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tag: Psychopomp Sorted Chronologically (old to new). Sort most recent first? The poem, “Elijah” by Rosa Emma Salaman, was first published in the Occident 6:7, Kislev 5610, December 1849, p. 455-457. Categories: Tags: 19th century C.E., 57th century A.M., Angelic Nature, Angelification, Anglo Jewry, British Jewry, Derekh Hashem, Distress, אליהו הנביא Eliyahu haNavi, English Romanticism, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, Physical translation, Prayers as poems, Psychopomp, still small voice, the Chariot, Walking with the Divine Contributor(s): We lift Miriam’s cup, Categories: Tags: 21st century C.E., 58th century A.M., אליהו הנביא Eliyahu haNavi, Jewish Feminist Prayers, Miriam, Passover, Passover seder, Prayers as poems, Psychopomp Contributor(s): A haggadah supplement for suicide awareness and prevention offered at the Passover seder where Elijah the prophet is directly referenced, and the valence of personal and communal despair and distress are explicitly invoked. Categories: Tags: 21st century C.E., 58th century A.M., community support, אליהו הנביא Eliyahu haNavi, haggadah supplements, Needing Vocalization, North America, Psychopomp, still small voice, suicide, suicide awareness, suicide prevention Contributor(s): Some communities have a practice of singing a song about Miriam alongside the well-known Havdalah song about Elijah the Prophet. But Miriam isn’t really a parallel to Elijah — she’s a parallel to Moshe and Aaron. When we’re talking about distaff counterparts to Elijah the clearest example is Seraḥ bat Asher. Seraḥ, the daughter of Asher, is mentioned only a handful of times in the Tanakh, but is given great significance in the midrash. Like Elijah, she is said to have never died but entered Paradise alive, and comes around to the rabbis to give advice or teachings. This song, which includes several references to midrashim about Seraḥ, is meant to be sung to any traditional tune of “Eliyahu haNavi.” It is dedicated to Ḥazzan Joanna Selznick Dulkin (shlit”a), who introduced me to the legends of Seraḥ bat Asher. Categories: Tags: Contributor(s): In the style of the full Eliyahu haNavi piyyuṭ recited by some communities every Havdalah, a piyyuṭ in honor of Seraḥ bat Asher, retelling the events of her life according to the midrashim. This is not the first time I’ve written a Havdalah piece on Seraḥ, the distaff counterpart to Elijah in the midrash. She also inspired this shorter song. Like the full Eliyahu haNavi piyyuṭ, this is in three-line rhyming stanzas with a repeated refrain. Unlike it, it is in a tashraq reverse alphabetical acrostic, followed by an authorial tag — this time using a matronymic. Categories: Tags: 21st century C.E., 58th century A.M., Acrostic signature, הבדלות havdalot, פיוטים piyyuṭim, Psychopomp, reverse acrostic, Seraḥ bat Asher, זמירות zemirot Contributor(s): | ||
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