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tag: המשכן the Mishkan Sorted Chronologically (old to new). Sort most recent first? 📜 פָּרָשַׁת פְקוּדֵי | Parashat Ph’qudei (Exodus 38:21-40:38), color-coded according to its narrative layersThe text of parashat Piqudei, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . Tags: 33rd century A.M., 6th century B.C.E., annual Torah reading cycle, Betsalel, mythopoesis, Oholiav, פרשת השבוע Parashat haShavua, פרשות parashot, redaction criticism, rosh ḥodesh, פרשת פיקודי parashat Piqudei, supplementary hypothesis, המשכן the Mishkan Contributor(s): Tzemaḥ Yoreh, the Masoretic Text, Masoretic layer 'P', Masoretic layer 'H' and Aharon N. Varady (transcription) 📜 פָּרָשַׁת וַיַּקְהֵל | Parashat Vayaqhel (Exodus 35:1-38:20), color-coded according to its narrative layersThe text of parashat Vayaqhel, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . Tags: 33rd century A.M., 6th century B.C.E., annual Torah reading cycle, Betsalel, mythopoesis, Oholiav, פרשת השבוע Parashat haShavua, פרשות parashot, redaction criticism, שבת shabbat, פרשת ויקהל parashat Vayaqhel, supplementary hypothesis, המשכן the Mishkan Contributor(s): Tzemaḥ Yoreh, the Masoretic Text, Masoretic layer 'P', Masoretic layer 'H' and Aharon N. Varady (transcription) 📜 פָּרָשַׁת כִּי תִשָּׂא | Parashat Ki Tissa (Exodus 30:11-34:35), color-coded according to its narrative layersThe text of parashat Ki Tissa, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . Tags: 31st century A.M., 8th century B.C.E., annual Torah reading cycle, Betsalel, Har Sinai, mythopoesis, Oholiav, פרשת השבוע Parashat haShavua, פרשות parashot, redaction criticism, שבת shabbat, פרשת כי תשא parashat Ki Tisa, Sukkot Shabbat Hol haMoed, supplementary hypothesis, the Camp, המשכן the Mishkan, theophany 📜 פָּרָשַׁת תְּצַוֶּה | Parashat T’tsavveh (Exodus 27:20-30:10), color-coded according to its narrative layersThe text of parashat T’tsavveh, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . Tags: 33rd century A.M., 6th century B.C.E., Aharon, annual Torah reading cycle, Kohanim, mythopoesis, פרשת השבוע Parashat haShavua, פרשות parashot, redaction criticism, פרשת תצוה parashat Ttsavveh, supplementary hypothesis, המשכן the Mishkan Contributor(s): Tzemaḥ Yoreh, Masoretic layer 'P', Masoretic layer 'H' and Aharon N. Varady (transcription) 📜 פָּרָשַׁת תְּרוּמָה | Parashat Terumah (Exodus 25:1-27:19), color-coded according to its narrative layersThe text of parashat Terumah, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . Tags: 33rd century A.M., 6th century B.C.E., annual Torah reading cycle, mythopoesis, פרשת השבוע Parashat haShavua, פרשות parashot, redaction criticism, פרשת תרומה parashat Terumah, supplementary hypothesis, the menorah, המשכן the Mishkan Contributor(s): Tzemaḥ Yoreh, the Masoretic Text, Masoretic layer 'P', Masoretic layer 'H' and Aharon N. Varady (transcription) מדרש הגדול על פרשת תרומה | Why the Mishkan Resembles the World and the Human Body: a translation of Midrash haGadol on Parashat Terumah, by Shir Yaakov Feit (in memory of Laurie Feit, z”l)This translation was prepared by Shir Yaakov Feinstein-Feit in loving memory of his sister, Laurie Feit, z”l, (1961-2017). “Midrash HaGadol or The Great Midrash (Hebrew: מדרש הגדול) is an anonymous late (14th century) compilation of aggadic midrashim on the Pentateuch taken from the two Talmuds and earlier Midrashim of Yemenite provenance. In addition, it borrows quotations from the Targums, and Maimonides[2] and Kabbalistic writings (Oesterley & Box 1920), and in this aspect is unique among the various midrashic collections. This important work—the largest of the midrashic collections—came to popular attention only relatively recently (late 19th century) through the efforts of Jacob Saphir, Solomon Schecter, and David Zvi Hoffman. In addition to containing midrashic material that is not found elsewhere, such as the Mekhilta of Rabbi Shimon bar Yochai, the Midrash HaGadol contains what are considered to be more correct versions of previously known Talmudic and Midrashic passages.” (via wikipedia) . . . “The Tabernacle” by Rosa Emma Collins née Salaman was published in The Latter-Day Saints’ Millennial Star vol. 56, p. 688. . . . Categories: Congregation & Community A prayer written for the play David Dances (1997) by playwright Stephen Mo Hanan. . . . Categories: Shaḥarit l'Shabbat ul'Yom Tov | ||
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