A supplemental stanza to the popular 13th century piyyut, Maoz Tsur, for the Ḥanukkah occurring in the aftermath of the horrors on 7 October, as written and shared by דנה פרל. . . .

This rhyming translation and paraphrase of the blessing at bedtime (birkat hamapil) was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), pp. 89-90. . . .

This prayer by Jessie Ethel Sampter to accompany the bedtime shema was published in her Around the Year in Rhymes for the Jewish Child (1920), p. 44. . . .

This rhyming paraphrase of the blessing before waving the lulav on Sukkot was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 17. . . .

This translation and supplement for the blessing before listening to Megilat Esther on Purim was made by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 48. . . .

This rhyming paraphrase and translation of the blessing over the lighting of the Ḥanukkiah was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 31. . . .

This paraliturgical supplement to the blessing upon seeing lightning was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 88. . . .

This paraliturgical supplement to the blessing upon hearing thunder was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 87. . . .

This paraliturgical prayer for the end of Shabbat havdalah was made by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 64. . . .

This prayer-poem on receiving a parent’s Sabbath Blessing was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 25. . . .

This paraliturgical supplement to the blessing over kindling the Shabbat candles was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 80. . . .

This rhyming translation for the Birkat haMazon (blessing after eating a meal with bread) was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 86. . . .

This translation of the blessing sheheḥiyanu was written by Jessie Ethel Sampter and published under the title “Blessing for Rosh-Hashanah” in her Around the Year in Rhymes for the Jewish Child (1920), p. 11. . . .

This paraliturgical supplement to the blessing before eating bread was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 82. . . .

This paraliturgical supplement to the blessing before eating vegetation, vegetables, and fruit of the earth was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 84. . . .

This paraliturgical supplement to the blessing before eating all other foods (besides bread, fruits, vegetation and vegetables) was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 85. . . .

This paraliturgical supplement to the blessing before eating fruit of trees was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 83. . . .

This paraliturgical supplement to the blessing over hand washing was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 81. . . .

“My America (Our New Hymn)” was written by Morris Rosenfeld and published by the Jewish Morning Journal sometime mid-April 1917. On April 2nd, the United States had entered the World War against Germany and its allies. In the xenophobic atmosphere of the United States during World War Ⅰ, Representative Isaac Siegel (1880-1947), R-NY, offered the hymn as evidence of the patriotism of America’s “foreign-born” Jewish immigrants. The poem in its English translation was added to the Congressional Record on 18 April 1917 in an extension of remarks. Xenophobia in the United States though did not ebb. Nearly a year later, on April 4, 1918, a German immigrant, Robert Prager, was lynched in Collinsville, Illinois. . . .

This translation of Ḥayyim Naḥman Bialik’s “Shabbat ha-Malkah” by Israel Meir Lask can be found on pages 280-281 in the Sabbath Prayer Book (Jewish Reconstructionist Foundation, 1945) where it appears as “Greeting to Queen Sabbath.” The poem is based on the shabbat song, “Shalom Alekhem” and first published in the poetry collection, Hazamir, in 1903. I have made a faithful transcription of the Hebrew and its English translation as it appears in the Sabbath Prayer Book. The first stanza of Lask’s translation was adapted from an earlier translation made by Angie Irma Cohon and published in 1920 in Song and Praise for Sabbath Eve (1920), p. 87. (Cohon’s translation of Bialik’s second stanza of “Shabbat ha-Malkah” does not appear to have been adapted by Lask.) . . .

This is the poem “דיא זרשטע טבילה” by Morris Rosenfeld (1862-1923) written sometime before 1898. We have transcribed the poem as it was published in Rosenfeld’s collection of poems Gezamelṭe lieder (1906) pp. 167-168. The poem was romanized and translated into English by Leo Wiener and published under the title, “Die erste Twile (The First Bath of Ablution)” in Songs from the Ghetto (1898), pp. 52-55. A rhyming translation by Rose Pastor Stokes & Helena Frank under the title, “The First Bath of Ablution” was published in Songs of Labor and Other Poems (1914), pp. 72-73. . . .

