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7th Day of Pesaḥ

This is an archive of prayers and other works relevant to the 7th and final day of Passover (extended to two days outside of Erets Yisrael) also known as יוֹם וַיּוֹשַׁע Yom vaYoshah. The day commemorates the miraculous passage of the newly liberated Israelites through the Sea of Reeds, and the destruction of the Pharaonic army pursuing them.

Click here to contribute a work that you have prepared for the 7th day of Pesaḥ.

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📜 שירת הים | Shirat haYam :: the Song of the Sea (Exodus 15:1-19)

According to Rabbinic tradition, the 21st of Nissan is the day in the Jewish calendar on which Pharaoh’s army was drowned in the Sea of Reeds, and the redeemed children of Yisrael sang the Song of the Sea, the (Shirat Hayam, Exodus 15:1-19). The song, as included in the the morning prayers, comprises one of the most ancient text in Jewish liturgy. The 21st of Nissan corresponds to the 7th day of Passover, and the recitation of the Shirat HaYam is part of the daily Torah Reading. Rabbi Hillel Ḥayim Yisraeli-Lavery shares a performance of a melody he learned for the Shirat Hayam from צוף דבש Tzuf Devash, a Moroccan synagogue in the Old City of Jerusalem. If there is something about this tune that strikes one as particularly celebratory, it might be because the relationship between G!d and the Jewish people is traditionally described as a marriage consummated with the Covenant at Mt. Sinai. The passage of Bnei Yisrael through the Sea of Reeds towards Mt. Sinai thus begins a bridal march commencing in the theophany at Mt. Sinai, 42 days later.

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אז ישיר Az Yashir, conflicting messages, קריעת ים סוף qriyat yam suf, safe passage, שירת הים Shirat haYam, Song of the Sea, symplegades, Yom Vayosha

Contributor(s):

the Mesorah (TaNaKh) and Aharon N. Varady (transcription)

שִׁירַת מִרְיָם | The Song of Miriam — a reconstruction based on the fragmentary pseudobiblical composition found in the Dead Sea Scrolls (4Q365)

This is the Song of Miriam from a parabiblical (or pseudo-biblical) attestation in 4Q365, as reconstructed by scholars based on the work of largely based on the work of Dr. Ariel Feldman, and with addition lacunae filled in by Issac Gantwerk Mayer. Isaac also vocalized, cantillated, and translated the test according to Masoretic norms, and provided a rendering of the text styled according to the Shirat ha-Yam as reproduced by scribes in the Masoretic tradition.

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Parashat b'Shalaḥ, Shirat ha-Yam, 7th Day of Pesaḥ

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21st century C.E., 58th century A.M., Classical Antiquity, Dead Sea Scrolls, Jewish Women's Prayers, Miriam, גאולה geūlah (redemption), Second Temple Period, שבת שירה shabbat shirah

Contributor(s):

Isaac Gantwerk Mayer, Isaac Gantwerk Mayer (translation) and Unknown

תָּנוּן שְׁבָחֵיהּ | Tanun Shvaḥeih (Tell the Praise) — a piyyuṭ for the Seder Meturgeman of the 7th Day of Pesaḥ

This piyyut, Tanun Shvaḥeih (Tell the Praise), the eighth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited as an introduction to the Targum of Exodus 15:18, the famous verse “Adonai yimlokh l-‘olam va-‘ed.” The English translation preserves the Hebrew acrostic of the Aramaic.

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7th Day of Pesaḥ

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45th century A.M., 7th century C.E., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyuṭim, שירת הים Shirat haYam, תרגום targum

Contributor(s):

Unknown and Isaac Gantwerk Mayer (transcription & naqdanut)

מַן־כְּוָתָךְ | Man K’vatakh (Who is Like You) — a piyyuṭ for the Seder Meturgeman of the 7th Day of Pesaḥ

This piyyut, Man K’vatakh (Who is Like You), the seventh in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited as an introduction to the Targum of the verse that includes “Mi Khamokha.” The English translation preserves the Hebrew acrostic of the Aramaic.

