A hymn for peace and the end of war. . . .
|
||||||||
This is pre-Shabbos reflection that can be done in a shower or bath. Shabbat is a time when I am less focused on my selfish desires and instead my thoughts drift to my place in the larger community and world. I find myself doing some version of this before Shabbos most weeks and am welcome for the time to reflect on truly what it is to cease from lay work and consider the work that needs to be done to make the world a better place. . . . 
Master of the worlds and Lord of Lords, Father of Compassion and Forgiveness, we give thanks before you [haShem] Elohainu, Elohai of our ancestors, by bowing and kneeling for having brought us near to your Torah and to your sacred work, and for granting us a portion in the hidden insights of your holy Torah. . . . 
Given that the Torah forbids impressing our imaginations with illustrations of the divine, some other method is necessary to perceive divine Oneness. One method is found in the verse in Psalms 16:8, “I have set YHVH before me at all times.” . . . 
Hashem, as I open my Siddur, let me pray with proper kavanah. Let me pray with sincerity, paying careful attention to every word I utter. Hashem, let me concentrate with my whole being on the meaning of each and every word, sentence and prayer. Keep my mind from wandering to other subjects, and keep me from neglecting to put my heart and soul in to each and every prayer, praise and blessing. May my prayer come before You, O Hashem, at a time of grace, and may it be accepted favorably by You. Amen. . . . 
The custom of reciting this intention is attributed to Rav Yitzḥak Luria, circa 16th century, on Leviticus 19:18, recorded in Minhagei ha-Arizal–Petura d’Abba, p.3b by R’ Ḥayyim Vital. . . . 
My Lord Creator of all, Master of all worlds, Supreme, compassionate and forgiving, Thank You for Your Torah, Thank You for allowing me to learn from it And to move toward serving You. Thank You for revealing some of the Mysteries of Your Way. . . . 
The Shimmush Tehillim is a medieval work providing prescriptive theurgical associations for Psalms and verses from Psalms. It has been historically attributed to Rav Hai Gaon (939-1038 CE) but any definitive statement of authorship is lacking. The suggestion that portions of the Shimush Tehillim were authored during the late Geonic period in Iraq isn’t implausible. We also know that Hai Gaon was knowledgeable of Hekhalot writings that should at least be considered part of the same thought world as the Shimmush Tehillim. Writings found in the Shimush Tehillim have been found in manuscripts dating from the 12th century. This digital transcription of Shimush Tehillim derives from Elias Klein Békéscsaba’s 1936 compilation. This edition should not be considered a critical text, as earlier editions certainly exist. Not all of the Psalms are identified as having a particular theurgical use. . . . 
I wanted my students to start thinking of prayers as expressions of an interior world, rather than as descriptions of the exterior one. I suggested to them that they think of a prayer as a kind of mask, much like the ones worn in religious rituals by many peoples. The job of the mask-wearer is to discover the reality on the “inside” of the mask and bring it to life. . . . 
The Birkat Habayit is perhaps the most popular blessing in the Jewish world, appearing as a hanging amulet inside the entrance of many houses of Jews of all streams. I have added niqud to the blessing and I am very grateful to Gabriel Wasserman for his corrections to my vocalization. . . . 
Basic Hebrew letter and vowel lists adorn the opening pages of a number of siddurim published a century ago — evidence of the centrality of the Jewish prayer book as a common curricular resource. But the Hebrew letters are not only essential to fluency in Hebrew language, they are also the atomic elements composing the world of the rabbinic Jewish imagination. This is especially so for those who conceive in their devotional literary practices an implicit theurgical capability in modifying and adapting the world of language though interpretation, translation, and innovative composition. To create a world with speech relies on thought and this creative ability is only limited by the facility of the creator to derive meaning from a language’s underlying structure. This, therefore, is a table of the Hebrew letters arranged in order of their numerical value, in rows 1-9, 10-90, and 100-9000, so that elements with similar numerical structure, (but dissimilar phonetic amd symbolic attributes) appear in vertical columns. Attention has been given to the literal meaning of the letter names and the earliest glyph forms known for each letter in the Hebrew abgad. . . . 
