A piyyut by Shlomo ibn Gabirol included in the arrangement of Baqashot before the morning service in the liturgical custom of Sefaradim. . . .
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tagged: Sefer Yetsirah 
Contributor(s): Adam Zagoria-Moffet (translation) and Shlomo ibn Gabirol
Shared on כ״ו באדר ה׳תש״פ (2020-03-21) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories:  Baqashot
Tags:  acrostic, בקשות Baqashot, 11th century C.E., 49th century A.M., Acrostic signature, Sefer Yetsirah
Contributor(s): Aharon N. Varady (transcription) and Avraham ibn Ezra
Shared on ג׳ בשבט ה׳תש״פ (2020-01-28) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Baqashot
Tags: זמירות zemirot, acrostic, 12th century C.E., Alphabetic Acrostic, cosmological, 49th century A.M., Sefer Yetsirah, קדיש ḳaddish
A popular piyyut for all occasions by Avraham ibn Ezra. . . . 
Contributor(s): Shir Yaakov Feinstein-Feit and Unknown Author(s)
Shared on ד׳ באדר ה׳תשע״ח (2018-02-18) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Midrash Aggadah, Sefer Yetsirah
Tags: Parashat Terumah, cosmology, creation, cosmological, Mishkan, Tabernacle, microcosm, microcosmism, Midrash HaGadol, Sefer Yetsirah, Early Medieval, mid-first millennium CE, anatomical, Homo Sigorum, Man of Signs 
This translation was prepared by Shir Yaakov Feinstein-Feit in loving memory of his sister, Laurie Feit, z”l, (1961-2017). “Midrash HaGadol or The Great Midrash (Hebrew: מדרש הגדול) is an anonymous late (14th century) compilation of aggadic midrashim on the Pentateuch taken from the two Talmuds and earlier Midrashim of Yemenite provenance. In addition, it borrows quotations from the Targums, and Maimonides[2] and Kabbalistic writings (Oesterley & Box 1920), and in this aspect is unique among the various midrashic collections. This important work—the largest of the midrashic collections—came to popular attention only relatively recently (late 19th century) through the efforts of Jacob Saphir, Solomon Schecter, and David Zvi Hoffman. In addition to containing midrashic material that is not found elsewhere, such as the Mekhilta of Rabbi Shimon bar Yochai, the Midrash HaGadol contains what are considered to be more correct versions of previously known Talmudic and Midrashic passages.” (via wikipedia) . . . 
Contributor(s): Aharon N. Varady (transcription), Paltiel Birnbaum (translation), Eden Pearlstein and Shir Yaakov Feinstein-Feit
Shared on כ״ז בכסלו ה׳תשע״ו (2015-12-08) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Art, Yotser Ohr
Tags: hip hop, acrostic, Aleph-Bet, animation, otiyot, 21st century C.E., 58th century A.M., Alphabetic Acrostic, Prayers as poems, English piyyutim, Sefer Yetsirah, אל ברוך El Barukh, rap 
A song by Darshan including the alphabetic acrostic piyyut, El Barukh, part of the morning Yotser Ohr blessing made prior to the Shema at the official beginning of the Shaḥarit service. . . . |
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