A litany of mythical guests and creatures presenting at the Passover seder. . . .
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Contributor(s): Jonah Rank
Shared on י״ח בניסן ה׳תשע״ט (2019-04-23) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories:  Nirtsah
Tags:  זמירות zemirot, אושפיזין ushpizin, פיוטים piyyutim, אושפיזתא Ushpizata, נרצה Nirtsah, מה נאכל בסעודה הזו, eschaton, mythical feasts
Contributor(s): Aharon N. Varady (transcription), Isaac Gantwerk Mayer (transcription & naqdanut), Johann Stephan Rittangel (Latin translation) and Unknown Author(s)
Shared on ח׳ בניסן ה׳תשפ״א (2021-03-20) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, acrostic, פיוטים piyyutim, 13th century C.E., 51st century A.M., Alphabetic Acrostic, נרצה Nirtsah, Latin translation, אדיר במלוכה Adir Bimlukhah 
The text of the popular piyyut “Adir Bimlukhah” (a/k/a “Ki lo na’eh”) in Hebrew, with a Latin translation. . . . 
Contributor(s): Aharon N. Varady (transcription)
Shared on ח׳ באדר ב׳ ה׳תשע״ו (2016-03-17) — under the following terms: Categories: Nirtsah
Tags: ײדיש Yiddish, זמירות zemirot, Aramaic, פיוטים piyyutim, predation, salvation, 16th century C.E., 53rd century A.M., נרצה Nirtsah, Prague, חד גדיא Ḥad Gadya 
Making sense of Ḥad Gadya beyond its explicit meaning has long inspired commentary. For me, Ḥad Gadya expresses in its own beautiful and macabre way a particularly important idea in Judaism that has become obscure if not esoteric. While an animal’s life may today be purchased, ultimately, the forces of exploitation, predation, and destruction that dominate our world will be overturned. Singing Ḥad Gadya is thus particularly apropos for the night of Passover since, in the Jewish calendar, this one night, different from all other nights, is considered the most dangerous night of the year — it is the time in which the forces of darkness in the world are strongest. Why? It is on this night that the divine aspect of Mashḥit, the executioner, is explicitly invoked (albeit, only in the context of the divine acting as midwife and guardian/protector of her people), as explained in the midrash for Exodus 12:12 . . .
Contributor(s): Isaac Gantwerk Mayer and Unknown Author(s)
Shared on י״ב בניסן ה׳תשע״ט (2019-04-16) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, Aramaic, פיוטים piyyutim, Ladino Translation, predation, salvation, 16th century C.E., 53rd century A.M., נרצה Nirtsah, Judezmo, Judeo-Spanish, חד גדיא Ḥad Gadya
A Judezmo/Ladino translation of the popular Passover song, Ḥad Gadya. . . .
Contributor(s): Isaac Gantwerk Mayer and Unknown Author(s)
Shared on י״ג בניסן ה׳תשע״ט (2019-04-17) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, Aramaic, פיוטים piyyutim, predation, salvation, 16th century C.E., 53rd century A.M., נרצה Nirtsah, Judeo-Berber, Judeo-Tamaziɣt, חד גדיא Ḥad Gadya
A Judeo-Berber translation of the popular Passover song, Ḥad Gadya. . . .
Contributor(s): Isaac Gantwerk Mayer and Unknown Author(s)
Shared on י״ב בניסן ה׳תשע״ט (2019-04-16) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, Aramaic, פיוטים piyyutim, predation, salvation, 16th century C.E., 53rd century A.M., נרצה Nirtsah, Judeo-Arabic, Baghdad, חד גדיא Ḥad Gadya
A Judeo-Arabic translation of the popular Passover song, Ḥad Gadya. . . .
Contributor(s): Eden miQedem
Shared on ט׳ בסיון ה׳תשע״ט (2019-06-12) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, Aramaic, פיוטים piyyutim, Syria, predation, salvation, 16th century C.E., 53rd century A.M., Arabic translation, נרצה Nirtsah, Judeo-Arabic, Damascus, חד גדיא Ḥad Gadya
An Arabic translation of Ḥad Gadya in its Syrian Jewish Damascus variation. . . .