This is the poem “פעלד־מעסטען” by Morris Rosenfeld (1862-1923) written before 1898. We have transcribed the poem as it was published in Rosenfeld’s collection of poems Gezamelṭe lieder (1906) pp. 135-136. The poem was romanized and translated into English by Leo Wiener and published under the title, “The Measuring of the Graves” in Songs from the Ghetto (1898), pp. 46-49. A rhyming translation by Rose Pastor Stokes & Helena Frank under the title, “Measuring of the Graves” was published in Songs of Labor and Other Poems (1914), pp. 70-71. If you know the date of the earliest publication of this prayer, please leave a comment or contact us. . . .

“Brich aus in lauten Klagen” by Heinrich Heine was preserved in a letter he wrote to his friend Moses Moser dated 25 October 1824. The poem is included in Heinrich Heine’s Letters on The Rabbi of Bacharach, the manuscript of which only survived in a fragment, the rest having been lost, according to Heine, in a fire. The English translation here by Nina Salaman was transcribed from her anthology, Apples & Honey (1921) where it appears under the title of “Martyr-Song,” published at an earlier date in The Jewish Chronicle. . . .

The piyyut, Yedid Nefesh, in Hebrew with an English translation. . . .

An abridged rhymed translation of the piyyut Yom Zeh l’Yisrael. . . .

The piyyut, yah Ribon Olam, in Hebrew with a rhyming English translation. . . .

This translation by Rabbi David Aaron de Sola of “Yah Ribon” by Rabbi Yisrael Najara was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .

The philosophical-creed-as-piyyut, Yigdal, in Hebrew with a creative English translation. . . .

The philosophical-creed-as-piyyut, Yigdal, in Hebrew with an English translation. . . .

The philosophical-creed-as-piyyut, Yigdal, in Hebrew with an English translation. . . .

This is the philosophical-creed-as-piyyut, Yigdal, by Daniel ben Judah Dayyan. Yigdal means “Magnify [O Living God]” and is based on the 13 Articles of Faith formulated by Maimonides (1135-1204). Daniel ben Judah spent eight years improving his piyyut, completing Yigdal in 1404. This was not the only metrical presentment of the 13 Articles of Faith; but it has outlived all others, whether in Hebrew or in the vernacular. The rhymed English translation by Jacob Waley (1818-1873) was published posthumously by his daughter, Julia Matilda Cohen, in The children’s Psalm-book, a selection of Psalms with explanatory comments, together with a prayer-book for home use in Jewish families (1907), pp. 300-303. . . .

A rhymed translation of Tsur Mishelo, a paralitugical Birkat haMazon. . . .

The piyyut and popular shabbat table song, Ki Eshmera Shabbat, in Hebrew with a rhyming translation. . . .

This translation of “Ki Eshmera Shabbat” by Rabbi David Aaron de Sola of a piyyut by Avraham ibn Ezra was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .

A medieval Jewish poem on the game of Chess by Avraham ibn Ezra.. . . .

A rhyming English translation of the piyyut Adonai Negdekha kol Ta’avati. . . .

The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . .

The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . .

A rhyming translation in English to the popular piyyut, Adon Olam. . . .

Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Jessie Ethel Sampter was transcribed from Joseph Friedlander and George Alexander Kohut’s The standard book of Jewish verse (1917), p. 394. . . .

Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Israel Zangwill was transcribed from the Jewish Quarterly Review vol. 13 (January 1901), p. 321. . . .

The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . .

Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by Jacob Waley was transcribed from the prayerbook of his daughter Julia M. Cohen’s The Children’s Psalm-Book (1907), pp. 298-299. . . .

The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . .

A rhyming English translation of Adon Olam by Rosa Emma Salaman. . . .

Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by George Borrow was shared in his tales in The Bible in Spain (1843), p. 222. (The text in the 1913 edition on page 546 is a bit easier to read.) . . .

Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by David de Aaron de Sola was transcribed from his prayerbook Seder haTefilot vol. 1 (1836), p. 122. . . .

The reshut for praying at dawn, in Hebrew with English translation. . . .

The reshut for praying at dawn, in Hebrew with English translation. . . .

A rhymed translation of the piyyut sung following the Havdallah ritual. . . .