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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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זמירות zemirot —⟶ tag: זמירות zemirot Sorted Chronologically (old to new). Sort most recent first? Yedidekha El Yelidei Ish Tam — a piyyuṭ intended to be sung before Qaddish (after the Torah Reading) of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria. Yevanim Tsur B-Af — a piyyuṭ intended to be sung before Qaddish (after the Amidah) in the Shaḥarit of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria. Categories: Tags: 18th century C.E., 55th century A.M., Acrostic signature, Maghrebi Jewry, Meknes, Morocco, פיוטים piyyuṭim, זמירות zemirot Contributor(s): A paraliturgical birkat hamazon in Ladino. Bénissons is the French version of the well-known Bendigamos, a prayer and melody of the Spanish & Portuguese Jewish communities, most probably originating in Bordeaux, France. A profound song invoking divine presence. Categories: Rosh haShanah (l’Maaseh Bereshit), Yom Kippur, Purim Qatan, Motsaei Shabbat, 🤦︎ Taḥanun (Nefilat Apayim) Tags: 18th century C.E., 56th century A.M., אנה אמצאך ana emtsaeka, creator within creation, חסידות Ḥasidut, הבדלות havdalot, Hebrew translation, non-dual theology, panentheism, תשובה teshuvah, Yiddish songs, זמירות zemirot Contributor(s): An interpretive translation of the shabbes hymn, Yah Ekhsof. The shabbos table song “Yah Ekhsof No’am Shabbat” by Rabbi Aharon of Karlin, translated by Rabbi Morrison David Bial was first published in his anthology, An Offering of Prayer (1962), p. 29-30, from where this translation was transcribed. Categories: Tags: Contributor(s): The well-known patriotic hymn with a Hebrew and a Yiddish translation. Categories: Tags: 19th century C.E., 57th century A.M., American Jewry of the United States, doikayt, hereness, Patriotic hymns, United States, Yiddish songs, Yiddish translation, זמירות zemirot Contributor(s): “Columbia, the Gem of the Ocean” (originally “Columbia, the Land of the Brave”) was an American patriotic song popular in the United States during the 19th and early 20th centuries. Adapted by Thomas A’Becket, Sr. around 1843 from the British patriotic song “Britannia, the Pride of the Ocean”, Columbia was long used as an unofficial national anthem of the United States, in competition with other songs. Categories: Tags: 19th century C.E., 57th century A.M., American Jewry of the United States, anti-fascist, Patriotic hymns, זמירות zemirot Contributor(s): This is a parody riffing on the piyyut Kol Meqadesh Shevi’i for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer. Categories: Tags: 19th century C.E., 57th century A.M., English Translation, כל מקדש שביעי kol meqadesh shevi'i, parody, פיוטים piyyuṭim, Purim parody, purimspiel, זמירות zemirot Contributor(s): “Yom Purim” is a parody riffing on the piyyut Yom Shabbaton for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer. Categories: Tags: 19th century C.E., 57th century A.M., English Translation, parody, פיוטים piyyuṭim, Purim parody, purimspiel, יום שבתון yom shabbaton, זמירות zemirot Contributor(s): This is a parody riffing on the piyyut Yom Zeh Mekhubad for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer. Categories: Tags: 19th century C.E., 57th century A.M., English Translation, parody, פיוטים piyyuṭim, Purim parody, purimspiel, יום זה מכובד yom zeh mekhubad, זמירות zemirot Contributor(s): A Hebrew translation (and Jewish adaptation) of Julia Ward Howe’s abolitionist anthem “The Battle Hymn of the Republic” (1861). Categories: Tags: 19th century C.E., 57th century A.M., anti-racist, anti-slavery, Hebrew translation, marching songs, Needing Vocalization, Patriotic hymns, spirituals, United States, Slaveholders' Rebellion (1861-1865), זמירות zemirot Contributor(s): The African-American Christian spiritual adapted for a Pesaḥ song in Hebrew and English. Categories: Tags: Contributor(s): The Chanson Internationale (‘International Song’) was originally written in 1871 by Eugène Pottier, a French public transportation worker, member of the International Workingmen’s Association (The First International), and activist of the Paris Commune. He wrote it to pay tribute to the commune violently destroyed that year. The song became the official anthem of The Second International, of the Comintem, and between 1921 and 1944 also of the Soviet Union. Most socialist and communist parties adopted it as their anthem during the last decades of the 19th century and throughout the 20th century, adapting it in local languages (Russian, Yiddish, etc.) to their particular ideological framework. The anthem was first translated into Hebrew by Avraham Shlonsky in 1921. Categories: Tags: 19th century C.E., 57th century A.M., anti-fascist, Humanist, Humanist Judaism, internationalism, Labor Zionism, national anthems, Paris Commune, Siege of Paris (1870–1871), socialism, זמירות zemirot Contributor(s): This is a Ḥanukkah piyyut by R. Salomon Berdugo (1854–1906), illustrious payṭan and the chief rabbi of Meknes, Morocco. According to the Kehillot Sharot organization’s notes, found here, “This piyyut speaks of the miracles that occured for the Hasmoneans, both in war against the Greeks and in purification of the Temple. It is customarily sung in Maqam Hijaz.” Categories: Tags: 19th century C.E., 57th century A.M., acrostic, Acrostic signature, Maghrebi Jewry, Meknes, Morocco, פיוטים piyyuṭim, זמירות zemirot Contributor(s): This “Shir Mizmor l’Purim” by Rabbi Sabato Morais (we think) was first published in The Jewish Exponent on 15 March 1889. It was preserved by Rabbi Sabato Morais in his ledger, an archive of newsclippings recording material he contributed to the press, among other announcements. The sephardic folk-song “Kuando el rey Nimrod” in Ladino with English translation. Categories: Tags: 19th century C.E., 57th century A.M., Avraham Avinu, fire, Ladino vernacular prayer, Morocco, the Furnace, זמירות zemirot Contributor(s): “America the Beautiful,” the patriotic hymn (1911 version) by Katharine Lee Bates (1859-1929) in its Yiddish translation by Berl Lapin (1889-1952). Categories: Tags: 19th century C.E., 57th century A.M., American Jewry of the United States, doikayt, hereness, Patriotic hymns, United States, Yiddish songs, Yiddish translation, זמירות zemirot Contributor(s): Birkonim (bentschers) with table songs sung on the Sabbath with accompanying translations are now commonplace, but they not always were. The first major collection with accompanying translations was Dr. Leo Hirschfeld’s בזמרות נריע לו Die häuslichen Sabbathgesänge für Freitag⸗Abend, Sabbath⸗Tag und Sabbath⸗Ausgang (1898), an anthology of Sabbath table songs organized according to their traditional feast (Sabbath night, day, and Sabbath afternoon) in the Ashkenazi tradition. | ||
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