![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): An ahavah for Pesaḥ Sheni. An acrostic spelling out “Yitsḥaq son of Avraham, the priest, ḥazaq,” with a refrain derived from Mishnah Pesaḥim 9:1. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): An ofan for Pesaḥ Sheni in tripartite stanzas. Each stanza begins with a citation of Numbers 9:12-14, then an acrostic spelling out “the son of Avraham the priest, ḥazaq.” . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A yotser for Pesaḥ Sheni. Each stanza is written with a threefold acrostic — the first two lines in atbash, the third spelling “Yitsḥaq Har’el Ḥazaq,” and the fourth a verse from Numbers 9. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is a variation of Mipi El in Hebrew with a Judeo-Arabic translation found in the Seder al-Tawḥid for Rosh Ḥodesh Nissan, compiled by Mosheh Asher ibn Shmuel in 1887 in Alexandria. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is a Hebrew adaptation of the poems traditionally recited by the Beta Israel community for the festival of Sigd, altered and adapted to fit the traditional qedushta form of poetic Amidah additions. The texts of the first few prayers were rewritten substantially and combined with relevant verses so as to fit in the strict form of the magen, mehaye, meshalesh, and El Na. After this, the qiqlar is slightly edited to fit a couplet rhyme scheme, while the silluq (the freest of the genres of qedusha piyyut) is almost entirely preserved — the only change being several verses whose placement is postponed so as to better lead into the qedusha as a silluq should. Regarding translations, the silluq largely uses my original translation with slight alterations (replacing the clunky use of ‘God’ as a pronoun with a gender-neutral THEIR, translating the Agaw passages into Latin rather than English to preserve general comprehensibility while clarifying that this is a different language), while the rest of the poems are different enough for their translation to largely be from scratch. These would be recited with the Ark open for all the piyyutim, as one would on the Yamim Noraim, ideally using melodies from the Sigd liturgy. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): On Shemini Atseret, one is supposed to begin mentioning rain in the second blessing of their Amidah prayers (Ta’anit 2a). In many communities, this is liturgically marked by a poetic introduction in the repetition of the Amidah, called Geshem, specifically with the piyyut “Zekhor Av” written by Rabbi Eleezer BeRabbi Kalir, which alludes to the references of our forefathers’ relations to water. One feature of this poem is that it utilizes an alef-bet-ical acrostic, and while there are various modern adaptations that include biblical women, those break the acrostic. This is my attempt to compose a version including stanzas for our foremothers, while maintaining the acrostic by writing the women’s stanzas as a backwards acrostic (i.e. starting from tav and going to alef). This backwards acrostic containing the foremothers is then interspersed with Kalir’s original. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is an original piyyut, inspired by the structure of the beloved Yom Kippur Ne’ilah piyyut El Nora ‘Alila. In the era of the Sanhedrin, every fast day would have a Ne’ilah service between Minḥa and the conclusion of the fast. While these are no longer in practice for any days other than Yom Kippur, the editor personally feels like it could be worth bringing them back. As part of this idea, this piyyut is meant to be sung after the end of Tishah b’Av mincha but before the fast ends, as we prepare for the weeks of comfort. It is expressly *not* a qinah. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s):
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s):
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): After a brit milah meal, there are several poetic additions traditionally included in the Birkat haMazon. But for young daughters a brit milah isn’t going to happen. So this is a poetic Birkat haMazon to be recited after a Zeved haBat ceremony. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): The Italian rite, unique among Jewish rites, has preserved up until very recently the custom recorded in the Talmud, Masekhet Tagnanith, for communally declared fast days. In this rite, sometimes referred to as the Twenty-Four Blessings, six more blessings are added to the liturgy — the Zikhronot and Shofrot portions more commonly recited on Rosh haShanah, and four different psalms, all interspaced with a poetic litany on behalf of the ancestors’ merit and shofar blasts. It’s a fascinatng service! . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): Why is this coffee different from all other coffees? Because Maxwell House coffee is a deeply spiritual representation of the Diaspora experience. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is a poetic Birkat haMazon, similar to those found in the Cairo Geniza, intended for this specific break-fast meal. The editor has included the text in Hebrew, English, and an attempted Liturgical Ge’ez translation. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This acrostic poetic form of Birkat haMazon was written for the se’udah mafseqet (pre-fast meal) before Yom Kippur, in the manner of the poetic Birkat haMazon variants recorded in the Cairo Geniza. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is a poetic text for Birkat haMazon, signed with an alphabetical acrostic and the name of the author, to be recited on the first of Elul. It celebrates the variety of God’s creation as exemplified by the natural diversity of species, as well as alluding to the livestock tithes traditionally assigned on the first of Elul. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A Birkat haMazon with additions for the pre-Fast meal of Tisha b’Av . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A Hoshana prayer supplement for Hoshana Rabbah during the COVID-19 coronavirus pandemic in 2020. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): An adaptation of the kinnah, “Eli Tsiyon v’Ar’eha,” Composed for Tisha B’Av 5780 in light of the Covid-19 pandemic. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A 21st century recasting of the iconic 13th century Spanish mystical Rosh haShanah piyyut. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): The Al Cheyt (literally meaning “For the sin…”) is a confessional litany recited on Yom Kippur. It is an alphabetical acrostic; each one of its verses starting with a successive letter of the aleph-beit, to represent not only the moral failings that are specifically enumerated there, but the fullness of every way in which we missed the mark in the previous year. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A piyyut for an under-recognized holiday, Pesaḥ Sheni, the festival of second chances (as described in Numbers 9:6-13 and Mishnah Pesaḥim 9:1-3. I attempted to write this in the manner of a traditional piyyut. The meter is equivalent to the Shabbat zamir “Ot Hi l’Olmei Ad.” The Hebrew spells out Yod – Tzadi – Ḥet – Kuf, because that’s my name. The translation is original, along with the notes. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A paraliturgical reflection of Ashrei for a shame resilience practice. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): Melissa Scholten-Gutierrez writes, “Rav Avi spoke to us a few times as he was working through [composing] this [vidui] and I am truly moved by it. Let us not only remember and confess our wrong doings, but also what we did right this year.” . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A supplemental hoshana (prayer for salvation) for healing and consolation for the sake of true love, needed blessings, rainfall in a timely fashion, paths and their repair, mountains and their crossing, goals and objectives, lasting memories, good dreams, cosmic goodness, etc. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A song by Darshan including the alphabetic acrostic piyyut, El Barukh, part of the morning Yotser Ohr blessing made prior to the Shema at the official beginning of the Shaḥarit service. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A complementary (positive vidui) to supplement the harsh communal and personal vidu’im (confessions) being offered during the Zman Teshuvah. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): Supplemental prayers for the Birkat Hamazon on Tu b’Av. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): Supplemental prayers for the Birkat Hamazon on Tisha b’Av, Tu b’Av, and Shabbat Naḥamu. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s):
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): Peri and Alex Sinclair’s adaptation of the traditional Eishet Ḥayil, replacing a number of verses with ones selected from Shir haShirim (the Song of Songs/Canticles), Genesis, and elsewhere in Mishlei (Proverbs). . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): “Orah hee” was composed by Rabbi Jill Hammer in 2008 and first published at Tel Shemesh in romanized Hebrew and English translation. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s):
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): The Opening Prayer given in the U.S. House of Representatives on 3 June 1969. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s):
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is a vocalized transcription and translation of the World War Ⅱ era song, “Shir haGe’ulah (Song of Redemption)” from the source images shared in A Tribute to Rabbi Mordechai Meir Hakohen Bryski v”g Bryski (Rabbi Mordechai A. Katz, 2017), pp. 19-20. The song is also known by its incipit, “Heḥayyeinu El.” . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): An alphabetic acrostic pizmon for seliḥot and Yom Kippur with an alphabetic acrostic English translation. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): The Masoretic Hebrew text of Proverbs 30:10-31, the alphabetic acrostic “Eshet Ḥayil,” with a German translation by Franz Rosenzweig. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): The piyyut, Refa Tsiri, in Hebrew with an English translation. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): Exalted are you Lincoln. Who is like you! You were highly respected among Kings and Princes. All that you accomplished you did with a humble spirit. You are singular and cannot be compared to anyone else. Who among the great are like Lincoln? Who can be praised like you? . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): A piyyut by Shlomo ibn Gabirol included in the arrangement of Baqashot before the morning service in the liturgical custom of Sefaradim translated by Rabbi David Aaron de Sola. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This translation of “Ki Eshmera Shabbat” by Rabbi David Aaron de Sola of a piyyut by Avraham ibn Ezra was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This translation by Rabbi David Aaron de Sola of “Elohim Yisadenu” by a paytan named Avraham (possibly Avraham ibn Ezra) was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is the Aqdamut for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is the Ne’ilah for Purim (a parody of the last two paragraphs of the Ne’ilah confession) by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is the Hosha’not for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): This is the Haqafot for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): The following prayer for the government was composed by Congregation Beth Shalome in Richmond, Virginia in 1789. Please note the acrostic portion of the prayer in which the initial letters of the succeeding lines form the name: Washington. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): One of the most prominent martyrs in the Chmielnicki massacres of 1648–1649 was the kabbalist and sage Yəḥiel Mikhel ben Eliezer ha-Kohen, known to posterity as the Martyr of Nemiryv. This unique poetic El Malei Raḥamim was said in his honor, and communities that fast on 20 Sivan still recite it to this day. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. . . .
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201%201'%3E%3C/svg%3E) Contributor(s): The text of the short prayer uv’Maqhalōt in Hebrew with a Latin translation. . . .
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