Contributor(s): Aharon N. Varady (transcription), Isaac Gantwerk Mayer (transcription & naqdanut), Johann Stephan Rittangel (Latin translation) and Unknown Author(s)
Shared on ח׳ בניסן ה׳תשפ״א (2021-03-20) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, Aramaic, פיוטים piyyutim, predation, salvation, 16th century C.E., 53rd century A.M., נרצה Nirtsah, Latin translation, חד גדיא Ḥad Gadya
A Latin translation of the popular Passover song, Ḥad Gadya. . . .
Contributor(s): Isaac Gantwerk Mayer (transcription & naqdanut), Nisim haLevy Tsahtsir and Unknown Author(s)
Shared on ה׳ בניסן ה׳תשפ״א (2021-03-17) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, Aramaic, פיוטים piyyutim, predation, salvation, 16th century C.E., 53rd century A.M., נרצה Nirtsah, Bukharan Jewry, Krymchak, Crimean Tatar, חד גדיא Ḥad Gadya
A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . .
Contributor(s): Isaac Gantwerk Mayer, Shimon ben Eliyahu Hakham and Unknown Author(s)
Shared on כ״ו בניסן ה׳תשע״ט (2019-04-30) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, Aramaic, פיוטים piyyutim, predation, salvation, 16th century C.E., 53rd century A.M., נרצה Nirtsah, Judeo-Tajik, Bukharan Jewry, Bukhori, חד גדיא Ḥad Gadya
A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . . 
Contributor(s): Aharon N. Varady (transcription), Isaac Gantwerk Mayer (transcription & naqdanut), Johann Stephan Rittangel (Latin translation) and Unknown Author(s)
Shared on ח׳ בניסן ה׳תשפ״א (2021-03-20) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, counting, פיוטים piyyutim, 16th century C.E., 53rd century A.M., נרצה Nirtsah, Latin translation, counting songs 
The text of the popular counting song “Who Knows One?” in its original Hebrew, with a translation in Latin. . . .
Contributor(s): Aharon N. Varady (transcription) and Unknown Author(s)
Shared on ל׳ בניסן ה׳תשע״ט (2019-05-04) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, counting, Aramaic, פיוטים piyyutim, Yiddish translation, 16th century C.E., 53rd century A.M., נרצה Nirtsah, Prague, counting songs, Aramaic translation
The text of the popular Passover song “Who Knows One?” in its original Hebrew and Yiddish, with a translation in English. . . .
Contributor(s): Isaac Gantwerk Mayer
Shared on א׳ באייר ה׳תשע״ט (2019-05-05) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Nirtsah
Tags: זמירות zemirot, counting, פיוטים piyyutim, 16th century C.E., 53rd century A.M., נרצה Nirtsah, counting songs, Aramaic translation
The text of the popular Passover song “Who Knows One?” in Hebrew set side-by-side with an Aramaic translation. . . . 
Contributor(s): Aharon N. Varady (transcription) and Johann Stephan Rittangel (Latin translation)
Shared on י״ד בניסן ה׳תשע״ח (2018-03-29) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Seder l'Pesaḥ
Tags: 17th century C.E., 55th century A.M., נרצה Nirtsah, Christian Hebraism, Latin translation, Needing Transcription 
Johann Stephan Rittangel (1606-1652) was a Christian Hebraist and Professor of Oriental Languages at the University of Königsberg (Prussia) from 1640 till his death. Born Jewish, he converted to Christianity (to Catholicism and afterward to Calvinism, and then Lutheranism). After making a translation of the Sefer Yetsirah into Latin in 1642, he made this translation of the Passover Haggadah. In the Haggadah, Rittangel included musical scores for two piyyutim popularly sung during the final course of the Passover seder: “Adir Hu” and “Ki Lo Na’eh.” . . . |
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