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7th Day of Pesaḥ

This is an archive of prayers and other works relevant to the 7th and final day of Passover (extended to two days outside of Erets Yisrael). The day commemorates the miraculous passage of the newly liberated Israelites through the Sea of Reeds, and the destruction of the Pharaonic army pursuing them.

Click here to contribute a work that you have prepared for the 7th day of Pesaḥ.

Filtered by tag: “שירת הים Shirat haYam” (clear filter)

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📜 שירת הים | Shirat haYam :: the Song of the Sea (Exodus 15:1-19)

According to Rabbinic tradition, the 21st of Nissan is the day in the Jewish calendar on which Pharaoh’s army was drowned in the Sea of Reeds, and the redeemed children of Yisrael sang the Song of the Sea, the (Shirat Hayam, Exodus 15:1-19). The song, as included in the the morning prayers, comprises one of the most ancient text in Jewish liturgy. The 21st of Nissan corresponds to the 7th day of Passover, and the recitation of the Shirat HaYam is part of the daily Torah Reading. Rabbi Hillel Ḥayim Yisraeli-Lavery shares a performance of a melody he learned for the Shirat Hayam from צוף דבש Tzuf Devash, a Moroccan synagogue in the Old City of Jerusalem. If there is something about this tune that strikes one as particularly celebratory, it might be because the relationship between G!d and the Jewish people is traditionally described as a marriage consummated with the Covenant at Mt. Sinai. The passage of Bnei Yisrael through the Sea of Reeds towards Mt. Sinai thus begins a bridal march commencing in the theophany at Mt. Sinai, 42 days later. . . .

Tags: אז ישיר Az Yashir, conflicting messages, קריעת ים סוף qriyat yam suf, safe passage, שירת הים Shirat haYam, Song of the Sea, symplegades, Yom Vayosha

Contributor(s): the Masoretic Text and Aharon N. Varady (transcription)

אָמַר אוֹיֵב | Amar Oyev (The Enemy Said) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ

This piyyut, Amar Oyev (The Enemy Said), the sixth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited as an introduction to the targum of Exodus 15, verse 9. . . .

Categories: 7th Day of Pesaḥ

Tags: 45th century A.M., 7th century C.E., acrostic, Acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyutim, שירת הים Shirat haYam, תרגום targum

Contributor(s): Unknown Author(s), Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

מַן־כְּוָתָךְ | Man K’vatakh (Who is Like You) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ

This piyyut, Man K’vatakh (Who is Like You), the seventh in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited as an introduction to the Targum of the verse that includes “Mi Khamokha.” The English translation preserves the Hebrew acrostic of the Aramaic. . . .

Categories: 7th Day of Pesaḥ

Tags: 45th century A.M., 7th century C.E., acrostic, Acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyutim, שירת הים Shirat haYam, תרגום targum

Contributor(s): Unknown Author(s), Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

תָּנוּן שְׁבָחֵיהּ | Tanun Shvaḥeih (Tell the Praise) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ

This piyyut, Tanun Shvaḥeih (Tell the Praise), the eighth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited as an introduction to the Targum of Exodus 15:18, the famous verse “Adonai yimlokh l-‘olam va-‘ed.” The English translation preserves the Hebrew acrostic of the Aramaic. . . .

Categories: 7th Day of Pesaḥ

Tags: 45th century A.M., 7th century C.E., acrostic, Acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyutim, שירת הים Shirat haYam, תרגום targum

Contributor(s): Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut)

אִילּוּ פּוּמֵּי נִימֵי | Ilu Pume Nima (If Our Mouths Were Thread) — an introductory a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.)

This piyyut, Ilu Pume Nima (If Our Mouths Were Thread), the first in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the first aliyah, as an introduction or ‘reshut’ to the seder meturgeman as a whole. . . .

Categories: 7th Day of Pesaḥ

Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, Acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyutim, שירת הים Shirat haYam, תרגום targum

Contributor(s): Meir ben Isaac Nehorai of Orléans, Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

אֲבוּנָן דְּבִשְׁמַיָּא וּבָרְיַן | Abunan D’biShmaya (Our Parent in Heaven) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.)

