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tag: קרובות ḳerovot Sorted Chronologically (old to new). Sort most recent first? The poetic genre known as ḳerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar biRabbi Qallir’s Purim “Qrovetz“, a majestically interwoven piece of piyyut if ever there was one. But there are many other ḳerovot that have historically been recited, and this one is by the same author! The weekday qerovot cycle for Ḥanukkah, retelling the story of the Greek oppression using intricate poetic language. Included within is a qedushtah that instructs us on some of the halakhic requirements for the Ḥanukkah lights. . . . Categories: Tags: 43rd century A.M., 7th century C.E., acrostic, Acrostic signature, Alphabetic Acrostic, עמידה amidah, קרובות ḳerovot, Nusaḥ Erets Yisrael, פיוטים piyyuṭim, Public Amidah Contributor(s): Many communities recite a series of poems interwoven with the Amidah on Purim. These poems, known as the “krovets,” were written by Elazar b. Rabbi Kalir, the greatest of the early paytanim. But lesser known than the krovets for Purim are the krovets for Tisha b’Av, written as well by Elazar b. Rabbi Kalir. A fine example of Elazar’s intricate poetry, the krovets for Tisha b’Av is rife with Biblical citations, finally culminating with the prayer for Jerusalem. Each stanza begins with five tightly rhymed lines beginning with a constant א followed by a quintuple half-acrostic on the second letter, then a poetic volta on the word אֵיכָה, followed by a Biblical citation, a verse starting with the last word in the citation, a letter from Elazar’s name, and a final Biblical citation. The krovets for Tisha b’Av is meant to be part of the morning service, tied into the cantorial repetition for Tisha b’Av. . . . Categories: Tags: 45th century A.M., 7th century C.E., acrostic, Acrostic signature, Alphabetic Acrostic, עמידה amidah, קרובות ḳerovot, פיוטים piyyuṭim, Public Amidah, קינות Ḳinōt Contributor(s): The traditional Ashkenazi qerovot added to the Musaf repetition for Shabbat Sheqalim, alongside a new gender-neutral translation . . . The poetic genre known as qerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar haḲalir’s Purim “Ḳrovetz“, a majestically interwoven piece of piyyut if ever there was one. But there are many other ḳerovot that have historically been recited, many of which were discovered in the Cairo Geniza. This set of ḳerovot, composed by the prolific Spanish paytan Yosef ibn Abitur, is meant to be included within the Shaḥarit amidah for Ta’anit Esther, the fast day before Purim. Consequently, it only goes up to the sixth blessing (the blessing for forgiveness) and concludes by leading directly into Seliḥot, which (before R. Yosef Karo’s standardization of the liturgy, and even now among some Western Ashkenazim) were inserted into the aforementioned blessing. In order to demonstrate this structure on a large scale, the editor here has compiled a full Shaḥarit repetition, nusaḥ Ashkenaz, incorporating the qerovot of Yosef ibn Abitur as well as the three seliḥot piyyutim of the Ashkenazi rite. . . . Categories: Tags: 11th century C.E., 49th century A.M., acrostic, Alphabetic Acrostic, עמידה amidah, Cairo Geniza, fasting, קרובות ḳerovot, פיוטים piyyuṭim, Public Amidah, סליחות səliḥot Contributor(s): Ḳerovot for Tu biShvat, a celebration of Divine verdancy, which namedrops a stunning array of flora from throughout the land of Israel. . . . Categories: Tags: 11th century C.E., 49th century A.M., acrostic, Alphabetic Acrostic, עמידה amidah, Cairo Geniza, ethnobotany, קרובות ḳerovot, Nusaḥ Erets Yisrael, פיוטים piyyuṭim, Public Amidah Contributor(s): This is a Hebrew adaptation of the poems traditionally recited by the Beta Israel community for the festival of Sigd, altered and adapted to fit the traditional qedushta form of poetic Amidah additions. The texts of the first few prayers were rewritten substantially and combined with relevant verses so as to fit in the strict form of the magen, mehaye, meshalesh, and El Na. After this, the qiqlar is slightly edited to fit a couplet rhyme scheme, while the silluq (the freest of the genres of qedusha piyyut) is almost entirely preserved — the only change being several verses whose placement is postponed so as to better lead into the qedusha as a silluq should. Regarding translations, the silluq largely uses my original translation with slight alterations (replacing the clunky use of ‘God’ as a pronoun with a gender-neutral THEIR, translating the Agaw passages into Latin rather than English to preserve general comprehensibility while clarifying that this is a different language), while the rest of the poems are different enough for their translation to largely be from scratch. These would be recited with the Ark open for all the piyyutim, as one would on the Yamim Noraim, ideally using melodies from the Sigd liturgy. . . . This is an original ḳedushtaot cycle for Yom Meturgeman, the eighth of Tevet, to be inserted into the ‘amidah. . . . Categories: Tags: acrostic, Alphabetic Acrostic, עמידה amidah, אתבש atbash, קרובות ḳerovot, פיוטים piyyuṭim, Public Amidah, קדושתאות ḳedushtaot Contributor(s): Purim in walled cities (meaning, practically, in Jerusalem) occurs on the day after it does outside of them. This means that when Purim falls on a Friday, it falls on Shabbat in Jerusalem. This unique occurrence is called Purim Meshulash, “Threefold Purim,” because the practices for the day are divided into three. The megillah is read and gifts are given to the poor on Friday, the Torah reading is on Shabbat, and the festive meal and gifts to friends on Sunday. Since this practice of Shabbat Purim is unique to Jerusalem, and for much of Ashkenazi poetic history the Jewish community in Jerusalem was negligible, there are very few liturgical texts designed for Shabbat Purim Meshulash. This is, in the author’s opinion, a shame, because all the other special shabbatot surrounding it have a plethora of special piyyuṭim to insert into their cycles. This cycle of a shiv’ata (sevenfold piyyut) and an eloheikhem (Qedushah insertion) is meant to fill that void. . . . Categories: Tags: acrostic, Alphabetic Acrostic, קרובות ḳerovot, פיוטי אלהיכם piyyuṭei eloheikhem, פיוטים piyyuṭim, Public Amidah, שבעתא shiv'ata, Shushan Purim Contributor(s): | ||
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