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7th Day of Pesaḥ

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45th century A.M., 7th century C.E., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyuṭim, שירת הים Shirat haYam, תרגום targum

Contributor(s):

Unknown, Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

אָמַר אוֹיֵב | Amar Oyev (The Enemy Said) — a piyyuṭ for the Seder Meturgeman of the 7th Day of Pesaḥ

This piyyut, Amar Oyev (The Enemy Said), the sixth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited as an introduction to the targum of Exodus 15, verse 9.

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7th Day of Pesaḥ

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45th century A.M., 7th century C.E., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyuṭim, שירת הים Shirat haYam, תרגום targum

Contributor(s):

Unknown, Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

שיר חדש אשיר | Shir Ḥadash Ashir (“Song Anew”) — a traditional piyyuṭ before the Song of the Sea

This piyyuṭ, bearing the acrostic signature “Samuel,” is traditionally recited in the communities of Babylonia and India as a petiḥa, or opening poem, before the Song of the Sea. It is also sung on Shabbat Shira, the Sabbath where we read the Song of the Sea in public. This translation is an attempt to preserve the original meaning as well as the rhyme scheme and poetic form.

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Parashat b'Shalaḥ, 7th Day of Pesaḥ

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Acrostic signature, אז ישיר Az Yashir, פיוטים piyyuṭim, פרשת בשלח parashat B'shalaḥ, שבת שירה shabbat shirah, שירת הים Shirat haYam, ימי השובבים Yemei haShovavim

Contributor(s):

Shmuel haPaytan and Isaac Gantwerk Mayer (translation)

פֶּֽסַח אֱמוּנִים שִׁיר | Pesaḥ Emunim Shir (At Passover the faithful sang), a piyyuṭ for the seventh night of Pesaḥ by Yosef ben Yaaqov (translated by Elsie Davis)

This is the piyyut “Pesaḥ Emunim (At Passover, the faithful…)” by Yosef bar Yaaqov Kalai for maariv (after the shema) on the seventh night of Pesaḥ, published in Adler and Davis’s Maḥzor for Shavuot, Avodat Ḥag ha-Matzot (1909), pp. 219-222.

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7th Day of Pesaḥ

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11th century C.E., 49th century A.M., alphabetic mesostic, מערבות maaravot, mesostic, פיוטים piyyuṭim, rhyming translation, שירת הים Shirat haYam

Contributor(s):

Aharon N. Varady (transcription), Elsie Davis (translation) and Yosef ben Yaaqov

אָשִֽׁירָה כְּשִׁירַת מֹשֶׁה | Ashira k-Shirat Moshe (Let me sing like the song of Moses)

Ashira k-Shirat Moshe is a brief piyyut of uncertain origin, recited in Moroccan Jewish practice as an introduction to the Song of the Sea at the end of Zemirot on Shabbat Shirah and the seventh day of Pesaḥ. It lists seven Biblical songs — those of Moses, Miriam, Joshua, Deborah, Hannah, David, and Solomon — and concludes with an eighth song, the song that Israel will sing at the the future redemption.

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Parashat b'Shalaḥ, Shirat ha-Yam, 7th Day of Pesaḥ

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Devorah, Hannah, Life of David HaMelekh, Miriam, Mosheh Rabbenu, גאולה geūlah (redemption), שבת שירה shabbat shirah, Song of Songs, Yehoshua (Joshua), זמירות zemirot

Contributor(s):

Isaac Gantwerk Mayer (translation) and Unknown

אִילּוּ פּוּמֵּי נִימֵי | Ilu Pume Nima (If Our Mouths Were Thread) — an introductory a piyyuṭ for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.)

This piyyut, Ilu Pume Nima (If Our Mouths Were Thread), the first in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the first aliyah, as an introduction or ‘reshut’ to the seder meturgeman as a whole.

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7th Day of Pesaḥ

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11th century C.E., 49th century A.M., acrostic, Acrostic signature, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyuṭim, שירת הים Shirat haYam, תרגום targum

Contributor(s):

Meir ben Isaac Nehorai of Orléans, Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

אֱלָהָא עָלַם | Elaha Alam (Ageless God) — a piyyuṭ for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.)

This piyyut, Elaha Alam (Ageless God), the fourth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the Song of the Sea proper as an introduction to the targum of the text.

