Today I turned my heart toward the new year and wrote a prayer-poem for Tashlikh, the Rosh haShanah ritual of casting bread or stones into the water to cast off one’s past wrongdoings. . . .

This is a new version of the popular Ḥanukkah song, Banu Ḥoshekh. (The original by Sara Levi-Tanai can be found here.) Our new version does two things: 1) it avoids the association of darkness and blackness (shḥor) with evil and harm, which in our society gets tangled up with white supremacy, and 2) honors the darkness as something precious that we need, especially in our time of light pollution when so much of the time, so many people can’t even see the stars. . . .

The time of Sukkot is a time of fullness and generosity, but also a time to pray for the coming season. Shemini Atzeret, the festival when we pray for rain, is an expression of our need for water, which in the Jewish tradition symbolizes life, renewal, and deliverance. Tefillat Geshem, a graceful fixture of the Ashkenazic liturgy, invokes the patriarchs as exemplars of holiness and model recipients of God’s love. This prayer uses water as a metaphor for devotion and faith, asking that God grant us life-sustaining rain. While its authorship is unknown, it is sometimes attributed to Elazar Kallir, the great liturgist who lived sometime during the first millenium. Each year, we are reminded of our people’s connection to the patriarchs and to the rhythms of water, spiritual and physical sources of life, through this medieval piyyut. While we know that rain is a natural process, formal thanksgiving for water as a source of life, energy, and beauty reminds us that our Creator is the source of our physical world and its many wonders. . . .

“Orah hee” was composed by Rabbi Jill Hammer in 2008 and first published at Tel Shemesh in romanized Hebrew and English translation. . . .