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tag: English Romanticism Sorted Chronologically (old to new). Sort most recent first? This paraphrase of the second half of Psalms 19 in English verse by Sir Robert Grant was first published posthumously under the title “Psalm ⅩⅠⅩ” by Robert’s brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 28-30. As Charles Grant writes as introduction to the poem, it “is intended as a sequel or counterpart to Addison’s hymn, “The spacious firmament.” It corresponds to the latter portion of the 19th Psalm, as Addison’s does to the former.” Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, Prayers as poems, psalms 19 Contributor(s): This paraphrase of a portion of Psalms 84 in English verse by Sir Robert Grant was first published posthumously under the title “Part of Psalm ⅬⅩⅩⅩⅣ. Imitated” by Robert’s brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 36-37. Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, Prayers as poems, Psalms 84 Contributor(s): This paraphrase of Psalms 71 in English verse by Sir Robert Grant was first published posthumously under the title “Psalm ⅬⅩⅩⅠ” by Robert’s brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 31-32. Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, Prayers as poems, Psalms 71 Contributor(s): This paraphrase of Psalms 49 in English verse by Sir Robert Grant was first published under the title “Psalm ⅩⅬⅨ. Imitated.” without attribution in Poems Divine and Moral: Many of Them Now First Published (ed. John Bowdler, 1821), pp. 59-61. It was later published posthumously by Robert’s brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 22-24. Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, memento mori, Prayers as poems, Psalms 49 Contributor(s): This is the poem by Sir Robert Grant known best from its incipit “O Worship the King,” as published posthumously under the title “Psalm ⅭⅣ” by his brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 33-35. It was first published without attribution as hymn №31 in the Appendix of Hymns for private devotion, selected and original (ed. Bethia Fuller-Maitland, 1827) on pages 206-207. It was first published with attribution as psalm №104 in Psalms and Hymns for Public, Private, and Social Worship (ed. Henry V. Elliott, 1835) on pages 34-35. Identified as an adaptation of Psalms 104 (and with five of its six stanzas) the hymn was included as №16 in the Union hymnal for Jewish worship (1914). Brian Hehn writes, “This hymn, one of Grant’s most popular, is a paraphrase of Psalm 104. It was originally thought to have been a rendering of William Kethe’s setting of the same psalm in the Anglo-Genevan Psalter of 1561. However, Episcopal hymnologist Raymond F. Glover contends that this is a misconception. He argues that the two settings are in the same meter only because they were written for the same psalm.” Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, hymns of creation, Prayers as poems, Psalms 104 Contributor(s): This untitled poem by Sir Robert Grant was published posthumously by Robert’s brother Charles Grant (Lord Glenelg) as the third poem (“Ⅲ”) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 9-11. It was first published without attribution as hymn №19 in the Appendix of Hymns for private devotion, selected and original (ed. Bethia Fuller-Maitland, 1827) on pages 190-191. Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, Prayers as poems, Psalms 71 Contributor(s): “Lights in the Temple” by Rev. John Keble (1792-1866) was initially published anonymously in The British Magazine and Monthly Register of Religious and Ecclesiastical Information (1 March 1834, vol. 5, p. 280), and a few years later republished under a pseudonym ‘γ’ in a collection of religious poetry, Lyrica Apostolica (1836) (under the section “Lighting of Lamps,” pp. 74-75). Keble’s authorship was clearly identified in Miscellaneous Poems, published posthumously in 1868. The poem was one of three by Keble included in the Standard Book of Jewish Verse (ed. Joseph Friedlander and George Alexander Kohut, 1917), pp. 72-73. Categories: Tags: 19th century C.E., 56th century A.M., English Romanticism, English vernacular prayer, Prayers as poems, the menorah Contributor(s): The poem, “The Body Speaking to the Soul Which Just Left It.” by Rosa Emma Salaman, was written in March 