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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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Acrostic signature —⟶ tag: Acrostic signature Sorted Chronologically (old to new). Sort most recent first? The piyyut, yah Ribon Olam, in Hebrew with an English translation. Categories: Tags: 16th century C.E., 54th century A.M., acrostic, Acrostic signature, Aramaic, פיוטים piyyuṭim, יה רבון Yah Ribon, זמירות zemirot Contributor(s): The piyyut, Yah Ribon, in Aramaic with an English translation. Categories: Tags: 16th century C.E., 54th century A.M., acrostic, Acrostic signature, Aramaic, פיוטים piyyuṭim, יה רבון Yah Ribon, זמירות zemirot Contributor(s): The piyyut, Yah Ribon, in Aramaic with an English translation. A piyyut by the ARI for the afternoon of Shabbat in Aramaic set side-by-side with Reb Zalman’s paraliturgical, devotional translation. The Friday evening shabbat piyyut, Atqinu Seudata, in Aramaic set side-by-side with Reb Zalman’s paraliturgical, devotional translation. This translation of “Yom Zeh l’Yisrael” by Rabbi David Aaron de Sola of a piyyut by Rabbi Yitsḥaq Luria was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). A piyyut by the ARI for the day of Shabbat in Aramaic set side-by-side with Reb Zalman’s paraliturgical, devotional translation. An abridged rhymed translation of the piyyut Yom Zeh l’Yisrael. A translation of the piyyut Yom Zeh l’Yisrael. An interpretive translation in English of the shabbes hymn Yom Zeh l’Yisrael. The mystical piyyut of Avraham Maimin, a student of Moshe Cordovero, translated by Reb Zalman. Categories: Tags: 16th century C.E., 54th century A.M., acrostic, Acrostic signature, אל מסתתר El mistater, פיוטים piyyuṭim, prayers of ḳabbalists, shaleshudes, זמירות zemirot Contributor(s): This is a supplemental stanza for Maoz Tsur with regard to the present exile, written by Rabbi Mosheh Isserlis (the ReM”A, 1530-1572), as compiled in the Kitzur Shnei Luḥot haBrit, a controversial yet influential work by Yehiel Michel Segal Epstein Ashkenazi published in 1683. Categories: Tags: Acrostic signature, combating anti-Jewish oppression, Jewish-Christian relations, מעוז צור Maoz Tsur, particularism and universalism, פיוטים piyyuṭim, polemic Contributor(s): This is a supplemental stanza for Maoz Tsur with regard to the present exile, written by a Rabbi Jeremiah, identified only as the av beit din of the town of Würzburg as compiled in the Kitzur Shnei Luḥot haBrit, a controversial yet influential work by Yehiel Michel Segal Epstein Ashkenazi published in 1683. If you know more about this Rabbi Jeremiah, please leave a comment or contact us. The mystical piyyut of Avraham Maimin, a student of Moshe Cordovero, translated by Len Fellman. Categories: Tags: acrostic, Acrostic signature, אל מסתתר El mistater, פיוטים piyyuṭim, prayers of ḳabbalists, shaleshudes, זמירות zemirot Contributor(s): A zemer for shabbat, with English translation. Categories: Tags: 17th century C.E., 54th century A.M., acrostic, Acrostic signature, פזמונים pizmonim, זמירות zemirot Contributor(s): This seliḥah, “Moshel ba-Elyonim Atah Yadata,” was written by Rabbi Mosheh ben Yeshayah Menaḥem Bachrach during an epidemic. It is included in the Seliḥot of Posen, Krakow, Prague, Worms, and Alsace. The text here was transcribed from the Siddur Kol Bo, vol. 3 (1923), p. 33. These are two supplemental stanzas for Maoz Tsur with regard to the present exile, written by Shmuel ben David Moshe Halevi of Mezhyrich (ca. 1625-1681, author of the Naḥalat Shiv’ah), as compiled in the Kitzur Shnei Luḥot haBrit, a controversial yet influential work by Yeḥiel Michel Segal Epstein Ashkenazi published in 1683. Categories: Tags: 17th century C.E., 55th century A.M., Acrostic signature, combating anti-Jewish oppression, Jewish-Christian relations, מעוז צור Maoz Tsur, particularism and universalism, פיוטים piyyuṭim, polemic Contributor(s): Yevanim ‘Amdu Qamu — a piyyuṭ intended to be sung before Yishtabaḥ in the Shaḥarit of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria. It may be sung to the melody of Ḥai Ani Goel Avi Aleikhem.” Categories: Tags: 18th century C.E., 55th century A.M., Acrostic signature, Maghrebi Jewry, Meknes, Morocco, פיוטים piyyuṭim, זמירות zemirot Contributor(s): Yom Yom Eftaḥ Pi — a piyyuṭ intended to be sung before Nishmat (of Shaḥarit) of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria. Categories: Tags: 18th century C.E., 55th century A.M., Acrostic signature, Maghrebi Jewry, Meknes, Morocco, פיוטים piyyuṭim, זמירות zemirot Contributor(s): Todot Nitnah — a piyyuṭ intended to be sung before Yishtabaḥ in the Shaḥarit of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria. It may be sung to the melody of ‘Et Dodim Kala, or the melody of Shiv’a Sh’ḥaqim.” Categories: Tags: 18th century C.E., 55th century A.M., Acrostic signature, Maghrebi Jewry, Meknes, Morocco, פיוטים piyyuṭim, זמירות zemirot Contributor(s): | ||
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