Contributor(s): Shared on: 4 March 2026 under the Creative Commons Zero (CC 0) Universal license a Public Domain dedication Categories: Tags: | Source (Hebrew) | Translation (English) |
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אַאֲמִיר אוֹתְךָ סֶֽלָה
בְּהוֹד וְהָדָר וּתְהִלָּה
גּוֹאֵל הַצְמַח גְּאֻלָּה
דְּרוֹשׁ אֲיֻמָּתְךָ לְשֵׁם וְלִתְהִלָּה׃ |
Thy praise, O Lord, will I proclaim
In hymns unto Thy glorious name.
O Thou Redeemer, Lord and King,
Redemption to Thy faithful bring! |
הַצָּגִים בְּשִׂמְחָה
וּבְלוּלָבֵיהֶם אוֹתְךָ לְשַׂמְּחָה
זוֹעֲקִים לְפָנֶֽיךָ שִׂיחָה
חֲמֹל עֲלֵיהֶם הוֹשִֽׁיעָה וְהַצְלִֽיחָה׃ |
Before Thine altar they rejoice
With branch of palm and myrtle-stem.
To Thee they raise the prayerful voice—
Have mercy, save, and prosper them. |
טוֹב בְּרַחֲמֶֽיךָ הָרַבִּים
יַקֵּר עֲדַת אֲהוּבִים
כּוֹרְעִים וּמִשְׁתַּחֲוִים וּמוֹדִים בָּאֳהָבִים
לְשַֽׁעַר בַּת רַבִּים׃ |
May’st Thou in mercy manifold,
Dear unto Thee, Thy people hold,
When at Thy gate, they bend the knee,
And worship and acknowledge Thee. |
מַחֲמַדָּם תֵּן לָהֶם
נָא שְׂמַח עִמָּהֶם
שָׂא נָא חַטֹּאתֵיהֶם
עֲבֹור עַל פִּשְׁעֵיהֶם׃ |
Do Thou their hearts’ desire fulfill,
Rejoice with them in love this day,
Forgive their sins and thoughts of ill
And their transgressions cast away. |
פּוֹצְחִים הַלֵּל וְתוֹדוֹת
צוּר הַיּוֹדֵֽעַ עֲתִידוֹת
קוֹל לְהַשְׁמִֽיעַ אוֹתָם לַחֲדוֹת
רַחֲמֵם בְּנָשְׂאָם אֲגֻדּוֹת׃ |
They overflow with prayer and praise
To Him who knows the future days.
Have mercy Thou, and hear the prayer
Of those who palms and myrtle bear. |
שׁוֹקְדִים וְאוֹתְךָ מַקְדִּישִׁים
שִׁבְחֲךָ בְּפִיהֶם רוֹחֲשִׁים
תּוֹקְפִים בָּרוּךְ וְלוֹחֲשִׁים
תּוֹמְכִים כְּאֵילֵי תַרְשִׁישִׁים׃ |
The day and night they sanctify
And in perpetual song adore,
Like to the heavenly host they cry;
“Blessed art Thou for evermore.” |
This is the piyyut, “Aamir Otekha Selah” by Elazar ben Qallir for Sukkot, as translated into rhyming English verse by Alice Montefiore Lucas, first published as “Hymn for Tabernacles” in her anthology of versified translations Songs of Zion by Hebrew Singers of Mediæval Times (1894). (The translation was reprinted in her The Jewish Year (1898) under the title, “Palm and Myrtles.”) Her translation was later set opposite Qallir’s Hebrew text in Maḥzor Avodat Ohel Moed: Avodat Ḥag haSukkot (ed. Arthur Davis & Herbert Adler, 1908). Source(s) “אַאֲמִיר אוֹתְךָ סֶֽלָה | Aamir Otekha Selah, an ofan piyyut for Sukkot by Elazar ben Qallir (rhymed translation by Alice Lucas 1894)” is shared through the Open Siddur Project under the Creative Commons Zero (CC 0) Universal license a Public Domain dedication.
Aharon Varady (M.A.J.Ed./JTSA Davidson) is a volunteer transcriber for the Open Siddur Project. If you find any mistakes in his transcriptions, please let him know. Shgiyot mi yavin; Ministarot naqeni שְׁגִיאוֹת מִי־יָבִין; מִנִּסְתָּרוֹת נַקֵּנִי "Who can know all one's flaws? From hidden errors, correct me" (Psalms 19:13). If you'd like to directly support his work, please consider donating via his Patreon account. (Varady also translates prayers and contributes his own original work besides serving as the primary shammes of the Open Siddur Project and its website, opensiddur.org.) Alice Julia Lucas (née Montefiore) (2 August 1851 – 25 March 1935) was a British Jewish poet, translator, and communal worker. Alice Julia Montefiore was born in 1851, the elder daughter of Nathaniel M. Montefiore and Emma Goldsmid. Alongside her brother Claude Montefiore, she studied Judaism under Solomon Schechter at the Hochschule in Berlin. On 24 April 1873 she married barrister Henry Lucas, who later served as treasurer and vice-president of the United Synagogue. In 1900 she helped establish the Jewish Study Society, modelled after the Council of Jewish Women, of which she served as the first president. Lucas also sat on the women's committee of the Westminster Jews' Free School and its preparatory nursery, the Jews' Infant School. Elazar ben Qallir, also known as Eleazar Kalir, Killir, Qalir or El'azar HaKalir (c. 570 – c. 640) was a Hebrew poet whose classical liturgical verses, known as piyut, have continued to be sung through the centuries during significant religious services, including those on Tisha b'Av and on the sabbath after a wedding. He was one of Judaism's earliest and most prolific of the paytanim, Hebrew liturgical poets. He wrote piyutim for all the main Jewish festivals, for special Sabbaths, for weekdays of festive character, and for the fasts. Many of his hymns have found their way into festive prayers of the Ashkenazi Jews' nusaḥ. (via wikipedia).
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