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Contributor(s): Aharon N. Varady (transcription), Fanny Schmiedl-Neuda, Wikisource Contributors (proofreading) and Julia Watts Belser (translation)
Categories:  ☽ Prayers for the Moon, Month, and Festival Calendar, Rosh Ḥodesh Nisan, Rosh Ḥodesh Iyyar, Rosh Ḥodesh Sivan, Rosh Ḥodesh Tamuz, Rosh Ḥodesh Av, Rosh Ḥodesh Elul, Rosh Ḥodesh Tishrei, Rosh Ḥodesh Marḥeshvan, Rosh Ḥodesh Kislev, Rosh Ḥodesh Tevet, Rosh Ḥodesh Sh'vat, Rosh Ḥodesh Adar (Alef and Bet) | Tags:  19th century C.E., tkhines, teḥinot, 57th century A.M., paraliturgical teḥinot, Jewish Women's Prayers, Teḥinot in German, German vernacular prayer, Bohemian Jewry 
This is Prayer for the Shabbat preceding the New Moon (Shabbat Mevorkhim) included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German, Stunden der Andacht (1855). Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . . Contributor(s): Aharon N. Varady (transcription), Isaac Leeser (translation), Jonas Ennery, Arnaud Aron and Wikisource Contributors (proofreading)
Categories: Rosh Ḥodesh, ☽ Prayers for the Moon, Month, and Festival Calendar, Rosh Ḥodesh Nisan, Rosh Ḥodesh Iyyar, Rosh Ḥodesh Sivan, Morning Torah Reading, Rosh Ḥodesh Tamuz, Rosh Ḥodesh Av, Rosh Ḥodesh Elul, Rosh Ḥodesh Tishrei, Rosh Ḥodesh Marḥeshvan, Rosh Ḥodesh Kislev, Rosh Ḥodesh Tevet, Rosh Ḥodesh Sh'vat, Rosh Ḥodesh Adar (Alef and Bet) | Tags: 19th century C.E., English Translation, shabbat mevorkhim, 57th century A.M., paraliturgical teḥinot, French Jewry, French vernacular prayer, North American Jewry, Paraliturgical Prayer for the New Month 
To the best of my ability, this is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the Prayer for the New Moon, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. . . . Contributor(s): Aharon N. Varady (transcription) and Unknown Author(s)
Categories: Rosh Ḥodesh Adar (Alef and Bet) | Tags: 19th century C.E., tkhines, new moon, shabbat mevorkhim, teḥinot, 57th century A.M., paraliturgical teḥinot, Yiddish vernacular prayer, Bilhah, In the merit of Moshe Rabbeinu, paraliturgical birkat haḥodesh, Pisces, Naphtali, Mazal Dagim 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר רִאשׁוֹן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar I”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . Contributor(s): Aharon N. Varady (transcription) and Unknown Author(s)
Categories: Rosh Ḥodesh Adar (Alef and Bet) | Tags: 19th century C.E., tkhines, new moon, shabbat mevorkhim, teḥinot, 57th century A.M., paraliturgical teḥinot, Yiddish vernacular prayer, Bilhah, paraliturgical birkat haḥodesh, Pisces, Naphtali, Mazal Dagim, Mordekhai, Esther, Haman, Needing Transcription 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar [II]”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . Contributor(s): Aharon N. Varady (transcription), Fanny Schmiedl-Neuda, Moritz Mayer (translation) and Wikisource Contributors (proofreading)
Categories: Rosh Ḥodesh, ☽ Prayers for the Moon, Month, and Festival Calendar, Rosh Ḥodesh Nisan, Rosh Ḥodesh Iyyar, Rosh Ḥodesh Sivan, Rosh Ḥodesh Tamuz, Rosh Ḥodesh Av, Rosh Ḥodesh Elul, Rosh Ḥodesh Tishrei, Rosh Ḥodesh Marḥeshvan, Rosh Ḥodesh Kislev, Rosh Ḥodesh Tevet, Rosh Ḥodesh Sh'vat, Rosh Ḥodesh Adar (Alef and Bet) | Tags: 19th century C.E., tkhines, teḥinot, 57th century A.M., Jewish Women's Prayers, Teḥinot in German, German vernacular prayer, Bohemian Jewry 