This piyyut, Abunan D’biShmaya (Our Parent in Heaven), the second in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the fifth verse of the first aliyah (or second verse of the second aliyah on Shabbat). . . .

Categories: 7th Day of Pesaḥ

Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, Acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyutim, שירת הים Shirat haYam, תרגום targum

Contributor(s): Meir ben Isaac Nehorai of Orléans, Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

אֱלָהָא עָלַם | Elaha Alam (Ageless God) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.)

This piyyut, Elaha Alam (Ageless God), the fourth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the Song of the Sea proper as an introduction to the targum of the text. . . .

Categories: 7th Day of Pesaḥ

Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyutim, שירת הים Shirat haYam, תרגום targum

Contributor(s): Meir ben Isaac Nehorai of Orléans, Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

אֱלָהָא תַּקִּיפָא רַבָּא וְגִבָּרָא | Elaha Taqifa (Mighty God) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Yequtiel ben Yosef

This piyyut, Elaha Taqifa (Mighty God), the third in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the concluding verse of the second aliyah (third on Shabbat). The translation preserves the alphabetical acrostic, as well as the authorial tag — Jequtiel son of Joseph. . . .

Categories: 7th Day of Pesaḥ

Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyutim, שירת הים Shirat haYam, תרגום targum

Contributor(s): Yequtiel ben Yosef and Isaac Gantwerk Mayer (translation)

אִזֵל מֹשֶׁה | Izel Mosheh (Arise, Moses) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ

This piyyut, Izel Moshe (Arise, Moses), the fifth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the second verse of the song proper, as an elaboration on God’s strength. The English translation preserves the Hebrew acrostic of the original. . . .

Categories: 7th Day of Pesaḥ

Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyutim, שירת הים Shirat haYam, תרגום targum

Contributor(s): Unknown Author(s), Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

The twelve hued rainbow above the Sea of Reeds during the miracle of its division into twelve channels of liberation

A medieval manuscript illustration of the aggadah that the Yam Suf was split in 12 discrete channels, one for each tribe, as reflected above by a 12-color rainbow . . .

Categories: Art & Craft, Shirat ha-Yam, 7th Day of Pesaḥ

Tags: 12th century C.E., 50th century A.M., אז ישיר Az Yashir, קריעת ים סוף qriyat yam suf, safe passage, פרשת בשלח parashat B'shalaḥ, שבת שירה shabbat shirah, שירת הים Shirat haYam, Song of the Sea, the Rainbow

Contributor(s): Moshe ben Maimon and Aharon N. Varady (translation)

שיר חדש אשיר | Shir Ḥadash Ashir (“Song Anew”) — a traditional piyyuṭ before the Song of the Sea

This piyyuṭ, bearing the acrostic signature “Samuel,” is traditionally recited in the communities of Babylonia and India as a petiḥa, or opening poem, before the Song of the Sea. It is also sung on Shabbat Shira, the Sabbath where we read the Song of the Sea in public. This translation is an attempt to preserve the original meaning as well as the rhyme scheme and poetic form. . . .

Categories: Parashat b'Shalaḥ, 7th Day of Pesaḥ

Tags: Acrostic signature, אז ישיר Az Yashir, פיוטים piyyutim, פרשת בשלח parashat B'shalaḥ, שבת שירה shabbat shirah, שירת הים Shirat haYam, ימי השובבים Yemei haShovavim

Contributor(s): Shmuel haPaytan and Isaac Gantwerk Mayer (translation)

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Sea reeds 2 (12695113484) (credit: Valentin Hintikka, license: CC BY-SA)

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ויהי נעם אדני אלהינו עלינו ומעשה ידינו כוננה עלינו ומעשה ידינו כוננהו "May the pleasantness of אדֹני our elo’ah be upon us; may our handiwork be established for us — our handiwork, may it be established." –Psalms 90:17

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