1842 and first published in the Occident and American Jewish Advocate 2:4, Tamuz 5604, July 1844, p. 200-202. Categories: Tags: 19th century C.E., 57th century A.M., Anglo Jewry, British Jewry, English Romanticism, Grief, mourning, Prayers as poems, sleep Contributor(s): The poem, “God Our Light” by Rosa Emma Salaman, was first published in the Occident and American Jewish Advocate 3:8, Marḥeshvan 5606, November 1845, p.379-380. Categories: Tags: 19th century C.E., 57th century A.M., Anglo Jewry, British Jewry, candle lighting, Derekh Hashem, divine light, dveykut, English Romanticism, English vernacular prayer, פוקח עברים Pokeaḥ Ivrim, Prayers as poems Contributor(s): The poem, “Night” by Rosa Emma Salaman, was first published in the Occident 3:11, Shebat 5606, February 1846. Categories: Tags: 19th century C.E., 57th century A.M., Anglo Jewry, British Jewry, Darkness, English Romanticism, Inner light, night, Prayers as poems Contributor(s): “Enoch” by Rosa Emma Salaman was first published in the Occident and American Jewish Advocate 4:9, Kislev 5607/December 1846. Categories: Tags: 19th century C.E., 57th century A.M., Angelic Nature, Angelification, Anglo Jewry, British Jewry, Derekh Hashem, English Romanticism, חנוך Ḥanokh (Enoch), Metatron, Physical translation, Prayers as poems, Walking with the Divine Contributor(s): The poem, “Song of the Spirit” by Rosa Emma Salaman, was first published in the Occident 6:7, Tishrei 5609, October 1848. Categories: Tags: 19th century C.E., 57th century A.M., Anglo Jewry, British Jewry, אלהי נשמה Elohai neshamah, English Romanticism, Grief, mourning, neshamah, Prayers as poems Contributor(s): The poem, “The Angels’ Vigil” by Rosa Emma Salaman, was written in April 12, 1848 and first published in the Occident and American Jewish Advocate 6:3, Sivan 5608, June 1848, p. 127-128. Categories: Tags: 19th century C.E., 57th century A.M., Angelic Protection, Anglo Jewry, British Jewry, dreams, English Romanticism, Prayers as poems, sleep Contributor(s): The poem, “A Description of my Dreams” by Rosa Emma Salaman, was written in September 1849 and first published in the Occident and American Jewish Advocate Vol. 6:4, Tamuz 5608, July 1848, p.175-177. Categories: Tags: 19th century C.E., 57th century A.M., Angelic Protection, Anglo Jewry, British Jewry, dreams, English Romanticism, Prayers as poems, sleep Contributor(s): The poem, “Divine Love” by Rosa Emma Salaman, was first published in the Occident 6:7, Tishrei 5609, October 1849, p. 197-198. Categories: Tags: 19th century C.E., 57th century A.M., Ahavat Hashem, Anglo Jewry, British Jewry, English Romanticism, Prayers as poems, to love the divine Contributor(s): The poem, “Elijah” by Rosa Emma Salaman, was first published in the Occident 6:7, Kislev 5610, December 1849, p. 455-457. Categories: Tags: 19th century C.E., 57th century A.M., Angelic Nature, Angelification, Anglo Jewry, British Jewry, Derekh Hashem, Distress, אליהו הנביא Eliyahu haNavi, English Romanticism, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, Physical translation, Prayers as poems, Psychopomp, still small voice, the Chariot, Walking with the Divine Contributor(s): The poem, “Twilight” by Rosa Emma Salaman, was first published in the Occident 7:5, Ab 5609/August 1849, p.245. Categories: Tags: 19th century C.E., 57th century A.M., Anglo Jewry, British Jewry, Dusk, English Romanticism, Prayers as poems, Sheidim Contributor(s): The poem, “A Vision” by Rosa Emma Salaman, was written November 1850 and first published in the Occident and American Jewish Advocate 9:1, Nissan 5611/April 1851, p.31-33. Categories: Tags: 19th century C.E., 57th century A.M., Angelic Nature, Anglo Jewry, ascent, British Jewry, English Romanticism, eros, Prayers as poems, the Prince of Torah Contributor(s): “Song” by Rosa Emma Collins née Salaman was published in her bound collections of poetry, Poems (1853), p. 65. Categories: Tags: 19th century C.E., 57th century A.M., English Romanticism, English vernacular prayer, invisible sun, Prayers as poems Contributor(s): “A Wish” by Rosa Emma Collins née Salaman was published in her bound collections of poetry, Poems (1853), pp. 66-68. Categories: Tags: 19th century C.E., 57th century A.M., English Romanticism, English vernacular prayer, Prayers as poems Contributor(s): | ||
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