributor(s): Richard Collis (translation), Unknown Author(s) and Aharon N. Varady (transcription) The first day of Pesach, according to the Sages, is the day the world is judged for grain and dew. Because of this, many customs have developed tying it into the pomp of the High Holy Days. One custom preserved in many medieval maḥzorim is to extend the final blessing of the the Musaf “Tal” (Dew) service, including a Hayom piyyut, a piyyut form otherwise almost exclusively associated with the Yamim Noraim. This extended Sim Shalom berakha including piyyutim is presented here, largely based on the form compiled by Ernst Daniel Goldschmidt (zatsal). . . . מָעוֹז צוּר | Maoz Tsur for Yom ha-Atsma’ut, a complete poetic translation with an added stanza for the State of Israel’s Independence Day by Isaac Gantwerk MayerThis is a complete poetic rhyming translation of Maoz Tsur with all six of its stanzas including a seventh, final stanza written by Isaac Gantwerk Mayer specifically for Yom ha-Atsmau’ut. . . . Categories: 🇮🇱 Yom ha-Atsma'ut (5 Iyyar) Tags: 13th century C.E., 21st century C.E., 51st century A.M., 58th century A.M., Acrostic signature, High Middle Ages, Mainz, מעוז צור Maoz Tsur, פיוטים piyyutim, rhyming translation Contributor(s): Mordecai ben Yitsḥok ha-Levi, Isaac Gantwerk Mayer and Isaac Gantwerk Mayer (translation) This is an original piyyut, inspired by the structure of the beloved Yom Kippur Ne’ilah piyyut El Nora ‘Alila. In the era of the Sanhedrin, every fast day would have a Ne’ilah service between Minḥa and the conclusion of the fast. While these are no longer in practice for any days other than Yom Kippur, the editor personally feels like it could be worth bringing them back. As part of this idea, this piyyut is meant to be sung after the end of Tishah b’Av mincha but before the fast ends, as we prepare for the weeks of comfort. It is expressly *not* a qinah. . . . Categories: Tishah b'Av תפילת גשם כולל אמהות | Tefillat Geshem including the matriarchs with stanzas in a backwards acrostic, an adaptation by Eliran SobelOn Shemini Atseret, one is supposed to begin mentioning rain in the second blessing of their Amidah prayers (Ta’anit 2a). In many communities, this is liturgically marked by a poetic introduction in the repetition of the Amidah, called Geshem, specifically with the piyyut “Zekhor Av” written by Rabbi Eleezer BeRabbi Kalir, which alludes to the references of our forefathers’ relations to water. One feature of this poem is that it utilizes an alef-bet-ical acrostic, and while there are various modern adaptations that include biblical women, those break the acrostic. This is my attempt to compose a version including stanzas for our foremothers, while maintaining the acrostic by writing the women’s stanzas as a backwards acrostic (i.e. starting from tav and going to alef). This backwards acrostic containing the foremothers is then interspersed with Kalir’s original. . . . Categories: Shemini Atseret (and Simḥat Torah) | ||
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