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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources
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📖 מַחְזוֹר בִּרְכַּת שָׁלוֹם | Maḥzor Birkat Shalom, an egalitarian Rosh haShanah & Yom Kippur maḥzor (Havurat Shalom 2014/2022) Contributor(s):מַחְזוֹר בִּרְכַּת שָׁלוֹם Maḥzor Birkat Shalom (second edition, 2022) is the egalitarian Rosh haShanah & Yom Kippur prayerbook of Havurat Shalom in Sommerville, Massachusetts. . . . Contributor(s):This piece is about Ḥanina ben Dosa, a wonder-working rabbi who lived in Judea in the first century. The singer pleads to Ḥanina that he intercede in Israel’s behalf and obtain God’s help and salvation for her and the world. . . . 📖 סִדּוּר בִּרְכַּת שָׁלוֹם | Siddur Birkat Shalom, an egalitarian Shabbat morning siddur (Havurat Shalom 1991/2021) Contributor(s):סִדּוּר בִּרְכַּת שָׁלוֹם Siddur Birkat Shalom (second edition, 2021) is the shabbat morning prayerbook of Havurat Shalom in Sommerville, Massachusetts. As explained in the Introduction to the first edition (1991), work on the egalitarian siddur began in 1984 by eight members of the ḥavurah. The first edition was dedicated to the memory of Rabbi Simcha Dov Kling (1922-1991). The second edition of Siddur Birkat Shalom is dedicated to the memory of Reena Kling (1954-2017). . . . ברכת יוצר האדם לכבוד יום זכויות האדם ולכל יום | A Blessing for International Human Rights Day (and every day), by Rabbi Oded Mazor (2012) Contributor(s):This is a blessing which I originally wrote while working at the Leo Baeck Education Center, Haifa, for the International Human Rights day, December 10, 2012. It is based on the 4th of the Seven Blessings in the Jewish wedding ceremony, with additional quotes from our tradition. This blessing is included in Tfilat HaAdam prayer book, 2021. . . . Contributor(s):The pedagogical song “Hashem is Everywhere!” by Rabbi Yosef Goldstein (1928-2013) can be found in the context of his story, “Where is Hashem?,” the second track on his album מדות טובות Jewish Ethics Through Story and Song (Menorah Records 1972). In the instructions to reciting the lyrics, the singer points first to the six cardinal directions and lastly, by pointing inward towards one’s self. In so doing, one explicitly affirms the idea of the divine within ourselves and implicitly, in each other. . . . 📖 סידור שלם לכל תפלות השבת (אשכנז) | Volledige Sidoer vir die Sabbat, by Rabbi Dr. Moses Romm (1952) Contributor(s):סידור שלם לכל תפלות השבת Volledige Sidoer vir die Sabbat (1952) was prepared by Rabbi Dr. Moses Romm (1897-1976) and presents the first ever translation of Jewish liturgy into Afrikaans (as far as we know). . . . Contributor(s):The experimental siddur, Prayers & Readings Selected and Arranged by Rabbi Solomon Goldman can be found appended to Harry Coopersmith’s songbook, Songs of My People (1938). The work, I believe, is an excellent reflection of the creative spirit of the nascent Reconstructionist movement. Goldman’s prayerbook is both traditional and expansive, seeking to bring into its pages both familiar liturgy along with additional works from all over Jewish literary history. The work represents what Rabbi Mordecai Kaplan would call a “Binder Siddur” — the siddur as a container of inspired works for collective reading and reflection in the synagogue. Perhaps even for personal use. With its good number of authors and translators expressing different voices appealing to Goldman, Prayers & Readings is also a kind of proto-Open Siddur. However, unlike the Open Siddur, Goldman only provides acknowledgement of the various authors and translators in his preface, and we are left uncertain as to which works should actually be attributed to each contributor. If you can tell which of the listed authors and translators contributed what, please leave a comment or contact us. . . . 📖 מחזור אור לישראל ליום הכפורים (אשכנז) | Maḥzor Or l’Yisrael l’Yom haKippurim, translated by Rabbi Simon Glazer (1928) Contributor(s):A bilingual Hebrew-English maḥzor for Yom Kippur, translated by Rabbi Simon Glazer and published by Star Publishing Company in 1928. . . . 📖 מחזור אור לישראל לראש השנה (אשכנז) | Maḥzor Or l’Yisrael l’Rosh haShanah, translated by Rabbi Simon Glazer (1928) Contributor(s):A bilingual Hebrew-English maḥzor for Rosh haShanah, compiled by Rabbi Simon Glazer and published by Star Publishing Company in 1928. . . . Contributor(s):“Tal” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 315-317. . . . Contributor(s):This paraliturgical translation of “Haschkiwenu” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 78. . . . Contributor(s):“Nachtgebet eines Kindes” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 30. . . . Contributor(s):“Abendlied” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 29. . . . Contributor(s):“Schlußgebet” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 23. . . . Contributor(s):“Beruria” by Lisa Tarlau is an eponymous ode provided as the preface to Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages v-viii. . . . 