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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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פיוטים piyyuṭim —⟶ tag: פיוטים piyyuṭim Sorted Chronologically (old to new). Sort most recent first? A popular 20th century piyyut. Categories: Tags: Contributor(s): This Reform movement catechism by Rabbi J. Leonard Levy was first published as “Our Creed” in The Children’s Service for Use in Religious Schools (1902). In the second edition from 1904, it is found on page 207. There, Rabbi Levy’s verse is described as a “translation,” which from the credit of the melody to “Leoni” (Meyer Lyon, 1751-1797) might lead one to consider it a revised Reform movement adaptation of some setting of Thomas Oliver’s “God of Abraham” (ca. 1771, itself a Christian adaptation of Daniel ben Yehudah Dayyan’s “Yigdal”). A cross-comparison however reveals this is not the case. Over at the Hymnology Archive, Chris Fenner uncovered a rhymed English derivation of Yigdal by Newton Mann (1836-1926) made at the request of Rabbi Max Landsberg (1845-1927). “Óró sé do bheatha abhaile” is one of the most popular Irish rebel songs. Adapted from a folk song (with possible 18th century Jacobite origins), the most popular modern version, written by the poet and republical activist Pádraig Pearse and sung by the Irish Volunteers during the 1916 Easter Rising, is full of messianic and biblical imagery that makes it ripe for adaptation into a Hebrew piyyut. Presented here is “Hoy! Barukh Ha-Ba Ha-Bayta,” a Hebrew adaptation singable to the original melody. Categories: Tags: 20th century C.E., 57th century A.M., Colonialism, diaspora, Hebrew translation, Irish vernacular, Irish War of Independence, Patriotic hymns, פיוטים piyyuṭim, שיר Shir Contributor(s): The popular adjuration of the angels of peace and ministering angels, Shalom Aleikhem, in Hebrew with a German translation by Franz Rosenzweig. A 20th century piyyut by Ḥayyim Shaul Aboud. Categories: Tags: Contributor(s): A Hebrew translation of the lyrics to Harry Nilsson’s “One” (1967) as sung by Aimee Mann (1995) Categories: Tags: 20th century C.E., 58th century A.M., counting songs, English vernacular prayer, דע לפני מי אתה עומד Know Before Whom You Stand, loneliness, love-sickness, love your fellow as yourself, non-dual theology, פיוטים piyyuṭim, Prayers as poems, שכינה Shekhinah, זמירות zemirot Contributor(s): “Orah hee” was composed by Rabbi Jill Hammer in 2008 and first published at Tel Shemesh in romanized Hebrew and English translation. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, אדיר הוא Adir Hu, Alphabetic Acrostic, Divine Feminine, פיוטים piyyuṭim Contributor(s): This is one of my favourite Sukkot piyyutim, not least because of the wonderful and easily singable call-and-response melody! The seven verses each highlight one of the seven traditional ushpizin [mythic guests], and a few years ago I wrote an additional seven verses for the seven female ushpizata according to the order of Rabbi David Seidenberg (neohasid.org). Categories: Tags: Acrostic signature, Afghanistan, Avot and Imahot, egalitarian, in the merit of our ancestors, North America, פיוטים piyyuṭim, traditional egalitarian, אושפיזתא Ushpizata, אושפיזין ushpizin Contributor(s): This prayer for rain, adapted by Rabbi Emily Kapor-Mater in 2013, appears in סִדּוּר בִּרְכַּת שָׁלוֹם Siddur Birkat Shalom, an egalitarian Shabbat morning siddur (Havurat Shalom 1991/2021), in the “Holiday Prayers” section, pp. 197-202. Categories: Tags: Contributor(s): This piyut (liturgical poem) arose after a very meaningful performance of mine in the summer of 2000. It was such a powerful experience that I was moved to say a prayer of thanks to G-d for the opportunity to perform my songs for audiences – but found no such prayer in existence. So I wrote this one. It took about a year to complete and I’ve been saying it backstage right before my performances, and sometimes before recording sessions, since then. Supplemental prayers for the Birkat Hamazon on Tu b’Av. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, ברכת המזון birkat hamazon, פיוטים piyyuṭim Contributor(s): The time of Sukkot is a time of fullness and generosity, but also a time to pray for the coming season. Shemini Atzeret, the festival when we pray for rain, is an expression of our need for water, which in the Jewish tradition symbolizes life, renewal, and deliverance. Tefillat Geshem, a graceful fixture of the Ashkenazic liturgy, invokes the patriarchs as exemplars of holiness and model recipients of God’s love. This prayer uses water as a metaphor for devotion and faith, asking that God grant us life-sustaining rain. While its authorship is unknown, it is sometimes attributed to Elazar Kallir, the great liturgist who lived sometime during the first millenium. Each year, we are reminded of our people’s connection to the patriarchs and to the rhythms of water, spiritual and physical sources of life, through this medieval piyyut. While we know that rain is a natural process, formal thanksgiving for water as a source of life, energy, and beauty reminds us that our Creator is the source of our physical world and its many wonders. Categories: Tags: 21st century C.E., 58th century A.M., גשם geshem, אמהות Imahot, Matriarchs, North America, פיוטים piyyuṭim, Prayers for Precipitation, Rain Contributor(s): A piyyut for an under-recognized holiday, Pesaḥ Sheni, the festival of second chances (as described in Numbers 9:6-13 and Mishnah Pesaḥim 9:1-3. I attempted to write this in the manner of a traditional piyyut. The meter is equivalent to the Shabbat zamir “Ot Hi l’Olmei Ad.” The Hebrew spells out Yod – Tzadi – Ḥet – Kuf, because that’s my name. The translation is original, along with the notes. Categories: Tags: Contributor(s): This Yom Kipur, our congregation (Beth Jacob Synagogue in Hamilton) requested a reworking of the piyyut, “Amits Koaḥ” (text, audio) since the language is very tough and resists plain translation into English. I was also commissioned to write a poem describing the history of the world from a Jewish perspective, from scratch and in English, for use at the beginning of the Avodah service. It turned out to be just as obscure as the original so I put in a little column to the right with a little reference what I was talking about. Categories: Tags: 21st century C.E., 58th century A.M., Amits Koaḥ, drash, English piyyutim, mytho-history, פיוטים piyyuṭim Contributor(s): This is a piyyut (liturgical poem) which is intended to be recited at a brit. It is connected to my liturgy for a “chag hachnassah labrit” (available here). The explanation for the chag is also the basis for the piyyut. Translation into English by Shoshanna Gershenson, Maeera Schreiber and Aryeh Cohen. Categories: Tags: 21st century C.E., 58th century A.M., brit milah, circumcision, לכה דודי Lekhah Dodi, North America, פיוטים piyyuṭim Contributor(s): These are piyyutim written in a traditional style, meant to introduce the opening of each book in the Torah. These piyyutim can be used at any time the opening line of the reading is said – on the Shabbat Minḥa/Monday/Thursday prior to the reading OR on the Shabbat morning of the reading proper. Because of this, the sheets arranged including the readings use two sizes – a larger size for the shorter first reading for weekdays, and a smaller size for the full first reading on Shabbatot. They can only be read when the first verse of the book is read. Two suggestions for ḥazanim (cantors) and shliḥei tzibur on the High Holidays. Adir Hu, a classic Pesaḥ song if ever there was one, is a part of Seder tables all over the planet. Its alphabetical list of God’s attributes, combined with its repeated pleas for a return to Jerusalem, make it a classic, to the point where the traditional German farewell greeting for Passover was not “chag sameach” or “gut yontef” but “bau gut” – build well. This interpretation, while not a direct translation by any means, has the same rhythmic pattern and alphabetical structure, giving a sense of the greatness of God. Categories: Tags: 21st century C.E., 58th century A.M., אדיר הוא Adir Hu, Alphabetic Acrostic, English piyyutim, English vernacular prayer, פיוטים piyyuṭim Contributor(s): A 21st century recasting of the iconic 13th century Spanish mystical Rosh haShanah piyyut. Categories: Tags: Contributor(s): A companion to the classic piyyut, Yigdal. | ||
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