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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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Prayers as poems —⟶ tag: Prayers as poems Sorted Chronologically (old to new). Sort most recent first? A prayer for sustaining empathy and awareness of others’ needs through the vicissitudes of life and labor. The prayer-poem “Night” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 90-91. Categories: Tags: Contributor(s): The prayer-poem ““Mene, Mene, Tekel Upharsin”” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 94-95. The poem “Musings” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 115-116. Categories: Tags: Contributor(s): The poem “New Year” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 113-114. Categories: Tags: Contributor(s): The poem “Confirmation” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 80-81. The prayer-poem “For What I Bless Thee” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 15. Categories: Tags: Contributor(s): The poem “Through Darkness to Light” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 29. Categories: Tags: 19th century C.E., 57th century A.M., Angels, English poetry, English vernacular prayer, Prayers as poems Contributor(s): The poem “Shebuoth” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 37-38. Categories: Tags: 19th century C.E., 57th century A.M., Decalogue, English poetry, English vernacular prayer, Prayers as poems Contributor(s): The poem “When I Am Old” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 111-112. Categories: Tags: Contributor(s): “The Pious Man” is a prayer-poem from Mordecai Kaplan’s diary entry, September 19, 1942, on the virtue of piety as expressed in an essay published earlier that year by Abraham Joshua Heschel. Piety was a Roman virtue, but in this essay, A.J. Heschel appears to be describing an idealization of Ḥasidut. Categories: Tags: 20th century C.E., 58th century A.M., Abraham Joshua Heschel, English vernacular prayer, חסידות Ḥasidut, neoḥasidic idealization, Prayers as poems Contributor(s): This prayer by Rabbi Mordecai M. Kaplan, first penned in his diary for 23 August 1942, was first published in The Radical American Judaism of Mordecai M. Kaplan, by Mel Scult (1990). Although the prayer was not included in Kaplan’s Sabbath Prayer Book (New York: The Jewish Reconstructionist Foundation, 1945), it was added to the loose-leaf prayerbook he kept at the Society for the Advancement of Judaism synagogue. Categories: Tags: 20th century C.E., 58th century A.M., Early Reconstructionist, English vernacular prayer, Prayers as poems, prophetic revelation, Ralph Waldo Emerson, Transcendentalism Contributor(s): “Where We Can Find God,” a prayer-poem inspired by passages appearing in David Frishman’s Hebrew translation of Rabindranath Tagore’s Gitanjali. Categories: Tags: 20th century C.E., 58th century A.M., אנה אמצאך ana emtsaeka, cosmic religion, is it Sikh or Hassidic?, Prayers as poems, universalist prayers Contributor(s): The poem, “Psalm of Gratitude” by the Jewish poet and educator, Ben Aronin. Categories: Tags: 20th century C.E., 58th century A.M., Chicago, depression, Distress, English vernacular prayer, first person, Gratitude, מודים Modim, Prayers as poems, thanksgiving Contributor(s): A Hebrew translation of the lyrics to Harry Nilsson’s “One” (1967) as sung by Aimee Mann (1995) Categories: Tags: 20th century C.E., 58th century A.M., counting songs, English vernacular prayer, דע לפני מי אתה עומד Know Before Whom You Stand, loneliness, love-sickness, love your fellow as yourself, non-dual theology, פיוטים piyyuṭim, Prayers as poems, שכינה Shekhinah, זמירות zemirot Contributor(s): “baShanah haBa’ah” (Next Year) by Ehud Manor written in 1968 in memory of his brother Yehudah. “The Song of Miriam” by Rabbi Ruth Sohn was first published as “I Shall Sing to the Lord a New Song,” in Kol Haneshamah: Shabbat Vehagim, Reconstructionist Prayerbook, 1989, 1995 Second Edition. Reconstructionist Press, pp. 768-769. (This poem was also published in several haggadot and other books and set to music by several composers in the U.S. and Israel.) Rabbi Sohn wrote the poem in 1981 as a rabbinical student after immersing herself in the Torah verses and the traditional midrashim about Miriam, and after writing a longer modern midrash about Miriam. Part of this modern midrash was published as “Journeys,” in All the Women Followed Her, ed. Rebecca Schwartz (Rikudei Miriam Press, 2001). Categories: Tags: 20th century C.E., 58th century A.M., אז ישיר Az Yashir, English vernacular prayer, Jewish Women's Prayers, Miriam, Opening Prayers, Openers, Prayers as poems, תפילות קודם התפילה Prayers before Praying, Prayers for Praying Contributor(s): Sh’sh’sh’ma Yisra’el — Hear in the stillness the still silent voice, YHWH/ Yahh elohenu YHWH / Yahh echad! Categories: Tags: 21st century C.E., 58th century A.M., Deuteronomy 11:13-21, Deuteronomy 6:4, eco-conscious, interpretation as prayer, Numbers 15:37-41, paraliturgical shema, Philadelphia, Pnai Ohr, Prayers as poems, והיה אם שמע v'haya im shemo'a Contributor(s): A prayer upon the inauguration of President Obama in January 2009. Categories: Tags: 21st century C.E., 58th century A.M., American Jewry of the United States, Barack Hussein Obama, English vernacular prayer, inaugurations, Prayers as poems, Prayers for leaders, United States Contributor(s): Trisha Arlin shares “Motzi”, a kavanah (intention) for the blessing, Hamotzi Lehem Min Ha’aretz, over challah. Describing the kavanah she writes that it’s, “based on Rabbi Ellen Lippmann’s tradition on having us create a chain of touch around room that leads to and from the challah, which she then explains as both exemplifying the connection created when people eat together and the chain of work that went to creating the challah itself.” Categories: Tags: 21st century C.E., 58th century A.M., ברכת המוציא birkat hamotsi, bread, English vernacular prayer, food, חלה challah ḥallah, Kolot Chayeinu, Prayers as poems, yom tov Contributor(s): | ||
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