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2015 —⟶ Page 3 This prayer by Rabbi Abba Hillel Silver, of Cleveland, Ohio, was recorded in the United States’ Congressional Record for January 20, 1953. . . . In our continuing effort to expose the foundations of Open Source Judaism in Jewish source texts, we have made a transcription of Rabbi Ally Ehrman’s shiur (lesson) explaining Rabbi Yitsḥoq Hutner’s ראש השנה מאמר ב “Rosh Hashana Ma’amar 2” (circa 1950s) published in Paḥad Yitsḥoq, (a compendium of Rabbi Hutner’s teachings from the 1950s until his death in 1983). The ma’amar is an explication of the verse in Proverbs and familiar to anyone that sings Eyshet Ḥayil before the Sabbath evening meal, “She opens her mouth with wisdom, and a loving-kind Torah is on her tongue,” (Proverbs 31:26). The ma’amar weaves ideas by the Maharal from Gevurot Hashem (6:4) commenting on the gemarah in Talmud Bavli Sukkah 49b that the meaning of Torat Ḥesed (loving-kind torah) is a torah learned with the intention of being retransmitted. Via the MaHaRaL, Rabbi Hutner teaches that this effort in giving is an act of loving-kindness whereby a new work is made freely and shared completely without any diminution of the source, the giver, or the recipient. . . . Categories: Tags: Contributor(s): This prayer by Rabbi Samuel Thurman, of the United Hebrew Temple (St. Louis, Missouri), was recorded in the United States’ Congressional Record for January 20, 1949. . . . “Tsaar Balei Ḥayyim” ([It is forbidden to cause] suffering to a living creature), source unknown. Many thanks to Tiferet Zimmern-Kahan for recording the niggun for the song and to Naftali Ejdelman and The Jewish Daily Forward for providing the lyrics. . . . Categories: Tags: 20th century C.E., 57th century A.M., animal protection, animal welfare, ba'alei ḥayyim, בהמות behemot, ḥayot, Needing Attribution, Needing Source Images, Pedagogical songs, צער באלי חיים tsa'ar baalei ḥayyim, Yiddish songs Contributor(s): The Birkat Habayit is perhaps the most popular blessing in the Jewish world, appearing as a hanging amulet inside the entrance of many houses of Jews of all streams. I have added niqud to the blessing and I am very grateful to Gabriel Wasserman for his corrections to my vocalization. . . . Categories: Tags: 19th century C.E., 56th century A.M., קמעות qame'ot (amulets), Asiatic Cholera, ברכת הבית birkat habayit, dedications and consecrations, Epidemic, קמעות ḳame'ot, Needing Attribution, Pandemic Contributor(s): Rabbi Isaiah Horowitz (1565-1630), known as the Shlah from the name of his chief work (Shnei Luḥot HaBrit – The Two Tablets of the Covenant), was a rabbi in Central and Eastern Europe and later Chief Ashkenazi Rabbi of Jerusalem. This text is an excerpt from his kabbalistic prayer book, Siddur Shaar haShamayim (Gate of Heaven), which deals with the Shma prayer. . . . Categories: Tags: Contributor(s): Bendigamos is a hymn sung after meals according to the custom of Spanish and Portuguese Jews. It has also been traditionally sung by the Jews of Turkish descent. It is similar in meaning to the Birkat Hamazon that is said by all Jews. Bendigamos is said in addition to Birkat Hamazon, either immediately before or immediately after it. The text is in modern Spanish, not Ladino. The prayer was translated by David de Sola Pool. Below is the actual text as well as the translation by de Sola Pool. The melody is one of the best known and loved Spanish and Portuguese melodies, used also for the Song of the Sea (in the Shabbat morning service) and sometimes in “Hallel” (on the first day of the Hebrew month and on festivals). . . . Categories: Tags: Bendigamos, English Translation, Ladino vernacular prayer, paraliturgical birkat hamazon, זמירות zemirot Contributor(s): A singing translation of the popular piyyut (devotional poem), “Maoz Tzur,” by Reb Zalman for Ḥanukkah. . . . Categories: Tags: 13th century C.E., 51st century A.M., Acrostic signature, High Middle Ages, Mainz, מעוז צור Maoz Tsur, פיוטים piyyuṭim Contributor(s): Rabbi Jacob Judah Leon’s Prayer for King Charles II, from his 1675 booklet, was the first Jewish prayer in English for an English king (Mocatta Library, University College London). . . . Categories: Tags: 17th century C.E., 55th century A.M., British Monarchy, Great Britain, הנותן תשועה haNotén Teshuah, King Charles Ⅱ, Netherlandish Jewry, reconstructed text, Sephardic Diaspora, Western Sepharadim Contributor(s): Aish Tukad is a ḳinah for Tishah b’Av, usually recited towards the conclusion of the set of dirges for the morning service (in Goldshmidt’s numbering, it is number 32 of our 46 Kinot). According to Goldshmidt’s