Copyright and Commercial Use: the Problem with Creative Commons’ Non-Commercial Use Licenses

This post continues the series of advocacy posts directed at Jewish content creators and aggregators. Other parts of the series discussed the global communal benefit of free primary data resources and issues of copyright license compatibility and the connection between copyright licensing and remixability. While my previous post briefly mentioned the non-free Creative Commons licenses, this post details why you should choose a free culture license. In particular, it urges you to avoid the licenses with the non-commercial-use only (NC) terms. . . .

Openness, remixability, and free culture (Efraim Feinstein, 2010)

Advocacy for creative works’ freedom represents a paradigm shift in thought among content creators: In a free culture, a premium is not placed on the material as-such or even the particular rights associated with the material. Instead, it is on the users’ freedom, and it is that freedom that is the prerequisite to large-scale creative engagement with educational material. . . .

An Economic Argument for Open Data by Efraim Feinstein

Free, open data prevents the necessity of duplication of effort, which, in turn, prevents the community as a whole from unnecessarily wasteful spending. Particularly for organizations with a social mission, its use is a win for everyone. . . .

Jewish Content, Free Culture and “Content Compatibility” by Efraim Feinstein

The free culture community has developed mechanisms to make sharing and collaborative development easier. The principles that define works of free culture are:

  1. the freedom to use the work and enjoy the benefits of using it
  2. the freedom to study the work and to apply knowledge acquired from it
  3. the freedom to make and redistribute copies, in whole or in part, of the information or expression
  4. the freedom to make changes and improvements, and to distribute derivative works

Note that these freedoms do not discriminate on the basis of endeavor, and all free culture works allow creation of derivative works and commercial use. . . .


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