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21st century C.E. —⟶ tag: 21st century C.E. Sorted Chronologically (old to new). Sort most recent first? A shiv’ata is a sevenfold blessing inserted into the Musaf service on Shabbat. This shiv’ata was written for use at a bar mitsvah. Each stanza begins with an example of thirteen as used in our tradition, followed by an alphabetical acrostic. This piyyuṭ is for a bar mitsvah, where a boy turns thirteen. A shiv’ata is a sevenfold blessing inserted into the Musaf service on Shabbat. This original shiv’ata is for a bat mitsvah following the traditional count, where a girl turns twelve. Each stanza begins with an example of twelve as used in our tradition, followed by an alphabetical acrostic. A poem / blessing made for the 2026 Pittsburgh Dyke March, framed with a Hebrew blessing for Lesbian Pride written by Rabbi Robin Podolsky. Categories: Tags: Contributor(s): “A Prayer for Our Country During a Time of Division – 5786” was offered by David Abernethy on 1 March 2026. In the style of the full Eliyahu haNavi piyyuṭ recited by some communities every Havdalah, a piyyuṭ in honor of Seraḥ bat Asher, retelling the events of her life according to the midrashim. This is not the first time I’ve written a Havdalah piece on Seraḥ, the distaff counterpart to Elijah in the midrash. She also inspired this shorter song. Like the full Eliyahu haNavi piyyuṭ, this is in three-line rhyming stanzas with a repeated refrain. Unlike it, it is in a tashraq reverse alphabetical acrostic, followed by an authorial tag — this time using a matronymic. Categories: Tags: 21st century C.E., 58th century A.M., Acrostic signature, הבדלות havdalot, פיוטים piyyuṭim, Psychopomp, reverse acrostic, Seraḥ bat Asher, זמירות zemirot Contributor(s): A ritual and liturgy for Jews who have felt compelled to withdraw from friendships, organisations, or social and religious environments in which antisemitism, hostility towards Israel, or the dismissal of Jewish grief had become tolerated or normalised. It is intended particularly for those who have already established a practical boundary—by leaving, blocking, unfollowing, or ending a relationship—and who need a Jewish ritual through which to acknowledge the resulting grief and affirm their dignity, solidarity, and continued connection to the Jewish people. This is a prayer of lament and warning for the sake of the lives of all the peoples of the land, and for the sake of the heart of the Jewish and Israeli people, to help us all resist the cruelty that beckons. Dedicated to Awdah al-Hathaleen, whose spirit and kindness and courage remain with us. In the era of the Sanhedrin, every fast day would have a Ne’ilah service between Minḥah and the conclusion of the fast. While these are no longer in practice for any days other than Yom Kippur, the editor personally feels like it could be worth bringing them back. The following is a fourth blessing for the Amidah intended to serve as the center of a Tishah b’Av Ne’ilah service, incorporating passages from other Tishah b’Av and Yom Kippur liturgies as well as some original passages. Categories: Tags: Contributor(s): Romani Siddur Leţedacah (2026) by Alex Carstea is a complete siddur for weekdays, shabbat, and festivals in Romanian translation (without Hebrew text). Categories: Tags: Contributor(s): An ofan for Tu b’Av, the second part of an intended cycle of yotsrot. Structured around Hosea 11:1 and Ezekiel 3:12, and focusing on the bridal love between Israel and God as well as the corresponding of Israel’s and angelic hymning. Written in honor of my friend Eliran’s anniversary. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, ofanim, פיוטים piyyuṭim, יוצרות yotsrot Contributor(s): A Wordpress plugin that renders the Unicode character “Vulcan Salute” (U+1F596) together with its mirror image as inline, bidi-safe markup — in order to display, via shortcode, the traditional nesíăt kapayim (“lifting of the hands”) gesture used by Kohanim during the Birkat Kohanim (a/k/a dukhenen) service. The display defaults to showing both hands side by side (right hand before left hand, thumbs facing inward), however, either hand alone is also selectable. Supports full-color emoji vs. line-art (“vs15”) rendering, and fluid display sizing via CSS clamp(), if desired. Skin tone is available from light to medium to dark with ‘medium-light’ and ‘medium-dark’ also available. Categories: Tags: Contributor(s): A prayer is for all members of עם ישראל who are in dangerous or oppressive conditions: Israeli soldiers including those who are in combat at this moment, captives and wounded soldiers and civilians alike, “all those threatened by malice in our land and in exile,” and “all those in need of Your comfort” — especially the families of dead or wounded soldiers and civilians in Israel and in exile. Categories: Tags: Contributor(s): An original Aramaic-language “meturgeman piyyut” for Simḥat Torah. I’m working on creating a seder meturgeman liturgy, akin to those for day 7 of Pesaḥ and for Shavuot, to be recited on Simḥat Torah. Mostly incorporating older Aramaic poems, I’ve also decided to write some originals myself. This piyyut, written in the structure of the famous Aqdamut Milin reshut still recited on Shavuot, is meant to be inserted before the translation of the first verse of the first aliyah on Simḥat Torah. It discusses the halakhic status and history of Shmini Atzeret, as well as the final blessing and death of Moses. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, Aramaic, Mosheh Rabbenu, פיוטים piyyuṭim, תרגום targum Contributor(s): This is a prayer for Yom Kippur. It started out as a meditation on Yizkor, hence the אל מלא רחמים form at the beginning. It quickly changed to a prayer for insight and change and the possiblity of tshuvah in this moment. מגלת המתיקות Megillat HaMetiḳut (Scroll of the Sweetness), written and sealed by the hand of Noraa Neither Kaplan, upon the deliverance of the Jews from confectionary catastrophe on the 17th of Tishrei, 5787 (the 28th of September, 2026). Categories: Tags: Contributor(s): | ||
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