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tag: cosmological Sorted Chronologically (old to new). Sort most recent first? This Chinese translation of an Ashkenazi nusaḥ for the alphabetic acrostic piyyut “El Adon,” is found on page 8 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . This Chinese translation of an Ashkenazi nusaḥ of the prayer “ha-Kol Yodukha,” is found on pages 7-11 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . The following is the Midrash l’Ḥanukkah, one of a collection of three midrashim and two megillot containing the details of the story of Ḥanukkah in the Jewish rabbinic tradition. Those already familiar with these other works will quickly recognize portions or summaries of them here albeit with precious additional information added not found anywhere else. . . . Categories: Tags: Angels, colonization, cosmological, Droit du seigneur, Early Middle Ages, חג הבנות Ḥag HaBanot, Needing Vocalization, Seleucid Greek Occupation, sexual predation, sexual violence Contributor(s): The critical text of Pereq Shirah prepared by Dr. Malachi Beit-Arié in 1967. . . . Categories: Tags: 43rd century A.M., 5th century C.E., animals, birds, cosmological, creeping creatures, Early Ammoraic, Early Middle Ages, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, heikhalot literature, hymns of creation, Late Tannaitic, Openers Contributor(s): Talmudic and midrashic sources contain hymns of the creation usually based on homiletic expansions of metaphorical descriptions and personifications of the created world in the Bible. The explicitly homiletic background of some of the hymns in Perek Shira indicates a possible connection between the other hymns and Tannaitic and Amoraic homiletics, and suggests a hymnal index to well-known, but mostly unpreserved, homiletics. The origin of this work, the period of its composition and its significance may be deduced from literary parallels. A Tannaitic source in the tractate Hagiga of the Jerusalem (Hag. 2:1,77a—b) and Babylonian Talmud (Hag. 14b), in hymns of nature associated with apocalyptic visions and with the teaching of ma’aseh merkaba serves as a key to Perek Shira’s close spiritual relationship with this literature. Parallels to it can be found in apocalyptic literature, in mystic layers in Talmudic literature, in Jewish mystical prayers surviving in fourth-century Greek Christian composition, in Heikhalot literature, and in Merkaba mysticism. The affinity of Perek Shira with Heikhalot literature, which abounds in hymns, can be noted in the explicitly mystic introduction to the seven crowings of the cock — the only non-hymnal text in the collection — and the striking resemblance between the language of the additions and that of Shi’ur Koma and other examples of this literature. In Seder Rabba de-Bereshit, a Heikhalot tract, in conjunction with the description of ma’aseh bereshit, there is a clear parallel to Perek Shira’s praise of creation and to the structure of its hymns. The concept reflected in this source is based on a belief in the existence of angelic archetypes of created beings who mediate between God and His creation, and express their role through singing hymns. As the first interpretations of Perek Shira also bear witness to its mystic character and angelologic significance, it would appear to be a mystical chapter of Heikhalot literature, dating from late Tannaitic — early Amoraic period, or early Middle Ages. . . . Categories: Hekhalot Writings, Rosh haShanah la-Melakhim, Erev Shabbat, Morning Baqashot, Rosh Ḥodesh Readings, Rosh haShanah la-Behemah Readings, Rosh haShanah Readings, Tu biShvat Readings Tags: 43rd century A.M., 5th century C.E., animals, birds, cosmological, creeping creatures, Early Ammoraic, Early Middle Ages, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, heikhalot literature, hymns of creation, Late Tannaitic, Openers Contributor(s): This translation was prepared by Shir Yaakov Feinstein-Feit in loving memory of his sister, Laurie Feit, z”l, (1961-2017). “Midrash HaGadol or The Great Midrash (Hebrew: מדרש הגדול) is an anonymous late (14th century) compilation of aggadic midrashim on the Pentateuch taken from the two Talmuds and earlier Midrashim of Yemenite provenance. In addition, it borrows quotations from the Targums, and Maimonides[2] and Kabbalistic writings (Oesterley & Box 1920), and in this aspect is unique among the various midrashic collections. This important work—the largest of the midrashic collections—came to popular attention only relatively recently (late 19th century) through the efforts of Jacob Saphir, Solomon