The Talmud (Brakhot 35a-b) teaches that eating food without saying a brakhah (a blessing) beforehand is like stealing. A lot of people know that teaching, and it’s pretty deep. But here’s an even deeper part: the Talmud doesn’t call it “stealing”, but מעילה ׁ(“me’ilah“), which means taking from sacred property that belongs to the Temple. So that means that everything in the world is sacred and this Creation is like a HOLY TEMPLE. . . . 
The one who prays to Hashem Yitbarakh should hold the belief that, from the start, there was a cause brought about by the everlasting One, and that S/He is the source of all completions, and S/He created all the worlds at the time when it arose in Hir will. . . . 
The mode of silently reading prayers puts the worshiper in the realm of the cognitive—just as we might experience reading a book on the subway. But the act of mumbling moves from a purely cognitive experience to a more viscerally emotional act. The aesthetic effect of this mumbling serves a dual purpose: Besides its own value as a way of engaging in prayer, it provides a contrast to the truly silent parts of the prayer: the Amidah. . . . 
As powerful a practice as a standing meditation may be, reciting the familiar words of the Amidah with intention can prove to be a major challenge. The words may become rote, and the davvener may wonder if the ancient formulas are even meaningful to them. In this adaptation of the Amidah, Oren Steinitz treats each B’rakhah as a prompt to remind ourselves what we are praying for and shares his own thoughts as an example. Rabbi Steinitz originally wrote the “Memory Amidah” in 2013, during the Davennen Leadership Training Institute cohort 7, and revised it for sharing here through the Open Siddur Project in 2016. . . . 
This tkhine offers a formula for providing relief to a very ill person, and as such, should only be used as a supplement to recommendations provided by an expert physician or nurse. The source of the tkhine is Tkhine of a Highly Respected Woman, Budapest, 1896; and transcribed from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. . . . 
“Tkhine for when a Woman Goes to Immerse in the Mikve” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Raḥel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. If you can translate Yiddish, please help to translate it and share your translation with an Open Content license through this project. . . . 
David Wolkin writes, “I’ve been pushing this writing exercise for a while now, but I taught a class with it in my home on Sunday and it proved to be powerful and connecting for all of us in the room. If you’re reflecting/repenting this season, you might benefit from this.” . . . 
Vidui means acknowledgment. It is not about self-flagellation or blame, but about honesty, coming into contact with our lives, our patterns and experiences, and ultimately about teshuva and learning. In contacting the pain and suffering which our modes of being have given rise to, our regret can help us to willfully divest ourselves of them and awaken the yearning for those modes of being which are life-affirming, supportive of wholeness, connection, integrity, and flourishing. With each one we tap on our heart, touching the pain and closed-heartedness we have caused, and simultaneously knocking on the door that it may open again. . . . 
A blessing by Reb Zalman for Peace, Health, Joy, Prosperity, and Kindness which he wrote in spray paint on a municipal water tank behind his house in Colorado. . . . 
Elijah began saying: Lord of the worlds You Who are One and not just a number You are the highest of the highest most hidden of the undisclosed no thought scheme grasps You at all. . . . 
Rabbi Zalman Schachter-Shalomi, z”l, included his translation of “Rabbi Elimelekh of Lizhensk’s prayer to be able to pray” in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with a transcription of the vocalized text of the prayer. Reb Zalman may have made his translation to a slightly different edition of this prayer as indicated in several places. If you can determine which edition of Rabbi Elimelekh’s prayer was translated by Reb Zalman, please contact us or share your knowledge in the comments. . . . 
Reb Ahrele Roth, a”h, wrote a list of 32 mitsvot whose fulfillment is completed in the brain, the heart and the mouth. (The Hebrew alphabetical equivalent of 32 is ל”ב, the letters of which spell the Hebrew word LEV for Heart.) . . . 
The poem, “A Description of my Dreams” by Rosa Emma Salaman, was written in September 1849 and first published in the Occident and American Jewish Advocate Vol. 6:4, Tamuz 5608, July 1848, p.175-177. . . . 
