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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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tag: שבת זכור Shabbat Zakhor Sorted Chronologically (old to new). Sort most recent first? The haftarah reading for Shabbat Zakhor preceding Purim, in English translation, transtropilated. Categories: Tags: 21st century C.E., 58th century A.M., Cantillated readings in English, English Translation, four special parashot, הפטרות haftarot, pre-Purim, שבת זכור Shabbat Zakhor, transtropilation Contributor(s): The complete qedushta cycle for Shabbat Zakhor by Qallir, including all the catenae of verses and repeated refrains often skipped in Ashkenazi practice. Alphabetical texts are translated with alphabetical acrostics. Categories: Tags: 45th century A.M., 7th century C.E., acrostic, Alphabetic Acrostic, alphabetic acrostic translation, עמידה amidah, four special parashot, קרובות ḳerovot, פיוטים piyyuṭim, pre-Purim, Problematic prayers, Public Amidah, שבת זכור Shabbat Zakhor Contributor(s): The poem Mi Khamokha v-Ein Khamokha, an epic retelling of the book of Esther in verse, was written for Shabbat Zakhor, the Shabbat before Purim, by the great paytan Yehuda ben Shmuel haLevi. It was originally written as a “geulah,” meant to be inserted into the prayer after the Shema in place of the verse beginning with “A new song…” But later Sephardic poskim ruled that it was forbidden to insert piyyutim into the Shema blessings, so in the communities that recite it today it is generally either read after the Full Kaddish as an introduction to the Torah service, or (for instance, in most Spanish and Portuguese communities) within the verse “Kol atzmotai tomarna” in the Nishmat prayer. Wherever you include it in your service, it’s a beautiful and intricately rhymed piyyut, and surprisingly easy to understand at that. It is presented here in a gender-neutral translation with all the Biblical verses cited, alongside a new translation that preserves the fourfold acrostic, two alphabetical and two authorial. –Isaac Gantwerk Mayer A pizmon for Shabbat Zakhor and Purim, found in many Livorno siddurim (seen as the standard form for most Sephardic communities) as far back as the 18th century and possibly earlier. It is signed with the name Avraham, as well as the names Moshe and Aharon, but the author is otherwise unknown. Seder Mishmeret haKodesh (1847) inserts it as an introduction to the Mi Khamokha piyyut of Yehuda haLevi, recited on Shabbat Zakhor. The bouncy, joyous tune used for this piyyut, of Italian origin, is also used for Purim songs in multiple languages, such as Fate Onore al Bel Purim, Con Gran Placer Señores, and Haman Mamzer el Malo. Categories: Tags: 18th century C.E., 56th century A.M., acrostic, Acrostic signature, Livorno, Nusaḥ Sefaradi, פיוטים piyyuṭim, פזמונים pizmonim, pre-Purim, Purim, שבת זכור Shabbat Zakhor, Western Sefaradim Contributor(s): This prayer, following the structure of the Mi Sheberakh supplications during the Torah service, is meant to call get refusers to account, by name, and make a statement that their behavior is evil and will not be tolerated. An original announcement, or hakhraza, for days of thanksgiving (Purim and Ḥanukkah). Written in the style of other more well-known announcements, like the Sephardic announcement of fasts, or the Italian-rite announcement for Pesaḥ, and to be recited in the same location in the Torah service after the haftara. Categories: Tags: Contributor(s): | ||
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