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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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פיוטים piyyuṭim —⟶ tag: פיוטים piyyuṭim Sorted Chronologically (old to new). Sort most recent first? This is the translation of Ḥad Gadya into Judeo-Valyrian with a Hebraicization schema for Valyrian by Isaac Gantwerk Mayer. . . . Categories: Tags: 16th century C.E., 24th century C.E., 53rd century A.M., Aramaic, constructed languages, Game of Thrones, חד גדיא Ḥad Gadya, נרצה Nirtsah, פיוטים piyyuṭim, predation, salvation, Song of Ice and Fire, Valyrian translation, זמירות zemirot Contributor(s): Ḥad Gadya has a place in Seder tables throughout Arda, and in many communities it was read in translation. This translation into Quenya is necessary for any good Lothlórien sedarim. But to be serious, Quenya was one of several languages developed by J.R.R. Tolkien. It serves as the sacred ancestral language of the Noldorin elves in the Middle-Earth legendarium. The editor here has developed this adaptation of the well-known seder table-song Ḥad Gadya into Quenya, as well as a home-brewed transcription system into Hebrew script included here (PDF | ODT). This translation uses several fan-made terms, such as cuimacir for “butcher” and luhtya- for “extinguish”, as well as one original neologism, yacincë for “kid-goat.” . . . Categories: Tags: 16th century C.E., 53rd century A.M., Aramaic, constructed languages, חד גדיא Ḥad Gadya, High-Elven, Middle-Earth, פיוטים piyyuṭim, predation, Quenya translation, salvation, זמירות zemirot Contributor(s): Ḥad Gadya has a place in Seder tables throughout the Jewish quadrant, and in many communities it was read in translation. This adaptation into the language of the Na’vi is very useful when celebrating liberation from the tyrannical RDA. . . . Categories: Tags: 16th century C.E., 24th century C.E., 53rd century A.M., 61st century A.M., Aramaic, constructed languages, חד גדיא Ḥad Gadya, Na'vi translation, פיוטים piyyuṭim, predation, salvation, זמירות zemirot Contributor(s): The text of the popular Passover song “Who Knows One?” in its original Hebrew and Yiddish, with a translation in English. . . . Categories: Tags: 16th century C.E., 53rd century A.M., counting, counting songs, אחד מי יודע eḥad mi yode'a, פיוטים piyyuṭim, Prague, Yiddish translation, זמירות zemirot Contributor(s): The text of the popular counting song “Who Knows One?” in its original Hebrew, with a translation in Latin. . . . Categories: Tags: 16th century C.E., 53rd century A.M., counting, counting songs, אחד מי יודע eḥad mi yode'a, Latin translation, פיוטים piyyuṭim, זמירות zemirot Contributor(s): Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. It is mostly written in Hebrew, counting up to 13, but there are versions that can be found in many different languages. This translation is in Bukhori, also known as Judeo-Tajik, as translated by the great Shimon ben Eliyahu Ḥakham (1843-1910), the chief rabbi of the Bukharan Jewish community in Jerusalem. His full translation of all liturgical additions in the month of Nisan for the Bukharan community can be found in חוקת הפסח Ḥuqat haPesaḥ (1904) – the source for this transcription on page 128-130 (see included). Shimon Ḥakham transcribed it into vocalized Hebrew script, which is included here alongside transliterations into Tajik Cyrillic and a Roman transcription. . . . The text of the popular Passover song “Who Knows One?” in Hebrew set side-by-side with an Aramaic translation. . . . Categories: Tags: 16th century C.E., 53rd century A.M., Aramaic translation, counting, counting songs, אחד מי יודע eḥad mi yode'a, פיוטים piyyuṭim, זמירות zemirot Contributor(s): Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. Counting