introduction, the structure of this Piyyut is based on a Midrash in Eicha Zuta 19, where Moses’ praises for God and Israel are seen as parallel to Jeremiah’s laments, thus creating the concept of a comparison between the joy of the Exodus and the pain of the Temple’s destruction. . . . “Oy Meh Haya Lanu” is a ḳinah traditionally recited on the night of Tisha b’Av directly after the reading of Eikha. According to the Koren Mesorat HaRav Kinot, it is number 1 of 50. The title is the refrain of the poem, a reflective lament. This ḳinah is based on the fifth and final chapter of Eikha, taking the opening phrase of each line of the megillah as the first line of each couplet and poetically expanding the description for the second. This translation is an attempt to convey the vulgarity and horror of the paytan’s depiction of the destroyed Jerusalem in vernacular English. The ḳinah ends just as the megillah ends, with the four verses of pleas for redemption. . . . Categories: Tags: Contributor(s): The Shimmush Tehillim is a medieval work providing prescriptive theurgical associations for Psalms and verses from Psalms. It has been historically attributed to Rav Hai Gaon (939-1038 CE) but any definitive statement of authorship is lacking. The suggestion that portions of the Shimush Tehillim were authored during the late Geonic period in Iraq isn’t implausible. We also know that Hai Gaon was knowledgeable of Hekhalot writings that should at least be considered part of the same thought world as the Shimmush Tehillim. Writings found in the Shimush Tehillim have been found in manuscripts dating from the 12th century. This digital transcription of Shimush Tehillim derives from Elias Klein Békéscsaba’s 1936 compilation. This edition should not be considered a critical text, as earlier editions certainly exist. Not all of the Psalms are identified as having a particular theurgical use. . . . “V’ahimah Miyamim Yamimah” is a ḳinah that recounts the tragic tale of the children of Rabbi Yishmael as told in the Babylonian Talmud (Gittin 58a). The handsome brother and fair sister were separated and sold into slavery during the conquest of Jerusalem. Their respective masters, not knowing the two were siblings, paired them with the intent of creating beautiful offspring. In their shared cell, the two wept all night until morning, when they recognized one another. They cried on each other’s necks until their souls departed from their bodies. The narrator of our story laments their terrible fate, ending each verse with a haunting refrain: “And so I will wail for all time.” . . . Categories: Tags: Contributor(s): One of the most well-known of the kinot (liturgical poems for mourning), Eli Tsiyon v’Areha is an alphabetical acrostic describing the destruction of Jerusalem. It is recited towards the conclusion of ḳinot, due to the hopeful note in the comparison of Zion to a woman about to give birth, thought by many to be a messianic reference. The author of the work is unknown. . . . Categories: Tags: Contributor(s): “Alelai Li” is a ḳinah recited on the morning of Tisha bAv. It was written by HaKalir around the 7th century. According to the Koren Mesorat HaRav Kinot, it is number 17 of 50. The title is the refrain of the poem and is an onomatopoeic whimper (try saying it aloud, focusing on the alliteration). It is difficult to translate the opening word “im” which means “if” or “should”. This is an allusion to Job 10:15, “If I have done evil, then woe unto me.” I have decided to translate the ḳinah not in the conditional tense (which would render “If these horrible things happened, then woe is me!”) but as a lament upon memory; however, the former would be a more accurate (if not more awkward in English) translation. Adding to the awkwardness of the poem’s language is the feminine conditional verb that each line has after the word “im”. I have maintained this strange verb tense and placement in my translation by using the English progressive tense. The ḳinah ends with a collection in lines in a different meter suggesting that the Holy One (and the paytan himself) is angered that the Jewish people announce their sufferings but not their transgressions. . . . Categories: Tags: Contributor(s): Az Bahalokh Yirmiyahu is a kinah, “based on Eikhah Rabati Petikhta 24, in which Jeremiah says to God: “I am like a father who prepared to take his only son to be married, and the son tragically died under the wedding canopy. Do you not feel any pain for me or for my son?” God responds: “Go and rouse Abraham, Isaac, Jacob and Moses from their graves, for they know how to cry…” (Daniel Goldschmidt, Seder Kinot