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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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tag: פרשת בשלח parashat B'shalaḥ Sorted Chronologically (old to new). Sort most recent first? The text of parashat B’shalaḥ, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. Categories: Tags: 31st century A.M., 8th century B.C.E., annual Torah reading cycle, liberation from mitsrayim, mythopoesis, פרשת השבוע Parashat haShavua, פרשות parashot, קריעת ים סוף qriyat yam suf, redaction criticism, שבת shabbat, פרשת בשלח parashat B'shalaḥ, שירת הים Shirat haYam, Song of the Sea, supplementary hypothesis, ימי השובבים Yemei haShovavim Contributor(s): This piyyuṭ, bearing the acrostic signature “Samuel,” is traditionally recited in the communities of Babylonia and India as a petiḥa, or opening poem, before the Song of the Sea. It is also sung on Shabbat Shira, the Sabbath where we read the Song of the Sea in public. This translation is an attempt to preserve the original meaning as well as the rhyme scheme and poetic form. A medieval manuscript illustration of the aggadah that the Yam Suf was split in 12 discrete channels, one for each tribe, as reflected above by a 12-color rainbow Categories: Tags: 12th century C.E., 50th century A.M., אז ישיר Az Yashir, קריעת ים סוף qriyat yam suf, safe passage, פרשת בשלח parashat B'shalaḥ, שבת שירה shabbat shirah, שירת הים Shirat haYam, Song of the Sea, the Rainbow Contributor(s): “Lord, do Thou guide me” by Alice Montefiore Lucas was written for “Sabbath—ⅩⅥ,” (i.e., Shabbat parashat b’Shalaḥ) and first published in her collection of prayers, The Jewish Year (1898), p. 34. “Shirat Miriam and Devorah / Uri, Uri” (Song of Miriam, Song of Deborah / Rise up, Rise Up) was first published in 2024, as the second of four piyyutim published through the Diwan Ashira Project by Ephraim Kahn. | ||
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