![the Open Siddur Project [logo]](https://opensiddur.org/wp-content/uploads/2018/09/Open-Siddur-Project-Logo-2016.svg){kind=logo}
a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
|
|
|
|
a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
| ||
⤷ You are here:
פיוטים piyyuṭim —⟶ tag: פיוטים piyyuṭim Sorted Chronologically (old to new). Sort most recent first? “Af Oraḥ Mishpatekha” is an ofan, a type of piyyut recited as a part of the Ḳedushah d-Yotzer liturgy as an introduction to Ezekiel 3:12. Specifically, it is an ofan written by the Rokeaḥ, R. El’azar ben R. Yehuda of Worms, for the morning liturgy on Shabbat Ḥazon, the Shabbat before Tishah b’Av. It is here included along with an original translation and with cited verses marked. Also included is a series of images from a 1714 maḥzor printed in Frankfurt au Main that includes the piyyut. To note, the text included above is not exactly the same as that of the 1714 maḥzor, having been edited in accordance with Isaac Meiseles’s 1993 critical edition of the Rokeaḥ’s work. . . . Essa Lameraḥoq by Aharon ben Yosef of Constantinople, with an English translation. . . . This is an English translation of Maoz Tsur published by The Hebrew Standard for their 1893 Ḥanukkah issue (vol. 29, no. 12, New York, Friday, 8 December 1893 — 29 Kislev 5654). The Hebrew Standard was one of the biggest English-language Jewish papers in America around the turn of the twentieth century, generally taking a more traditionalist line than the Reform papers and a more moderate line than the leftist ones. This translation, simply titled “Chanukah”, unfortunately goes unattributed in the pages of The Hebrew Standard. The translation follows an ABABCCDD rhyme scheme (for those unfamiliar with rhyme scheme notation, this is the same rhyme scheme as “The Star-Spangled Banner“), unlike the Hebrew’s ABABBBccB. . . . Categories: Tags: 13th century C.E., 51st century A.M., ABABCCDD, Acrostic signature, American Jewry of the United States, High Middle Ages, Mainz, מעוז צור Maoz Tsur, national anthems, Needing Attribution, Patriotic hymns, פיוטים piyyuṭim, rhyming translation Contributor(s): “Ar’a Raqda,” a piyyut read directly before the Ten Commandments in the Targum, uses wedding imagery and language from the Shir haShirim to paint Sinai as a ḥuppah. . . . A German translation of Maoz Tsur, by the early Reform rabbi Leopold Stein. This singable German translation was cited as an inspiration for Gustav Gottheil and Marcus Jastrow’s well-known English edition. In some communities in the German Empire, for instance the community of Beuthen (now Bytom, Poland), it was recited during the morning service on Ḥanukkah. It poetically translates the first five verses in their entirety, avoiding the controversial sixth verse (said by some to have been added post-facto, and rejected by the early Reform movement). . . . Categories: Tags: 13th century C.E., 51st century A.M., Acrostic signature, German language, German Reform Movement, German-speaking Jewry, German vernacular prayer, מעוז צור Maoz Tsur, פיוטים piyyuṭim, Spanish-Portuguese Contributor(s): Maoz Tsur as translated by Dr. Solomon Solis-Cohen, with Hebrew adapted in the first stanza by Joseph Herman Hertz, chief rabbi of the British Empire. . . . A singable translation of Maoz Tsur by the great ḥakham Frederick de Sola Mendes, here transcribed from the Union Hymnal (CCAR 1914), hymn 190. The translation largely reflects the Hebrew, omitting two verses — the final (and according to some, last added) verse, and the fourth verse about Purim and Haman. . . . Ana is a poem for the first commandment, that discusses all that God did for the ancestors. . . . A singing translation of the popular piyyut (devotional poem), “Maoz Tzur,” by Reb Zalman for Ḥanukkah. . . . Categories: Tags: 13th century C.E., 51st century A.M., Acrostic signature, High Middle Ages, Mainz, מעוז צור Maoz Tsur, פיוטים piyyuṭim Contributor(s): This is a complete poetic rhyming translation of Maoz Tsur with all six of its stanzas including a seventh, final stanza written by Isaac Gantwerk Mayer specifically for Yom ha-Atsmau’ut. . . . Categories: Tags: 13th century C.E., 21st century C.E., 51st century A.M., 58th century A.M., Acrostic signature, High Middle Ages, Mainz, מעוז צור Maoz Tsur, פיוטים piyyuṭim, rhyming translation Contributor(s): A complete poetic translation (all six verses) of Maoz Tsur. As far as the editor knows this is the first translation of Maoz Tsur to both (a) cover all the verses relatively accurately and (b) preserve the strict ABAB-BBCCB rhyme scheme of the original. (Reb Zalman’s comes close but it goes ABAB-CCDDC instead). If it sounds violent, that’s because it *is* violent. Ḥanukkah is a holiday about actively fighting against assimilation and abuse. A lot of Maoz Tsur translations are censored, but it’s a powerful, loud, and even nationalist statement. . . . Categories: Tags: 13th century C.E., 51st century A.M., Acrostic signature, High Middle Ages, Mainz, מעוז צור Maoz Tsur, פיוטים piyyuṭim, rhyming translation Contributor(s): The earliest recorded prayer or piyyut providing an acrostic for the 42 letter divine name. . . . Categories: Tags: 14th century C.E., 42 letter divine name, 52nd century A.M., acrostic, apotropaic prayers of protection, Byzantium, Divine name acrostic, פיוטים piyyuṭim, Prayers of redress, protection, ספר הפליאה Sefer haPeliah Contributor(s): A rhymed translation of Tsur Mishelo, a paralitugical Birkat haMazon. . . . The paralitugical Birkat haMazon Tsur Mishelo, in Hebrew with an English translation. . . . The piyyut, Tsur Mishelo, in Hebrew with an English translation. . . . Categories: Tags: 14th century C.E., 52nd century A.M., paraliturgical birkat hamazon, פיוטים piyyuṭim, צור משלו Tsur Mishelo, זמירות zemirot Contributor(s): The most well-known 42 letter divine name acrostic piyyut. . . . Categories: Tags: 42 letter divine name, acrostic, אנא בכח Ana b'Khoaḥ, devotional interpretation, Divine name acrostic, interpretive translation, Jewish Renewal, Philadelphia, פיוטים piyyuṭim, singing translation Contributor(s): This is a pizmon for Shabbat Shirah (Parashat B’Shalaḥ) by an unknown author. The text is as transcribed from the pizmonim included in the siddur משמרת הקדש: קול שומר שבת Mishmeret haQodesh: Qol Shomer Shabbat (Pisa 1821), p. 117. . . . The philosophical-creed-as-piyyut, Yigdal, in Hebrew with an English translation. . . . This is the philosophical-creed-as-piyyut, Yigdal, by Daniel ben Judah Dayyan. Yigdal means “Magnify [O Living God]” and is based on the 13 Articles of Faith formulated by Maimonides (1135-1204). Daniel ben Judah spent eight years improving his piyyut, completing Yigdal in 1404. This was not the only metrical presentment of the 13 Articles of Faith; but it has outlived all others, whether in Hebrew or in the vernacular. The rhymed English translation by Jacob Waley (1818-1873) was published posthumously by his daughter, Julia Matilda Cohen, in The children’s Psalm-book, a selection of Psalms with explanatory comments, together with a prayer-book for home use in Jewish families (1907), pp. 300-303. . . . The philosophical-creed-as-piyyut, Yigdal, in Hebrew with an English translation. . . . | ||
Sign up for a summary of new resources shared by contributors each week
  |
