tagged: המשכן the Mishkan

 

פָּרָשַׁת וַיַּקְהֵל | Parashat Vayaqhel (Exodus 35:1-38:20), color-coded according to its narrative layers

The text of parashat Vayaqhel, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . .

פָּרָשַׁת תְּצַוֶּה | Parashat T’tsavveh (Exodus 27:20-30:10), color-coded according to its narrative layers

The text of parashat T’tsavveh, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . .

פָּרָשַׁת תְּרוּמָה | Parashat Terumah (Exodus 25:1-27:19), color-coded according to its narrative layers

The text of parashat Terumah, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . .

“Prayer Song,” by Stephen Hanan Kaplan from David Dances, a play (1975)

David Dancing (Richard McBee 1998)

A prayer written for the play David Dances (1997) by playwright Stephen Mo Hanan. . . .

פָּרָשַׁת פְקוּדֵי | Parashat Ph’qudei (Exodus 38:21-40:38), color-coded according to its narrative layers

The text of parashat Piqudei, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . .

פָּרָשַׁת כִּי תִשָּׂא | Parashat Ki Tissa (Exodus 30:11-34:35), color-coded according to its narrative layers

The text of parashat Ki Tissa, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . .


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