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7th Day of Pesaḥ

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11th century C.E., 49th century A.M., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyuṭim, שירת הים Shirat haYam, תרגום targum

Contributor(s):

Meir ben Isaac Nehorai of Orléans, Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

אֲבוּנָן דְּבִשְׁמַיָּא וּבָרְיַן | Abunan D’biShmaya (Our Parent in Heaven) — a piyyuṭ for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.)

This piyyut, Abunan D’biShmaya (Our Parent in Heaven), the second in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the fifth verse of the first aliyah (or second verse of the second aliyah on Shabbat).

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7th Day of Pesaḥ

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Contributor(s):

Meir ben Isaac Nehorai of Orléans, Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

אִזֵל מֹשֶׁה | Izel Mosheh (Arise, Moses) — a piyyuṭ for the Seder Meturgeman of the 7th Day of Pesaḥ

This piyyut, Izel Moshe (Arise, Moses), the fifth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the second verse of the song proper, as an elaboration on God’s strength. The English translation preserves the Hebrew acrostic of the original.

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7th Day of Pesaḥ

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11th century C.E., 49th century A.M., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyuṭim, שירת הים Shirat haYam, תרגום targum

Contributor(s):

Unknown, Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation)

אֱלָהָא תַּקִּיפָא רַבָּא וְגִבָּרָא | Elaha Taqifa (Mighty God) — a piyyuṭ for the Seder Meturgeman of the 7th Day of Pesaḥ by Yequtiel ben Yosef

This piyyut, Elaha Taqifa (Mighty God), the third in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the concluding verse of the second aliyah (third on Shabbat). The translation preserves the alphabetical acrostic, as well as the authorial tag — Jequtiel son of Joseph.

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7th Day of Pesaḥ

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11th century C.E., 49th century A.M., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aramaic, פיוטים piyyuṭim, שירת הים Shirat haYam, תרגום targum

Contributor(s):

Yequtiel ben Yosef and Isaac Gantwerk Mayer (translation)

יוֹם לְיַבָּשָׁה | Yom le-Yabashah (The Day On Which to Dry Land) — a geulah piyyut for the 7th day of Pesaḥ and Shabbat Shirah by Yehudah haLevi (early 12th c.)

Originally written by Yehuda haLevi for the seventh day of Pesaḥ, Yom le-Yabasha — a celebration of the crossing of the Sea of Reeds and the establishment of the covenant as signified by the circumcision and tsitsit — it quickly became a beloved piyyut on that occasion and more.

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Shirat ha-Yam, Parashat b'Shalaḥ, 7th Day of Pesaḥ

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12th century C.E., 49th century A.M., Acrostic signature, phonetic alphabetic acrostic translation, brit milah, פיוטים piyyuṭim, קריעת ים סוף qriyat yam suf, rhyming translation, שבת שירה shabbat shirah, Yom Vayosha

Contributor(s):

Isaac Gantwerk Mayer (translation) and Yehudah ben Shmuel haLevi

הנסים שהיו על הים סוף | The Miracles at the Sea of Reeds as related in Rambam’s commentary on the Pirqei Avot

A medieval manuscript illustration of the aggadah that the Yam Suf was split in 12 discrete channels, one for each tribe, as reflected above by a 12-color rainbow

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Art & Craft, Shirat ha-Yam, Parashat b'Shalaḥ, 7th Day of Pesaḥ

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12th century C.E., 50th century A.M., אז ישיר Az Yashir, קריעת ים סוף qriyat yam suf, safe passage, פרשת בשלח parashat B'shalaḥ, שבת שירה shabbat shirah, שירת הים Shirat haYam, Song of the Sea, the Rainbow

Contributor(s):

Moshe ben Maimon and Aharon N. Varady (translation)

מַעֲרָבוֹת לְיוֹם שְׁבִיעִי שֶׁל־פֶּסַח | Ma’aravot for the 7th day of Pesaḥ (minhag Ashkenaz), by Rabbi Menaḥem ben Yaaqov of Worms

This is the Minhag Ashkenaz (western Germany, codified in Frankfurt) Maȝaravot for the seventh day of Pesaḥ, by Rabbi Menaḥem ben Jacob of Worms.

