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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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rhyming translation —⟶ tag: rhyming translation Sorted Chronologically (old to new). Sort most recent first? Emma Lazarus’s translation, simply referred to as “Hymn” — derived from the piyyut יְיָ מָה אָדָם by Shlomo ibn Gabirol — was first published in her anthology, Songs of a Semite: The dance to death and other poems (1882), pages 68-70. An adaptation in rhymed English verse of an excerpt of Shlomo ibn Gabirol’s Keter Malkhut Elsie Davis. First published in The Jewish Quarterly Review, Vol. 7, No. 3 (April 1895), pp. 461-464. The adaptation begins with section 34 of the piyyut. “Heikhal [Hashem]” is the reshut offered before the Qaddish preceding Barkhu and the Shaḥarit blessings before the Shema. It is the seventh reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon — the final shabbat before 9 Av. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, phonetic acrostic translation, פיוטים piyyuṭim, רשויות reshuyot, rhyming translation, שבת חזון Shabbat Ḥazon Contributor(s): Emma Lazarus’s translation, “In the Night” — derived from the piyyut נַפְשִׁי אִוִּיתִיךָ בַּלַּיְלָה by Moses ibn Ezra — was first published in her anthology, Songs of a Semite: The dance to death and other poems (1882), pages 78-80. Categories: Tags: 12th century C.E., 49th century A.M., night, פיוטים piyyuṭim, rhyming translation, תשובה teshuvah, זמן תשובה Zman teshuvah Contributor(s): “Nilah l’Heilil” is the fourth reshut offered before Nishmat at the outset of the Zemirot (preceding Shaḥarit). It is the sixth reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon — the final shabbat before 9 Av. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, phonetic acrostic translation, פיוטים piyyuṭim, רשויות reshuyot, rhyming translation, שבת חזון Shabbat Ḥazon Contributor(s): An original rhyming translation of the ahavah piyyut for Shabbat ‘Éqev, a poem by Yehuda haLevi that discusses the halakhot of making and wearing tefillin in honor of the fact that tefillin are mentioned in the parashah. Categories: Tags: 12th century C.E., 49th century A.M., Acrostic signature, אהבה רבה ahavah rabbah, פיוטים piyyuṭim, rhyming translation, תפלין tefillin, יוצרות yotsrot Contributor(s): “Halanofelim Tequmah” is the second reshut offered before Nishmat at the outset of Shaḥarit (concluding the Zemirot). It is the fourth reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon — the final shabbat before 9 Av. Originally written by Yehuda haLevi for the seventh day of Pesaḥ, Yom le-Yabasha — a celebration of the crossing of the Sea of Reeds and the establishment of the covenant as signified by the circumcision and tsitsit — it quickly became a beloved piyyut on that occasion and more. “Servant of God” is an adapted English rhmying translation by Alice Montefiore Lucas of a piyyut by Yehudah haLevi, first published in the former’s first collection of translations Songs of Zion by Hebrew Singers of Mediæval Times (1894), pp. 9-12. A rhyming English translation of the piyyut Adonai Negdekha kol Ta’avati. “Avnei Y’qar” is a succint piyyut for Ḥanukkah, traditionally attributed to R. Abraham ibn Ezra, and particularly beloved by the Yemenites. Interestingly, it doesn’t mention the miracle of the oil whatsoever, focusing on the degradation of the land under Greek occupation as well as the Hasmonean victory itself. Included is a poetic acrostic translation into English. A medieval Jewish poem on the game of Chess by Avraham ibn Ezra.. Categories: Tags: Contributor(s): This translation of the poem “Éshet Neürim” by Elḥanan ben Yitsḥaq of Dampierre (d. 1184) was made by Israel Zangwill and first published in his collection of poetry, Blind Children: Poems (1903), under the title, “Israel as Bride and as