The poem “Friday Eve” by Rabbi Alter Abelson (1931). . . .
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Contributor(s): Aharon N. Varady (transcription) and Alter Abelson
Categories:  Kabbalat Shabbat, Leil Shabbat | Tags:  romanticism, 20th century C.E., 57th century A.M., Sabbath Queen, Queens, Kohenet
Contributor(s): Aharon N. Varady (transcription) and Alter Abelson
Categories: Kabbalat Shabbat | Tags: romanticism, 20th century C.E., 57th century A.M., mythopoesis, the River Sambatyon 
The poem “Sambatyon” (1931) by Rabbi Alter Abelson. . . . Contributor(s): Aharon N. Varady (transcription), the Ben Yehuda Project (transcription), Ben Aronin and Ḥayyim Naḥman Bialik
Categories: Bedtime Shema | Tags: romanticism, 19th century C.E., sheydim, night, modern hebrew poetry, mythopoetic, 57th century A.M., animistic spirits, Jewish faeries, creatures of the night, where the wild things are, vilde ḥayye, whimsy, magical beings, entering magical territory, evening spirits 
The poem “Gamodei Layil” (Gnomes of the Night) by Ḥayyim Naḥman Bialik, ca. 1894. . . . Contributor(s): Aharon N. Varady (transcription), the Ben Yehuda Project (transcription), Ben Aronin and Ḥayyim Naḥman Bialik
Categories: Birkhot haShaḥar | Tags: romanticism, 19th century C.E., Light, first person, modern hebrew poetry, mythopoetic, 57th century A.M., Prayers as poems, alternate rhyming scheme, animistic spirits, numinous beings, Jewish faeries 
The poem “Tsafririm” (1900) by Ḥayyim Naḥman Bialik with an English translation by Ben Aronin. . . . Contributor(s): Aharon N. Varady (transcription) and Friedrich Schiller
Categories: Purim, Rosh Ḥodesh Adar (Alef and Bet) | Tags: romanticism, liberation, 56th century A.M., 18th Century C.E., Hebrew translation, Ḥasidic, Ode to Joy, Enlightenment, joy, Needing Translation 
In 1785 Friedrich Schiller wrote his ‘An die Freude an ode ‘To Joy’, describing his ideal of an equal society united in joy and friendship. Numerous copies and adaptations attest to its popularity at the time. The slightly altered 1803 edition was set to music not only by Ludwig van Beethoven in his Ninth Symphony but also by other composers such as Franz Schubert and Pyotr Tchaikovsky. Hs. Ros. PL B-57 contains a Hebrew translation of the first edition of the ode (apparently rendered before the 1803 alteration), revealing that the spirit of the age even managed to reach the Jewish community in the Netherlands. Whereas the imagery of Schiller’s original is drawn from Greek mythology, the author of the שִׁיר לְשִׂמְחָה relies on the Bible as a source. In fact, he not only utilises Biblical imagery, but successfully avoids any allusion to Hellenistic ideas whatsoever. . . . Contributor(s): Aharon N. Varady (transcription) and Henry Wadsworth-Longfellow
Categories: Shaḥarit, Musaf, Minḥah | Tags: romanticism, 19th century C.E., Keter, Crown, Wreath, Wheel, Hekhalot, Angels, 57th century A.M., Sandalphon, English Romanticism, Coronation, Qedushah, Angelic Nature, English poetry 
Have you read in the Talmud of old, 
Giving an individual a choice of how verses that are tripping them up are translated, or even how the ineffable name, YHVH, and other divine names in Hebrew are represented in a siddur, can make a difference in their experience of t’fillah (prayer) for someone engaging in individual or communal prayer. Giving someone a place to share their personally authored t’fillot, meditation or commentary, or else collaborate on a translation of a medieval piyut (liturgical poem) can connect Jews to each other in a meaningful way where before they were isolated in their passion and earnest devotion. Providing historical data revealing the siddur as an aggregate of thousands of years of creatively inspired texts can help a Jew understand that their creativity and contribution is also important in this enduring conversation. . . . |
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