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7th Day of Pesaḥ

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12th century C.E., 50th century A.M., Alphabetic Acrostic, מערבות maaravot, פיוטים piyyuṭim, rhyming translation, שירת הים Shirat haYam

Contributor(s):

Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation) and Menaḥem ben Jacob of Worms

אוֹדֶה אֵל שַדַּי | Odeh El Shaddai, a pizmon for Shabbat Shirah

This is a pizmon for Shabbat Shirah (Parashat B’Shalaḥ) by an unknown author. The text is as transcribed from the pizmonim included in the siddur משמרת הקדש: קול שומר שבת Mishmeret haQodesh: Qol Shomer Shabbat (Pisa 1821), p. 117.

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Parashat b'Shalaḥ, 7th Day of Pesaḥ

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19th century C.E., 56th century A.M., פיוטים piyyuṭim, פזמונים pizmonim, שבת שירה shabbat shirah, שירת הים Shirat haYam

Contributor(s):

Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation) and Unknown

מַֽהֲרוּ כׇּל־שָׁרִים | Maharu Kol Sharim — a pizmon on the parting of the Sea of Reeds with stanzas added in the Shirei Yisrael b-Erets ha-Qedem

This pizmon, signed with the name Moshe but of otherwise unclear attribution, is recited in the Sephardic communities of Rhodes and Istanbul (and nowadays in Seattle) before the open ark on Shabbat Shirah and the seventh day of Pesaḥ. The main Hebrew text of the first and last two stanzas are as found in the Seattle Sephardic community’s 2002 Siddur Zehut Yosef (as well as the Gözlem Kitap press in Istanbul’s 2011 Şaloş Regalim), with footnotes marking differences in the Shirei Yisrael B’Erets HaḲedem (published in Istanbul in 1921) and the Yeshiva University Library diwan of Baruch Moshe Moreno, written by hand in the monastery neighborhood of Tiberias in 1867 (YU MS. 1126). In between are three additional non-rhyming stanzas found in substantially different form in the other two sources but not recited in modern Sephardic communities.

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Before the Aliyot, Parashat b'Shalaḥ, 7th Day of Pesaḥ

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Acrostic signature, phonetic alphabetic acrostic translation, Eastern Sefaradim, Nusaḥ Sefaradi, פיוטים piyyuṭim, פזמונים pizmonim, שבת שירה shabbat shirah, שירת הים Shirat haYam, Turkish translation

Contributor(s):

Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut) and Unknown

מַֽהֲרוּ כׇּל־שָׁרִים | Maharu Kol Sharim — a pizmon on the parting of the Sea of Reeds with stanzas added in YU MS 1126

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Before the Aliyot, Parashat b'Shalaḥ, 7th Day of Pesaḥ

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Acrostic signature, phonetic alphabetic acrostic translation, Eastern Sefaradim, מהרו כל שרים Maharu Kol Sharim, Nusaḥ Sefaradi, פיוטים piyyuṭim, פזמונים pizmonim, שבת שירה shabbat shirah, שירת הים Shirat haYam, Turkish translation

Contributor(s):

Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut) and Unknown

תחנה אמהות | Prayer for Yizkor, from the Tkhine of the Matriarchs by Seril Rappaport (ca. 18th century)

“Tkhine of the Matriarchs for Yizkor on Rosh Hashanah, Yom Kippur, and Yamim Tovim” by Rebbetsin Seril Rappaport is a faithful transcription of her tkhine included in “תחנה אמהות מן ראש חודש אלול” (Tkhine of the Matriarchs for the New Moon of Elul) published in Vilna, 1874, as re-published in The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni.

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Shavuot, Mourning, Yom Kippur, Shemini Atseret, 7th Day of Pesaḥ

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18th century C.E., 56th century A.M., Paraliturgical yizkor, תחינות teḥinot, תחינות tkhines, Yiddish vernacular prayer, יזכור yizkor

Contributor(s):

Seril Rappaport and Aharon N. Varady (transcription)

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Sea reeds 2 (12695113484) (credit: Valentin Hintikka, license: CC BY-SA)

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ויהי נעם אדני אלהינו עלינו ומעשה ידינו כוננה עלינו ומעשה ידינו כוננהו׃ (תהלים צ:יז) · "May the pleasantness of אדֹני our elo’ah be upon us; may our handiwork be established for us — our handiwork, may it be established." (Psalms 90:17)

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