le-Tisha b’Av, Jerusalem, 1972, 98). . . . Categories: Tags: Contributor(s): Talmudic and midrashic sources contain hymns of the creation usually based on homiletic expansions of metaphorical descriptions and personifications of the created world in the Bible. The explicitly homiletic background of some of the hymns in Perek Shira indicates a possible connection between the other hymns and Tannaitic and Amoraic homiletics, and suggests a hymnal index to well-known, but mostly unpreserved, homiletics. The origin of this work, the period of its composition and its significance may be deduced from literary parallels. A Tannaitic source in the tractate Hagiga of the Jerusalem (Hag. 2:1,77a—b) and Babylonian Talmud (Hag. 14b), in hymns of nature associated with apocalyptic visions and with the teaching of ma’aseh merkaba serves as a key to Perek Shira’s close spiritual relationship with this literature. Parallels to it can be found in apocalyptic literature, in mystic layers in Talmudic literature, in Jewish mystical prayers surviving in fourth-century Greek Christian composition, in Heikhalot literature, and in Merkaba mysticism. The affinity of Perek Shira with Heikhalot literature, which abounds in hymns, can be noted in the explicitly mystic introduction to the seven crowings of the cock — the only non-hymnal text in the collection — and the striking resemblance between the language of the additions and that of Shi’ur Koma and other examples of this literature. In Seder Rabba de-Bereshit, a Heikhalot tract, in conjunction with the description of ma’aseh bereshit, there is a clear parallel to Perek Shira’s praise of creation and to the structure of its hymns. The concept reflected in this source is based on a belief in the existence of angelic archetypes of created beings who mediate between God and His creation, and express their role through singing hymns. As the first interpretations of Perek Shira also bear witness to its mystic character and angelologic significance, it would appear to be a mystical chapter of Heikhalot literature, dating from late Tannaitic — early Amoraic period, or early Middle Ages. . . . Categories: Rosh haShanah la-Melakhim, Erev Shabbat, Hekhalot Writings, Morning Baqashot, Rosh Ḥodesh Readings, Rosh haShanah la-Behemah Readings, Rosh haShanah Readings, Tu biShvat Readings Tags: 43rd century A.M., 5th century C.E., animals, birds, cosmological, creeping creatures, Early Ammoraic, Early Middle Ages, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, heikhalot literature, hymns of creation, Late Tannaitic, Openers Contributor(s): This is a reconstruction of a sabbath liturgy for the Tefillah of the Amidah, at least in some variant of its public recitation, in Greek and preserved in an early Christian work, the Constitutiones Apostolorum (Apostolic Constitutions), a Christian work compiled around 380 CE in Syria. Several prayers derived from Jewish sources appear in the Apostolic Constitutions and they can be found grouped together and labeled “Greek” or “Hellenistic Syanagogal Works” in collections of apocrypha and pseudepigrapha. Because explicitly Christian references appeared to be added onto a pre-existing text with familiar Jewish or “Old Testament” themes and references, scholars in the late 19th century were already suggesting that as many as 16 of the prayers in the Apostolic Constitutions books 7 and 8 were derived from Jewish prayers. A more modern appraisal was made by Dr. Fiensy and published in Prayers Alleged to Be Jewish (Scholars Press 1985). Based on a careful analysis of the prayers, he concludes that the only prayers which can be identified as Jewish with certainty are those found in sections 33-38 of book 7. . . . Categories: Tags: 42nd century A.M., 4th century C.E., Greek speaking Jewry, Greek vernacular prayer, Late Antiquity, Syria Contributor(s): This digital edition of Midrash Ma’aseh Ḥanukkah was transcribed from the print edition published in Otzar Hamidrashim (I. D. Eisenstein, New York: Eisenstein Press, 5675/1915, p.189-190). With much gratitude to Anat Hochberg, this is the first translation of this midrash into English. . . . Categories: Tags: colonization, Droit du seigneur, Early Middle Ages, eating animals, חג הבנות Ḥag HaBanot, Late Antiquity, sexual predation, sexual violence Contributor(s): A supplemental Hoshanot liturgy for Sukkot confessing a selection of humanity’s crimes against creation. . . . Categories: Tags: 21st century C.E., 58th century A.M., eco-conscious, ecoḥasid, הקפות haḳafot, Hoshana Rabbah, הושענות hoshanot, North America Contributor(s): | ||
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