⤷ You are here:
יוצר אור yotser ohr —⟶ tag: יוצר אור yotser ohr Sorted Chronologically (old to new). Sort most recent first? This is the second piyyuṭ in a yotsrot cycle for the Shabbat before Rosh haShanah, according to Minhag Polin (as traditionally practiced in the Ashkenazi communities of northeastern Germany and Poland), all written by a Rabbi Yitzḥak ben Moshe haLevi according to the authorial acrostic. Zunz identifies the author as Rabbi Isaac ben Moses of Mainz, who died in the Gzerot Tatno of 1096. Fraenkel disputes this and suggests Rabbi Isaac ben Moses of Vienna (a/k/a the Or Zarua), of the Ḥasidei Ashkenaz, who died in around 1270. The ofan is an invocation to the listener to repent, calling upon specific angels by name. Also included is the German text of Isaac Seligman Baer’s Avodat Yisrael translation, in modernized spelling. Categories: Tags: 13th century C.E., 51st century A.M., Acrostic signature, Alphabetic Acrostic, German translation, Minhag Polin, ofanim, פיוטים piyyuṭim, יוצר אור yotser ohr Contributor(s): This is the first piyyuṭ in a yotsrot cycle for the Shabbat before Rosh haShanah, according to Minhag Polin (as traditionally practiced in the Ashkenazi communities of northeastern Germany and Poland), all written by a Rabbi Yitzḥak ben Moshe haLevi according to the authorial acrostic. Zunz identifies the author as Rabbi Isaac ben Moses of Mainz, who died in the Gzerot Tatno of 1096. Fraenkel disputes this and suggests Rabbi Isaac ben Moses of Vienna (a/k/a the Or Zarua), of the Ḥasidei Ashkenaz, who died in around 1270. The yotser is an exultant heikhalot-tinged description of the midrash of seven heavens befitting the Shabbat before creation. Also included is the German text of Isaac Seligman Baer’s Avodat Yisrael translation, in modernized spelling. Categories: Tags: 11th century C.E., 49th century A.M., Acrostic signature, Alphabetic Acrostic, German translation, Minhag Polin, פיוטים piyyuṭim, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): A song by Darshan including the alphabetic acrostic piyyut, El Barukh, part of the morning Yotser Ohr blessing made prior to the Shema at the official beginning of the Shaḥarit service. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Aleph-Bet, Alphabetic Acrostic, animation, אל ברוך El Barukh, English piyyutim, hip hop, otiyot, Prayers as poems, rap, ספר יצירה Sefer Yetsirah, יוצר אור yotser ohr Contributor(s): A paraliturgical reflection of the first blessing prior to the Shema, Yotser Ohr, for a shame resilience practice. A yotser for Pesaḥ Sheni. Each stanza is written with a threefold acrostic — the first two lines in atbash, the third spelling “Yitsḥaq Har’el Ḥazaq,” and the fourth a verse from Numbers 9. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, אתבש atbash, פיוטים piyyuṭim, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): A yotser for Tu b’Av, the first part of an intended cycle of yotsrot. A retelling of the list of reasons for Tu b’Av given in the Talmud, with repeated refrains from Psalm 45 for the alphabetical verses and the rest of the Tanakh for the name-acrostic choruses. Written in honor of my friend Eliran’s wedding. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, אתבש atbash, פיוטים piyyuṭim, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): | ||
Sign up for a summary of new resources shared by contributors each week
![]() ![]() |