The poem, “The Angels’ Vigil” by Rosa Emma Salaman, was written in April 12, 1848 and first published in the Occident and American Jewish Advocate 6:3, Sivan 5608, June 1848, p. 127-128. . . . 
The poem, “God Our Light” by Rosa Emma Salaman, was first published in the Occident and American Jewish Advocate 3:8, Marḥeshvan 5606, November 1845, p.379-380. . . . 
The poem, “A Vision” by Rosa Emma Salaman, was written November 1850 and first published in the Occident and American Jewish Advocate 9:1, Nissan 5611/April 1851, p.31-33. . . . 
This English translation of the blessing for Torah study by Rabbi Zalman Schachter-Shalomi z”l, was first published in his Siddur Tehillat Hashem Yidaber Pi (2009). Versification according to the Nusaḥ ha-ARI z”l by Aharon Varady. . . . 
A thought about the need to seek forgiveness from those you’ve wronged during this week before Yom Kippur: . . . 
“The Pious Man” is a prayer-poem from Mordecai Kaplan’s diary entry, September 19, 1942, on the virtue of piety as expressed in an essay published earlier that year by Abraham Joshua Heschel. Piety was a Roman virtue, but in this essay, A.J. Heschel appears to be describing an idealization of Ḥasidut. . . . 
“That Religion Be Not a Cloak for Hypocrisy,” by Rabbi Mordecai Menaḥem Kaplan can be found on p. 435-5 of his The Sabbath Prayer Book (New York: The Jewish Reconstructionist Foundation, 1945). . . . 
Rabbi Zalman Schachter-Shalomi, z”l, included his translation of Psalms 150 in his Siddur Tehillat Hashem Yidaber Pi (2009). . . . 
Rabbi Zalman Schachter-Shalomi, z”l, included this list of peer blessings for after davvening in his Siddur Tehillat Hashem Yidaber Pi (2009). . . . 
Please Lord, Sovereign of Compassion, God, Arbiter of the spirits of all flesh, Parent of Orphans and Judge of widows: God, from the source of Your holiness! May my prayer and the Torah of life that I have learned come before you on account of the soul . . . 
A kavvanah for affirming one’s Jewish identity in a mikvah before immersion. . . . 
A litany of angelic names recorded in Sefer haPeliah whose initial letters spells out the 42 letter divine name as also found (in variation) in Sefer HaQanah. . . . 
A litany of angelic names recorded in Sefer HaQanah, whose initial letters spells out the 42 letter divine name as also found in Sefer haPeliah. . . . 
Master of the Universe, grant me the ability to be alone; may it be my custom to go outdoors each day among the trees and grass — among all growing things and there may I be alone, and enter into התבודדות(hitbodedut) prayer, to talk with the One to whom I belong. . . . 
A meditation which can be used to prepare for Pesaḥ, or for sharing at the Seder, to deepen the experience of liberation for yourself and others. . . . 
A comprehensive treatment on the praxis of Jewish prayer. . . . 
Today I turned my heart toward the new year and wrote a prayer-poem for Tashlikh, the Rosh haShanah ritual of casting bread or stones into the water to cast off one’s past wrongdoings. . . . 
Domesticated animals (behemot) are distinguished from ḥayot, wild animals in having been bred to rely upon human beings for their welfare. As the livelihood and continued existence of wild animals increasingly depends on the energy, food, and land use decisions of human beings, the responsibility for their care is coming into the purview of our religious responsibilities as Jews under the mitsvah of tsa’ar baalei ḥayyim — mindfullness of the suffering of all living creatures in our decisions and behavior. Rosh haShanah la-Behemah is the festival where we are reminded of this important mitsvah at the onset of the month in which we imagine ourselves to be the flock of a god upon whose welfare we rely. The “Council of All Beings” is an activity that can help us understand and reflect upon the needs of the flock of creatures that already rely upon us for their welfare. . . . 
If one has a dream which makes him sad he should go and have it interpreted in the presence of three. He should have it interpreted! Has not Rav Ḥisda said: A dream which is not interpreted is like a letter which is not read? — Say rather then, he should have a good turn given to it in the presence of three. . . . 