up to 13, it is mostly written in Hebrew, but there are versions that can be found in many different languages. This translation is in the Judeo-Italian dialect of Siena, based on Geremia Mario Castelnuovo’s 1956 recording from Leo Levi’s collection of Judeo-Italian ethnomusicological recordings. A link to the original recording can be found here. . . . Categories: Tags: 16th century C.E., 53rd century A.M., counting songs, אחד מי יודע eḥad mi yode'a, Italian translation, פיוטים piyyuṭim, זמירות zemirot Contributor(s): A translation of Ḥad Gadya into Esperanto by Erin Piateski with a Hebraicization schema for Esperanto by Isaac Gantwerk Mayer. Piateski’s translation first appeared in her כוכב ירוק הגדה של פסח | Verda Stelo Hagado de Pesaĥo (2010). . . . Categories: Tags: 16th century C.E., 53rd century A.M., constructed languages, counting songs, אחד מי יודע eḥad mi yode'a, Esperanto translation, L.L. Zamenhoff, פיוטים piyyuṭim, זמירות zemirot Contributor(s): A Judeo-Moroccan Arabic (Darija) adaptation of the Passover counting song Eḥad Mi Yodeaȝ, as found in Mahzor Moȝadé Hashem. . . . “Odeh La-Él” sings to the waking soul, calling on it to return to the service of the Divine. . . . Categories: Tags: Contributor(s): A (kosher-for-Passover) prayer for redemption from exile. . . . Categories: Tags: Contributor(s): This translation of the piyyut for Shabbat by Shlomo Al-Qabets can be found in HaAvodah SheBaLev – the Service of the Heart (Kehilat Kol HaNeshama, Jerusalem, 2007). . . . Categories: Tags: 16th century C.E., 54th century A.M., acrostic, Alphabetic Acrostic, לכה דודי Lekhah Dodi, פיוטים piyyuṭim, שבת shabbat Contributor(s): “Odeh La-Él” sings to the waking soul, calling on it to return to the service of the Divine. . . . Categories: Tags: Contributor(s): In many eastern Sephardic and Mizraḥi communities, there is a custom that a poetic “ketubah,” or marriage-contract, is recited before the Torah service on Shavuot. This custom, based on the midrashic idea that the Torah is the ketubah for the marriage between the bride Israel and the groom God, is beloved by the ḳabbalists. By far the most commonly used Shavuot ketubah is that of the great paytan and meḳubal Yisrael ben Moshe Najara, who wrote the following some time in the sixteenth century. This is a new translation of Najara’s poem. . . . Categories: Tags: 16th century C.E., 54th century A.M., Har Sinai, כתובה ketubbah, Mizraḥi Jewry, פיוטים piyyuṭim, הוצאת ספר תורה Removal of the Torah from the Ark, theophany, wedding Contributor(s): This translation by Rabbi David Aaron de Sola of “Yah Ribon” by Rabbi Yisrael Najara was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Categories: Tags: 16th century C.E., 54th century A.M., acrostic, Acrostic signature, Aramaic, פיוטים piyyuṭim, rhyming translation, יה רבון Yah Ribon, זמירות zemirot Contributor(s): The piyyut, yah Ribon Olam, in Hebrew with a rhyming English translation. . . . Categories: Tags: 16th century C.E., 54th century A.M., acrostic, Acrostic signature, Aramaic, פיוטים piyyuṭim, rhyming translation, יה רבון Yah Ribon, זמירות zemirot Contributor(s): The piyyut, Yah Ribon, in Aramaic with an English translation. . . . Categories: Tags: 16th century C.E., 54th century A.M., acrostic, Acrostic signature, Aramaic, פיוטים piyyuṭim, יה רבון Yah Ribon, זמירות zemirot Contributor(s): The piyyut, Yah Ribon, in Aramaic with an English translation. . . . The piyyut, yah Ribon Olam, in Hebrew with an English translation. . . . Categories: Tags: 16th century C.E., 54th century A.M., acrostic, Acrostic signature, Aramaic, פיוטים piyyuṭim, יה רבון Yah Ribon, זמירות zemirot Contributor(s): | ||
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