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2026 —⟶ April 🡄 (Previous month) :: 📅 March 2026 📅 May 2026 :: (Next month) 🡆 📅 Resources published in April 2026 Sorted Chronologically (old to new). Sort most recent first? “Arise, my soul! with rapture rise!” is the incipit to Hymn №2 in Barnett A. Elzas’s The Sabbath Service and Miscellaneous Prayers (1916), an edited republication of “The Sabbath service and miscellaneous prayers, adopted by the Reformed society of Israelites, founded in Charleston, S. C., November 21, 1825.” The hymn appears on pages 55-56 without any additional attribution. Categories: Tags: Contributor(s): A Prayer for Pentecost, by the Reformed Society of Israelites (Charleston, South Carolina, ca. 1825)“A Prayer for Pentecost” by the Reformed Society of Israelites is found in The Sabbath service and miscellaneous prayers, adopted by the Reformed Society of Israelites, founded in Charleston, S. C., November 21, 1825 (1830), as reprinted by Barnett A. Elzas in The Sabbath Service and Miscellaneous Prayers (1916), pp. 51-52. Categories: Tags: Contributor(s): “Father, whate’er of earthly bliss” is the incipit to Hymn №6 in Barnett A. Elzas’s The Sabbath Service and Miscellaneous Prayers (1916), an edited reprinting of The Sabbath service and miscellaneous prayers, adopted by the Reformed Society of Israelites, founded in Charleston, S. C., November 21, 1825 (1830). Categories: Tags: 19th century C.E., 56th century A.M., English vernacular prayer, hymns, paraliturgical elohai netsor Contributor(s): This paraphrase of Psalms 49 in English verse by Sir Robert Grant was first published under the title “Psalm ⅩⅬⅨ. Imitated.” without attribution in Poems Divine and Moral: Many of Them Now First Published (ed. John Bowdler, 1821), pp. 59-61. It was later published posthumously by Robert’s brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 22-24. Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, memento mori, Prayers as poems, Psalms 49 Contributor(s): This paraphrase of Psalms 71 in English verse by Sir Robert Grant was first published posthumously under the title “Psalm ⅬⅩⅩⅠ” by Robert’s brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 31-32. Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, Prayers as poems, Psalms 71 Contributor(s): This paraphrase of a portion of Psalms 84 in English verse by Sir Robert Grant was first published posthumously under the title “Part of Psalm ⅬⅩⅩⅩⅣ. Imitated” by Robert’s brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 36-37. Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, Prayers as poems, Psalms 84 Contributor(s): This paraphrase of the second half of Psalms 19 in English verse by Sir Robert Grant was first published posthumously under the title “Psalm ⅩⅠⅩ” by Robert’s brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 28-30. As Charles Grant writes as introduction to the poem, it “is intended as a sequel or counterpart to Addison’s hymn, “The spacious firmament.” It corresponds to the latter portion of the 19th Psalm, as Addison’s does to the former.” Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, Prayers as poems, psalms 19 Contributor(s): The Spacious Firmament on high, an adaptation of Psalms 19 in English verse by Joseph Addison (1712)This is Joseph Addison’s ode, “The Spacious Firmament on high,” an adaptation of Psalms 19 in English verse first published in The Spectator (23 August 1712). Categories: Tags: Contributor(s): Tefilat haShir refers to an ancient (perhaps dating back to the Temple era!) custom of reciting the fifteen psalms of ascents (Psalms 120 to 134) before Psuqei d’Zimra. First identified as a unique segment of the Eretz-Yisrael rite by Prof. Ezra Fleischer z”l, this custom was so beloved by the Jews who followed the western rite that long after the rest of its prayer traditions were abandoned it was preserved by the Western-rite Jews of Cairo (see Vered Raziel-Kretzmer, “How Late was the Palestinian Rite Practiced in Egypt?” Tarbiz 85 [2018], heb.) Tefilat haShir was preserved in variant forms in several other communities. For instance, it is found in the Maḥzor Aram Ṣoba, published in 1560 for use of the Musta’aravi Jews of Aleppo. It is also found in the Krymchak variant of the Romaniote rite, also known as Minhag Kaffa. In both cases it would be recited exclusively on sabbaths and festivals. (Note that this was not the case in the old Eretz Yisrael rite, where it was a daily practice!) The Kaffa and Aram Ṣoba forms of the Tefilat haShir cycle are very similar, with a few differences in the introduction and the ending. Their core is the fifteen songs of ascents, interlaced with linking verses from elsewhere in Tanakh featuring a Leitwort (theme-word) related to the psalm. Both are included here, with color coding for substantial differences and footnotes to mark minor distinctions. In Minhag Kaffa, as printed in 1735, the Birkat haShir cycle is inserted after the morning Torah study cycle. In the Maḥzor Aram Ṣoba, it is the beginning of the service, the first thing recited in the synagogue after monring blessings, and consequently inserted before the Torah study cycle. Categories: Tags: Contributor(s): This is the Minhag Ashkenaz (western Germany, codified in Frankfurt) Maȝaravot for the seventh day of Pesaḥ, by Rabbi Menaḥem ben Jacob of Worms. I wrote this back in 2023 when it was pointed out to me that none of the attested mnemonics for the seder follow the Maimonidean practice, which lacks breaking the matzo. According to the Rambam, the matzo is only divided right before the blessings. This means that Yemenites recite a mnemonic that doesn’t follow their practice! I decided that was unfair and wrote an alternative that follows the Rambam’s instructions. (That being said, I’m still doing yaḥatz at mine.) Categories: Tags: Contributor(s): An ofan piyyuṭ for the second shabbat after Pesaḥ, as well as the Shabbat between Yom Kippur and Sukkot, recited in the minhag of Pehm and Bruna (Bohemia and Moravia). Signed with the name “Yaakov,” this ofan is of uncertain origin but has been attributed to R. Yaakov ben Meir, more well known as Rabbeinu Tam. Also included is Seligman Baer’s German translation, as well as an original English translation. Categories: Tags: Contributor(s): “Prayer” for Sabbath—ⅩⅬⅢ is Alice Lucas’s English verse adaptation of the piyyut “Shaḥar Avaqeshkha Tsuri u-Misgabi” by Shlomo ibn Gabirol, published in her The Jewish Year: A Collection of Devotional Poems for Sabbaths and Holidays throughout the Year (1898), page 97. Categories: Tags: 11th century C.E., 49th century A.M., Needing source text, פיוטים piyyuṭim, rhyming translation, שחר אבקשך Shaḥar Avaqeshkha Contributor(s): This is Israel’s Zangwill’s versified English translation of the ofan piyyut of Shimon ben Yitsḥaq Abun of Mainz as published in Arthur Davis and Herbert Adler’s Maḥzor Avodat Ohel Moed: Avodat Ḥag haShavuot (1909), p. 149. Categories: Tags: 10th century C.E., 48th century A.M., ofanim, פיוטים piyyuṭim, rhyming translation, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): This is the early piyyut, “v-Yeètayu Kol l’Avdèkha,” as paraphrased in rhymed English verse by Israel Zangwill in Arthur Davis and Herbert Adler’s Maḥzor Avodat Ohel Moed: Avodat Yom haKippurim vol. 2 (1904), pp. 154-155. Categories: Tags: Contributor(s): This prayer for the Shaliaḥ Tsibur is found in the Musaf Amidah for Rosh haShanah, in the Malkhuyot between Aleinu and Al Kén. The translation offered here is based on that found in the Metsudah Maḥzor for Rosh Hashanah. Categories: Tags: Contributor(s): | ||
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