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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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acrostic —⟶ tag: acrostic Sorted Chronologically (old to new). Sort most recent first? Vidui means acknowledgment. It is not about self-flagellation or blame, but about honesty, coming into contact with our lives, our patterns and experiences, and ultimately about teshuva and learning. In contacting the pain and suffering which our modes of being have given rise to, our regret can help us to willfully divest ourselves of them and awaken the yearning for those modes of being which are life-affirming, supportive of wholeness, connection, integrity, and flourishing. With each one we tap on our heart, touching the pain and closed-heartedness we have caused, and simultaneously knocking on the door that it may open again. . . . Categories: Days of Judgement & New Year Days, Rosh haShanah (l’Maaseh Bereshit), Yom Kippur, Repenting, Resetting, and Reconciliation, Self-Reflection Tags: 21st century C.E., 58th century A.M., acknowledgment, acrostic, Alphabetic Acrostic, אשמנו Ashamnu, integrity, paraliturgical vidui, repentance, וידוי vidui Contributor(s): A paraliturgical reflection of Ashrei for a shame resilience practice. . . . A piyyut for an under-recognized holiday, Pesaḥ Sheni, the festival of second chances (as described in Numbers 9:6-13 and Mishnah Pesaḥim 9:1-3. I attempted to write this in the manner of a traditional piyyut. The meter is equivalent to the Shabbat zamir “Ot Hi l’Olmei Ad.” The Hebrew spells out Yod – Tzadi – Ḥet – Kuf, because that’s my name. The translation is original, along with the notes. . . . Categories: Tags: Contributor(s): The Al Cheyt (literally meaning “For the sin…”) is a confessional litany recited on Yom Kippur. It is an alphabetical acrostic; each one of its verses starting with a successive letter of the aleph-beit, to represent not only the moral failings that are specifically enumerated there, but the fullness of every way in which we missed the mark in the previous year. . . . Categories: Tags: 21st century C.E., 58th century A.M., acrostic, על חטא Al Ḥeyt, Alphabetic Acrostic, communal confession, confession, paraliturgical Al Ḥet, paraliturgical vidui, וידוי vidui Contributor(s): A 21st century recasting of the iconic 13th century Spanish mystical Rosh haShanah piyyut. . . . Categories: Tags: Contributor(s): An adaptation of the kinnah, “Eli Tsiyon v’Ar’eha,” Composed for Tisha B’Av 5780 in light of the Covid-19 pandemic. . . . A Hoshana prayer supplement for Hoshana Rabbah during the COVID-19 coronavirus pandemic in 2020. . . . A Birkat haMazon with additions for the pre-Fast meal of Tisha b’Av . . . Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Alphabetic Acrostic, ברכת המזון birkat hamazon, סעודה המפסקת seudah hamafseket Contributor(s): This is a poetic text for Birkat haMazon, signed with an alphabetical acrostic and the name of the author, to be recited on the first of Elul. It celebrates the variety of God’s creation as exemplified by the natural diversity of species, as well as alluding to the livestock tithes traditionally assigned on the first of Elul. . . . Categories: Tags: Contributor(s): This acrostic poetic form of Birkat haMazon was written for the se’udah mafseqet (pre-fast meal) before Yom Kippur, in the manner of the poetic Birkat haMazon variants recorded in the Cairo Geniza. . . . Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, סעודה המפסקת seudah hamafseket Contributor(s): This is a poetic Birkat haMazon, similar to those found in the Cairo Geniza, intended for this specific break-fast meal. The editor has included the text in Hebrew, English, and an attempted Liturgical Ge’ez translation. . . . Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Alphabetic Acrostic, Beta Esrael, ברכת המזון birkat hamazon, Break Fasts, Ethiopian Jewry Contributor(s): Why is this coffee different from all other coffees? Because Maxwell House coffee is a deeply spiritual representation of the Diaspora experience. . . . Categories: Tags: 20th century C.E., 58th century A.M., acrostic, diaspora, haggadah supplements, Maxwell House coffee, mnemonic, סגולות segulot, סימנים simanim, symbolic foods Contributor(s): After a brit milah meal, there are several poetic additions traditionally included in the Birkat haMazon. But for young daughters a brit milah isn’t going to happen. So this is a poetic Birkat haMazon to be recited after a Zeved haBat ceremony. . . . Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Alphabetic Acrostic, baby daughters, ברכת המזון birkat hamazon, infants, שמחת בת simḥat bat Contributor(s): This is an original piyyut, inspired by the structure of the beloved Yom Kippur Ne’ilah piyyut El Nora ‘Alila. In the era of the Sanhedrin, every fast day would have a Ne’ilah service between Minḥa and the conclusion of the fast. While these are no longer in practice for any days other than Yom Kippur, the editor personally feels like it could be worth bringing them back. As part of this idea, this piyyut is meant to be sung after the end of Tishah b’Av mincha but before the fast ends, as we prepare for the weeks of comfort. It is expressly *not* a qinah. . . . Categories: Tags: Contributor(s): On Shemini Atseret, one is supposed to begin mentioning rain in the second blessing of their Amidah prayers (Ta’anit 2a). In many communities, this is liturgically marked by a poetic introduction in the repetition of the Amidah, called Geshem, specifically with the piyyut “Zekhor Av” written by Rabbi Eleezer BeRabbi Kalir, which alludes to the references of our forefathers’ relations to water. One feature of this poem is that it utilizes an alef-bet-ical acrostic, and while there are various modern adaptations that include biblical women, those break the acrostic. This is my attempt to compose a version including stanzas for our foremothers, while maintaining the acrostic by writing the women’s stanzas as a backwards acrostic (i.e. starting from tav and going to alef). This backwards acrostic containing the foremothers is then interspersed with Kalir’s original. . . . Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Alphabetic Acrostic, גשם geshem, אמהות Imahot, Matriarchs, Needing Translation (into English), North America, פיוטים piyyuṭim, Prayers for Precipitation, Rain, water, water cycle Contributor(s): This is a Hebrew adaptation of the poems traditionally recited by the Beta Israel community for the festival of Sigd, altered and adapted to fit the traditional qedushta form of poetic Amidah additions. The texts of the first few prayers were rewritten substantially and combined with relevant verses so as to fit in the strict form of the magen, mehaye, meshalesh, and El Na. After this, the qiqlar is slightly edited to fit a couplet rhyme scheme, while the silluq (the freest of the genres of qedusha piyyut) is almost entirely preserved — the only change being several verses whose placement is postponed so as to better lead into the qedusha as a silluq should. Regarding translations, the silluq largely uses my original translation with slight alterations (replacing the clunky use of ‘God’ as a pronoun with a gender-neutral THEIR, translating the Agaw passages into Latin rather than English to preserve general comprehensibility while clarifying that this is a different language), while the rest of the poems are different enough for their translation to largely be from scratch. These would be recited with the Ark open for all the piyyutim, as one would on the Yamim Noraim, ideally using melodies from the Sigd liturgy. . . . A yotser for Pesaḥ Sheni. Each stanza is written with a threefold acrostic — the first two lines in atbash, the third spelling “Yitsḥaq Har’el Ḥazaq,” and the fourth a verse from Numbers 9. . . . Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, אתבש atbash, פיוטים piyyuṭim, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): An ofan for Pesaḥ Sheni in tripartite stanzas. Each stanza begins with a citation of Numbers 9:12-14, then an acrostic spelling out “the son of Avraham the priest, ḥazaq.” . . . Categories: Tags: Contributor(s): An ahavah for Pesaḥ Sheni. An acrostic spelling out “Yitsḥaq son of Avraham, the priest, ḥazaq,” with a refrain derived from Mishnah Pesaḥim 9:1. . . . Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, אהבה רבה ahavah rabbah, פיוטים piyyuṭim, יוצרות yotsrot Contributor(s): A yotser for Tu b’Av, the first part of an intended cycle of yotsrot. A retelling of the list of reasons for Tu b’Av given in the Talmud, with repeated refrains from Psalm 45 for the alphabetical verses and the rest of the Tanakh for the name-acrostic choruses. Written in honor of my friend Eliran’s wedding. . . . Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, אתבש atbash, פיוטים piyyuṭim, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): | ||
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