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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources
This project is sustained through reciprocity for those sharing prayers and crafting their own prayerbooks.
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  Contributor(s): Categories: Tags:This variation on the discourse of the four children in the Haggadah was (barring minor edits) first composed for my family’s experimental small-scale seder in 2019, my second time ever leading a seder. I had come to the conclusion that for a text whose entire ikkar is for the children to learn, the Four Children narrative shows some shockingly bad pedagogy. So I decided to write a subversive take on it, where I applied its framework to some of the most serious problems facing the Jewish community today, and the mainline Jewish community’s failings in dealing with them. . . . שָּׁבוּעַ שֶׁל אַחְוָה לְאֻמִּית | National Brotherhood Week (in Israel), an adaptation of Tom Lehrer’s song by Isaac Gantwerk Mayer Contributor(s): Categories:A satirical look at contemporary Israeli civil society in Hebrew and English, as adapted from Tom Lehrer’s sardonic “National Brotherhood Week” (1965). . . .  Contributor(s): Categories: Tags:“[I’m Spending] Hanukkah in Santa Monica” by Tom Lehrer was first written at the request of Garrison Keillor for his radio show The American Radio Company on which it was performed twice, in 1990 and 1992. The song was later released on the album, Bible & Beyond (Larry Milder, 1999). The first recording of Tom Lehrer singing his song can be heard on The Remains of Tom Lehrer (Disc 3) (2000). In 2022, Tom Lehrer gave an enormous Ḥanukkah present to the world, dedicating his entire oeuvre to the Public Domain including this song. . . .  Contributor(s): Categories: Tags:“National Brotherhood Week” by Tom Lehrer was first released on his album “That Was The Year That Was” (1965). National Brotherhood Week in February was first established in the 1930s by the National Conference of Christians and Jews as a means of promoting the values of inter-religious tolerance and civic interdependence. The week gained federal support from President Franklin Roosevelt during World War Ⅱ as a means of combatting fascist and nativist objections to a vision of democracy built on the foundation of a multicultural civil society. By the time Tom Lehrer lampooned the civic commemoration in 1965, the McCarthyite oppressions of the Red Scare and Lavender Scare during the Cold War, the manufactured Vietnam War, lingering anti-Semitic prejudice and suspicion, the continued struggle for civil rights with its continued lynchings, the assassination of JFK and increasing political violence had all exposed National Brotherhood Week for many young adults as phony, a historical relic that had lost the import of any cultural imperative it might have once possessed. . . . אַ בְּרָכָה פֿאַרן קײסער | A Blessing for the Kaiser, from Fiddler on the Roof by Joseph Stein – Yiddish translation by Shraga Friedman (1965) Contributor(s): Categories: Tags:The blessing for Tsar Nicholas II as given in the lines of the musical, Fiddler on the Roof. . . . בּרידער | “Brothers” – Y.L. Peretz’s Sardonic Rejoinder to Friedrich Schiller’s Paean to Universal Enlightenment, An die Freude (Ode to Joy) Contributor(s): Tags:Y.L. Peretz rejected cultural universalism, seeing the world as composed of different nations, each with its own character. Liptzin comments that “Every people is seen by him as a chosen people…”; he saw his role as a Jewish writer to express “Jewish ideals…grounded in Jewish tradition and Jewish history.” This is Peretz’s lampoon of the popularity of Friedrich Schiller’s idealistic paean made famous as the lyrics to the climax of Beethoven’s Ninth Symphony. . . . |
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