📖 Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen, by Rabbi Dr. Max Grunwald (1907) Contributor(s):An anthology of prayers (teḥinot) for Jewish women written in vernacular German by Rabbi Dr. Max Grunwald and thirty-one other authors including women. . . . Gebet am Lichtfeste (חנוכה) | Prayer on the Festival of Light (Ḥanukkah), by Fanny Schmiedl-Neuda (1855) Contributor(s):This is “Gebet am Lichtfeste” by Fanny Neuda from her collection of teḥinot, Stunden der Andacht (1855/58). In the 1855 edition, it can be found on pages 68-69. In the Judeo-German (vaybertaytsh/mashkit) edition (1864), on pages 88-89. . . . Prière Pour la Fête de Hanouka | Prayer for the Festival of Ḥanukkah, by Jonas Ennery & Rabbi Arnaud Aron (1848) Contributor(s):This is the “Prière Pour la Fête de Hanouka” as found in אמרי לב Prières D’un Cœur Israélite, a collection of paraliturgical prayers and teḥinot in French by Jonas Ennery & Rabbi Arnaud Aron (Consistoire central israélite de France 1848/53). In the 1848 edition, the prayer can be found on pages 158-160. In the 1852 edition, on pages 401-403. . . . Gebet für die Tage der Tempelweihe (חֲנוּכָּה) | Prayer for the Days of the Dedication of the Temple (Ḥanukkah), by Meïr Letteris (1846) Contributor(s):This is the “Gebet für die Tage der Tempelweihe” as found in תָּחֲנוּנֵי בַּת יְהוּדָה Andachtsbuch für Israelitische Frauenzimmer, an anthology of teḥinot in German by Meïr haLevi Letteris (1846). There, the prayer can be found on page 130. In the 1848 Judeo-German (vaybertaytsh/mashkit) edition, the prayer can be found on page 110. . . . Gebet am Lichtfeste | Prayer at the Festival of Light (Ḥanukkah), a teḥinah by Max Emanuel Stern (1841) Contributor(s):“Gebet am Lichtfeste” by Max Emanuel Stern was first published in his anthology of teḥinot Die Fromme Zionstochter: Andachtsbuch für Israels Frauen und Mädchen (1841), pp. 60-63. . . . Contributor(s):“Lights in the Temple” by Rev. John Keble (1792-1866) was initially published anonymously in The British Magazine and Monthly Register of Religious and Ecclesiastical Information (1 March 1834, vol. 5, p. 280), and a few years later republished under a pseudonym ‘γ’ in a collection of religious poetry, Lyrica Apostolica (1836) (under the section “Lighting of Lamps,” pp. 74-75). Keble’s authorship was clearly identified in Miscellaneous Poems, published posthumously in 1868. The poem was one of three by Keble included in the Standard Book of Jewish Verse (ed. Joseph Friedlander and George Alexander Kohut, 1917), pp. 72-73. . . . יָהּ הַצֵּל יוֹנָה | Yah Hatsel Yonah (Shelter, God, the Dove), complete poetic translation by Isaac Gantwerk Mayer Contributor(s):Yah Hatsel Yonah is a traditional piyyut for Ḥanukkah, of unknown origin (although it spells out the name Yehuda as an acrostic). Beloved in Iraqi Jewish circles, it discusses the hope that Israel, likened to a dove, will be able to celebrate Ḥanukkah during a time of true redemption. Included is a relatively literal (but de-gendered) translation, as well as a poetic singable one. . . . מָעוֹז צוּר | Maoz Tsur (Stronghold Rock who Rescues Me), complete poetic translation by Isaac Gantwerk Mayer Contributor(s):A complete poetic translation (all six verses) of Maoz Tsur. As far as the editor knows this is the first translation of Maoz Tsur to both (a) cover all the verses relatively accurately and (b) preserve the strict ABAB-BBCCB rhyme scheme of the original. (Reb Zalman’s comes close but it goes ABAB-CCDDC instead). If it sounds violent, that’s because it *is* violent. Ḥanukkah is a holiday about actively fighting against assimilation and abuse. A lot of Maoz Tsur translations are censored, but it’s a powerful, loud, and even nationalist statement. . . . Contributor(s):The paraliturgical adaptation and expansion of “Adaun Aulom” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 93-94. I have set the stanzas or verses from Adon Olam in their original Hebrew side-by-side with Lise Tarlau’s adapted text (according to the arrangement that seems closest to me) so that their proximity may illuminate her inspiration. . . . 💬 The Prayer of Azariah and the Song of the Three Holy Children, according to the Judeo-Aramaic text found in Divrei Yeraḥmiel, vocalized and cantillated, with a new English translation by Isaac Gantwerk Mayer Contributor(s):The Prayer of Azariah and the Song of the Three Holy Children, one of the apocryphal Additions to Daniel, is an interpolation into the third chapter of the book of Daniel. The editor has here included a new vocalized and cantillated edition of the Aramaic text preserved in the 12th century Divrei Yeraḥmiel (Oxford Bodleian Heb d.11 transcribed by Rabbi Dr. Moses Gaster). The language of this passage is an odd synthesis of Targumic, pseudo-Biblical Aramaic, and even some Syriac forms, so the editor’s vocalization is aiming for a happy medium of all the possibilities. . . . Contributor(s):“Avnei Y’qar” is a succint piyyut for Ḥanukkah, traditionally attributed to R. Abraham ibn Ezra, and particularly beloved by the Yemenites. Interestingly, it doesn’t mention the miracle of the oil whatsoever, focusing on the degradation of the land under Greek occupation as well as the Hasmonean victory itself. Included is a poetic acrostic translation into English. . . . |
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