God and God of my forefathers and foremothers, as I stand here in an innermost room and pray, so too should you in an innermost room heed my questions, my praises and my requests, both from the utterances of my mouth and the utterances of my heart. Even if I am silent, you will know that my tefilla is directed towards you, who is One and whose name is One, alone in all the worlds. My heart is awake and my voice knocks. Open for me, my Lord, my Perfect One, the gates of Tefilla. . . .
What the Rabbis taught about teaching and learning was that all Torah study should begin and end with blessings, just as eating does. Often, in liberal Jewish circles today, these blessings are not done. But without them, it is easier for Torah study to feel like a mere academic discussion, devoid of spirit. And where the blessings are said but only by rote, it is easier for Torah study to feel merely antiquarian and automatic. In Jewish-renewal style, how can we bring new kavvanah — spiritual meaning, intention, focus, intensity — to these blessings — and therefore to the process of Torah study itself? . . . 
Because we cannot live on two planes, we are granted the opportunity to disguise our external features. We develop the capacity to know each others hearts and find even greater satisfaction in the exchange. Yet, too often, we act as if someone else — who looks remarkably like oneself — is going to provide the support for nonprofit organizations we deem are necessary for a decent life. We assume / hope / pray that someone “else” is doing our part. It’s their turn to make a critical contribution, even a small one, that gives relief, replaces a worn-out part, opens the door wide enough to make a difference. . . . A few select source texts on prayer and davvenen of importance to Rabbi Levi Weiman-Kelman. . . . 
The following is a meditation I wrote (with the help of my friend Shira Gura, who teaches meditation and Yoga) to be used on Friday before Shabbat at the mikveh. It is based on midrashim related to Shabbat (for example, the notion that we receive an additional soul on Shabbat), as well as meanings behind mikveh in general (for example, the connection between the waters of Creation and the mikveh waters), and on some kavanot (sacred intentions) that came out of the Kabbalah and Ḥassidut movements. There is a strong tradition to write kavanot to use before immersing in the mikveh, since, as Maimonides writes in his Mishneh Torah 11:15, “If a person immerses but without buttressing him or herself [with sacred intention], it is as though he or she has not immersed at all.” . . . 
‘Life Sentence’ is a poetic exploration of solitary authorship — interpreting the old-world literary tradition and archetypes for the ‘ADD’ generation. This is a boundary and genre-crossing work that exists at the intersection of Radical Jewish, Indy and Hip-Hop culture. . . . 
In Uman, Ukraine (and in [the Breslov [community] in general) during the repetition of Rosh Hashanah Musaf, when when the ḥazan gets to the special brokha in the Amidah for Yamim Nora’im [the Days of Awe]: . . . |
||||||||
![the Open Siddur Project [logo]](https://opensiddur.org/wp-content/uploads/2018/09/Open-Siddur-Project-Logo-2016.svg){kind=logo}
 Copyleft 2002-Present, Contributors to the Open Siddur Project. חלק מהזכויות שמורות | Some Rights Reserved.
All copyrighted work published on opensiddur.org remains the ©pyright of their respective copyright holders.All copyright holders have graciously shared their work under one of the following Open Content licenses until the term of their copyright expires and their work enters the Public Domain. Unless otherwise indicated, the license under which all content is shared on this site is the Creative Commons Attribution/ShareAlike (CC-BY-SA) 4.0 International license. Please look for license iconography indicating the license under which the copyright owner has chosen to share their work.
Some images are shared with the now-deprecated CC-BY 2.0 (עברית | English) license. The Open Siddur is supported by patronage and via tax-deductible donations made through Jewish Creativity International, a 501(3)c registered non-profit organization acting as our fiscal sponsor. The views expressed in contributed works represent the views of their creator(s) and do not necessarily represent the views of the Open Siddur Project's developers, its diverse community of contributors, or Jewish Creativity International. TERMS OF USE | COPYLEFT POLICY | PRIVACY POLICY | CONTRIBUTE WORK | BECOME A PATRON OR MAKE A DONATION | CONTACT Powered by WordPress & Atahualpa 364 queries. 0.943 seconds. Font Resize
Contrast
|
בסיעתא דארעא