Beggar” on page 118. (An earlier translation in German was made by Leopold Zunz in Die synagogale Poesie des Mittelalters (1855), p. 249.) Categories: Tags: 20th century C.E., 57th century A.M., acrostic, Acrostic signature, phonetic alphabetic acrostic translation, Alphabetic Acrostic, English Jewry, פיוטים piyyuṭim, rhyming translation, שכינה Shekhinah Contributor(s): Israel Zangwill’s translation of Omnam Kén by Rabbi Yom Tov of York (Joigny), was first published albeit incomplete, as “Atonement Hymn” in Blind Children: Poems (1903), pp. 134-135. Introducing the piyyut, Zangwill notes, “The translation of this curiosity of literature preserves, without adding or subtracting a single word, the precise metre, rhyme-scheme, and alphabetical acrostic of the twelfth-century Hebrew original.” A year later, it was published complete, opposite Hebrew verse, in Arthur Davis and Herbert Adler’s Maḥzor Avodat Ohel Moed: Avodat Yom haKippurim (Evening Service) (1904), p. 38. Categories: Tags: 20th century C.E., 57th century A.M., acrostic, Acrostic signature, phonetic alphabetic acrostic translation, Alphabetic Acrostic, English Jewry, פיוטים piyyuṭim, rhyming translation Contributor(s): “Nishmat Emunim” is the third reshut offered before Nishmat at the outset of the Zemirot (preceding Shaḥarit). It is the fifth reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon — the final shabbat before 9 Av. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, phonetic acrostic translation, פיוטים piyyuṭim, רשויות reshuyot, rhyming translation, שבת חזון Shabbat Ḥazon Contributor(s): “Yom Nilḥamu Vi” is the reshut offered before the Barkhu preceding the Shaḥarit blessings before the Shema. It is the eighth reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon — the final shabbat before 9 Av. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, phonetic acrostic translation, פיוטים piyyuṭim, רשויות reshuyot, rhyming translation, שבת חזון Shabbat Ḥazon Contributor(s): This is the Shir haKavod (“Hymn of Glory,” also known by its incipit “An’im Zemirot”) attributed to Rabbi Yehudah he-Ḥasid of Regensburg, included at the conclusion of the Shir haYiḥud (first attested in print in Thiengen 1560). This translation by Israel Zangwill, was first published in Arthur Davis and Herbert Adler’s Maḥzor Avodat Ohel Moed: Avodat Yom haKippurim (Evening Service) (1904), pp. 73-74. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Alphabetic Acrostic, חסידי אשכנז Ḥasidei Ashkenaz, פיוטים piyyuṭim, rhyming translation, שיר הכבוד shir hakavod Contributor(s): This is the piyyut “Ki Hinéh kaḤomer (Lo! as the potter…)” a piyyut by an unknown paytan for maariv on Yom Kippur, published in Adler and Davis’s Maḥzor for Yom Kippur, Avodat Yom ha-Kippurim vol. 1 (1904), p. 39. Categories: Tags: 12th century C.E., 50th century A.M., כי הנה כחמר ki hineh kahomer, פיוטים piyyuṭim, פזמונים pizmonim, rhyming translation Contributor(s): The haftarah for the second day of Shavuot, Ḥabakkuk 2:20-3:19, interspersed with a cantillated text of the Targum Yonatan ben Uzziel. Since Targum Yonatan is a bit more drash-heavy than Targum Onkelos, it is translated separately as well. The haftarah reading includes the piyyut Yetsiv Pitgam, with an acrostic rhyming translation of the poem, with the second-to-last verse restored to its rightful place, as well as a concluding paragraph for the meturgeman to recite, as found in the Maḥzor Vitry. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, phonetic alphabetic acrostic translation, Aramaic, הפטרות haftarot, פיוטים piyyuṭim, rhyming translation, תרגום targum, transtropilation, יציב פתגם Yetsiv Pitgam Contributor(s): This translation of “Ki Eshmera Shabbat” by Rabbi David Aaron de Sola of a piyyut by Avraham ibn Ezra was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). | ||
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