This is the prayer for Rosh Ḥodesh (the day of the New Moon, and first day of the month in the Jewish calendar) included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German, Stunden der Andacht (1855). Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. The translation in English was made by Moritz Mayer in his abridged translation of Neuda’s collection, Hours of Devotion (1866). . . . Contributor(s): Aharon N. Varady (transcription) and Friedrich Schiller
Categories: Purim, Rosh Ḥodesh Adar (Alef and Bet) | Tags: romanticism, liberation, 56th century A.M., 18th Century C.E., Hebrew translation, Ḥasidic, Ode to Joy, Enlightenment, joy, Needing Translation 
In 1785 Friedrich Schiller wrote his ‘An die Freude an ode ‘To Joy’, describing his ideal of an equal society united in joy and friendship. Numerous copies and adaptations attest to its popularity at the time. The slightly altered 1803 edition was set to music not only by Ludwig van Beethoven in his Ninth Symphony but also by other composers such as Franz Schubert and Pyotr Tchaikovsky. Hs. Ros. PL B-57 contains a Hebrew translation of the first edition of the ode (apparently rendered before the 1803 alteration), revealing that the spirit of the age even managed to reach the Jewish community in the Netherlands. Whereas the imagery of Schiller’s original is drawn from Greek mythology, the author of the שִׁיר לְשִׂמְחָה relies on the Bible as a source. In fact, he not only utilises Biblical imagery, but successfully avoids any allusion to Hellenistic ideas whatsoever. . . . Contributor(s): Aharon N. Varady (transcription), Refoyl Finkl (translation) and Yitsḥok Leybush Peretz
Categories: Purim, Rosh Ḥodesh Adar (Alef and Bet) | Tags: 20th century C.E., lampoon, 57th century A.M., Yiddish songs, Ode to Joy, Jewish particularism, contrarianism 
Y.L. Peretz rejected cultural universalism, seeing the world as composed of different nations, each with its own character. Liptzin comments that “Every people is seen by him as a chosen people…”; he saw his role as a Jewish writer to express “Jewish ideals…grounded in Jewish tradition and Jewish history.” This is Peretz lampoon of the popularity of Friedrich Schiller’s idealistic paean made famous as the lyrics to the climax of Beethoven’s Ninth Symphony. . . . Contributor(s): Aharon N. Varady (transcription) and Sarah Rivkah Raḥel Leah Horowitz
Categories: Rosh Ḥodesh Nisan, Rosh Ḥodesh Iyyar, Rosh Ḥodesh Sivan, Morning Torah Reading, Rosh Ḥodesh Tamuz, Rosh Ḥodesh Av, Rosh Ḥodesh Elul, Rosh Ḥodesh Tishrei, Rosh Ḥodesh Marḥeshvan, Rosh Ḥodesh Kislev, Rosh Ḥodesh Tevet, Rosh Ḥodesh Sh'vat, Rosh Ḥodesh Adar (Alef and Bet) | Tags: tkhines, shabbat mevorkhim, teḥinot, Ashkenaz, 56th century A.M., paraliturgical teḥinot, Jewish Women's Prayers, 18th Century C.E., Yiddish vernacular prayer, paraliturgical birkat haḥodesh, Paraliturgical Prayer for the New Month, Needing Proofreading, Needing Attribution 
The Teḥina for the blessing of the new moon is said each Shabbat Mevorkhim, addition to the specific Teḥinah for that month. The prayer is recited when the Aron HaKodesh is opened, signifying the opening of the Heavenly gates of mercy (an especially propitious time to pray for health, livelihood, and all good). . . . |
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