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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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🡄 (Previous month) :: 📅 February 2011 📅 Resources published in March 2011 |
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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2011 —⟶ March 🡄 (Previous month) :: 📅 February 2011 📅 April 2011 :: (Next month) 🡆 📅 Resources published in March 2011 Sorted Chronologically (old to new). Sort most recent first? Based on a traditional form, this is just a personal petition I drew up to remind myself of a few important things. Anyone is free to use it, alter it for their own circumstances, change the translation, etc. No attribution required. Categories: Tags: 21st century C.E., 58th century A.M., avodah, parnasah, תחינות teḥinot, weekdays, work-life balance, workdays, workers, working Contributor(s): This prayer was first published at David Zvi Kalman’s blog, Hammer & Spark (2010-08-31). Categories: Tags: 21st century C.E., 58th century A.M., Needing Vocalization, North America, Openers, Philadeelphia, Without a Minyan, Solo Contributor(s): Yakov Green shares a short kavvanah (intention, meditation) which he wrote in Hebrew one morning at Beit Midrash Elul in Jerusalem. He later translated it into English. תפילת דרך משולשת | Triple Prayer for the Road Categories: Tags: 21st century C.E., 58th century A.M., Beit Midrash Elul, choosing directions, ירושלם Jerusalem, prayers for the road, prayers for the way, תפילת הדרך tefilat haderekh, ישראל Yisrael Contributor(s): Language is simultaneously a portal and a barrier to prayer. Jews have prayed in Hebrew for millennia, yet our oldest sources also speak of prayer in other languages. Come explore the history of the language of prayer, how our linguistic preferences define what prayer is about, and how we might approach this issue today. Categories: Tags: Contributor(s): When works are printed bearing shemot, any one of the ten divine names sacred to Judaism, they are cared for with love. If a page or bound work bearing shemot falls to the ground it’s a Jewish custom to draw up the page or book and kiss it. Just as loved ones are cared for after they’ve fallen and passed away, when the binding fails and leaves fall from siddurim and other seforim they are collected in boxes and bins and brought for burial, where their holy words can decompose back into the earth from which their constituent elements once grew, and were once harvested to become paper and books, and ink, string, glue. While teaching at the Teva Learning Center last Fall 2010, I collected all our shemot that we had intentionally or unintentionally made on our copy machine, or which we had collected from the itinerant teachers who pass through the Isabella Freedman Retreat Center on so many beautiful weekend shabbatonim. While leafing through the pages, I found one and kept it from the darkness of the genizah. Categories: Tags: Contributor(s): We are pleased to announce that the first copyleft licensed haggadah Categories: Tags: Contributor(s): This post continues the series of advocacy posts directed at Jewish content creators and aggregators. Other parts of the series discussed the global communal benefit of free primary data resources and issues of copyright license compatibility and the connection between copyright licensing and remixability. While my previous post briefly mentioned the non-free Creative Commons licenses, this post details why you should choose a free culture license. In particular, it urges you to avoid the licenses with the non-commercial-use only (NC) terms. Categories: Tags: copyleft, creative commons, free culture, licensing, nc, non-commercial, open-source, sharealike, what is free Contributor(s): A prayer composed by Rabbi Shai Held in the aftermath of the devastating 2004 Asian Tsunami. Categories: Tags: 2004 Indian Ocean earthquake and tsunami, 21st century C.E., 58th century A.M., catastrophe, disaster, Floods, הדר Hadar, ocean, tsunami Contributor(s): For aspiring ba’al qoreh (readers) of Megillat Esther studying its various styles of cantillation (Hebrew, ta’amei hamiqra or in Yiddish, טראָפּ trōp), a fair number of recordings are popping up online, but only one so far is being shared with a free/libre, copyleft license thanks to Gabriel Seed, lead developer of zemirotdatabase.org. The audio file is free to redistribute and remix under the CC BY-SA license. We’re honored to share Gabriel’s recording of a zarqa table for Megillat Esther read in the Nusaḥ Ashkenaz style. Categories: Tags: Contributor(s): Before our hands can fix, we need to care. Before we can care, we need our eyes open. But how can we remind ourselves to see, and sustain our sensitivity and capability for compassion? We can shy from the pain that comes with empathy, and we can shy from the pain that comes with taking responsibility for the suffering we cause. But there are consequences to shying away, to disaffection and callous disassociation. If there is any hope, it is as Rebbe Naḥman explained so succinctly: “If you believe that you can damage, then believe that you can fix.” In 1806, Rebbe Naḥman of Bratslav taught that the recitation of ten psalms could act as a powerful Tiqun (remedy) in a process of t’shuvah leading to an awareness of the divine presence that permeates and enlivens this world but is alas, hidden though an accretion of transgressive thoughts and actions. Five years later, Rebbe Naḥman revealed the specific ten psalms of this tiqun to two of his closest disciples, Rabbi Aharon of Bratslav and Rabbi Naftali of Nemyriv. Categories: Tags: Breslov, Collections of Psalms, חסידי ברצלב Ḥasidei Bratslav (Breslov), Psalms 105, Psalms 137, Psalms 150, Psalms 16, Psalms 32, Psalms 41, Psalms 42, Psalms 59, Psalms 77, Psalms 90, Psalms as remedy, תקונים tiqqunim Contributor(s): Megillat Esther in Masoretic Hebrew with an English translation, including verses for public recitation highlighted to spotlight the heroic acts of Esther and Mordekhai. | ||
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