Schecter, and David Zvi Hoffman. In addition to containing midrashic material that is not found elsewhere, such as the Mekhilta of Rabbi Shimon bar Yochai, the Midrash HaGadol contains what are considered to be more correct versions of previously known Talmudic and Midrashic passages.” (via wikipedia) . . . Categories: Tags: anatomical, cosmological, cosmology, creation, Early Medieval, Homo Signorum, macranthropy, Man of Signs, microcosm, microcosmism, mid-first millennium CE, Midrash HaGadol, ספר יצירה Sefer Yetsirah, פרשת תרומה parashat Terumah, Tabernacle, המשכן the Mishkan Contributor(s): Ḥakham Ishak Nieto’s translation of Adon Olam was first printed on page 197 of Orden de las Oraciones de Ros-ashanah y Kipur (1740), his maḥzor in Spanish translation for Rosh haShanah and Yom Kippur. The Hebrew text of the piyyut set side-by-side with the translation was transcribed from Rabbi David de Sola Pool’s Tefilot l’Rosh haShanah (1937). . . . This is Isaac Pinto’s English translation of Adon Olam from Prayers for Shabbath, Rosh-Hashanah, and [Yom] Kippur (1766), p. 29. The translation there appears without the Hebrew. The Hebrew text of the piyyut set side-by-side with the translation was transcribed from Rabbi David de Sola Pool’s Tefilot l’Rosh haShanah (1937). . . . Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by David de Aaron de Sola was transcribed from his prayerbook Seder haTefilot vol. 1 (1836), p. 122. . . . Categories: Tags: 11th century C.E., 19th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, Nusaḥ Sefaradi, פיוטים piyyuṭim, rhyming translation Contributor(s): Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by George Borrow was shared in his tales in The Bible in Spain (1843), p. 222. (The text in the 1913 edition on page 546 is a bit easier to read.) . . . Categories: Tags: 11th century C.E., 19th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, פיוטים piyyuṭim, rhyming translation Contributor(s): A rhyming English translation of Adon Olam by Rosa Emma Salaman. . . . The German translation of “Adon Olam” appearing here is as found in Rabbi David Einhorn’s עלת תמיד Gebetbuch für Israelitische Reform-Gemeinden (1858), pp. 1-2. The English translation here, by Joshua Giorgio-Rubin, translating Rabbi David Einhorn, is as found in Rubin’s Olat Hadashah: A Modern Adaptation of David Einhorn’s Olat Tamid for Shabbat Evening (2020), p. 14. . . . Categories: Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, German translation, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim Contributor(s): The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . . Categories: Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by Jacob Waley was transcribed from the prayerbook of his daughter Julia M. Cohen’s The Children’s Psalm-Book (1907), pp. 298-299. . . . Categories: Tags: 11th century C.E., 19th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, Nusaḥ Sefaradi, פיוטים piyyuṭim, rhyming translation Contributor(s): An English translation of an abridged arrangement of the piyyut, Adon Olam. . . . Categories: Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim Contributor(s): Rabbi Dr. Moses Gaster’s translation of Adon Olam in Romaninan was first printed on pages 3-4 of Siddur Tefilat Yisrael: Carte de Rugăcĭunĭ Pentru Israeliţĭ (1883), his daily Siddur. . . . This is Yosef Naḥmuli’s Greek translation of Adon Olam from his bilingual Hebrew-Greek everyday siddur, Καθημεριναι Προσευχαι (Corfu 1885), p. 6-9. . . . Categories: Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, Eastern Sefaradim, Greek translation, minhag Corfu, Nusaḥ Sefaradi, ottom, פיוטים piyyuṭim Contributor(s): The Seder Tefilat Kol Peh was printed in 1891 in Vienna, and features a full Ladino translation of the entire siddur. The Ladino translation here is found on the left side of pagespread №145. Along with a full transcription of the Ladino text, Isaac Gantwerk Mayer has also prepared a full romanization of the Ladino. . . . Categories: Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, Ladino Translation, פיוטים piyyuṭim Contributor(s): The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . . Categories: Tags: 11th century C.E., 49th century A.M., ABCB rhyming scheme, אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Israel Zangwill was transcribed from the Jewish Quarterly Review vol. 13 (January 1901), p. 321. . . . Categories: Tags: 11th century C.E., 20th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, פיוטים piyyuṭim, rhyming translation Contributor(s): | ||
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