the Open Siddur Project ✍︎ פְּרוֹיֶקְט הַסִּדּוּר הַפָּתוּחַ
a community-grown, libre Open Access archive of Jewish prayer and liturgical resources
for those crafting their own prayerbooks and sharing the content of their practice
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כִּי־לְךָ תֻּקְרָא כׇּל־בְּרָכָה | Ki Lᵊkha Tuqra Kol Bᵊrakhah, a macaronic poem for Yom Meturgeman by Isaac Gantwerk Mayer Contributor(s):This is a macaronic poem for Yom Meturgeman. Macaronic poetry is poetry in multiple languages at once. In this case, the languages reflected are Hebrew, Aramaic, Judeo-Arabic, Yiddish, Ladino, and English, with a repeated Hebrew refrain. Each language is meant to rhyme with the colloquial Hebrew as it would be read — i.e. though the Yiddish doesn’t rhyme with the modern Hebrew pronunciation, it rhymes with the traditional Ashkenazi one. . . . Contributor(s):The Opening Prayer given in the U.S. Senate on 12 December 2023 . . . Kavvanah and prayer for Zōt Ḥanukkah, the last night and day of Ḥanukkah 5784, by Rabbi David Seidenberg (neohasid.org) Contributor(s):Four things to pray and learn for the last night and day of Ḥanukkah. . . . Contributor(s):In the midst of terrible violence and war in Israel and Gaza, these words came in response to the questions: how to engage meaningfully with Ḥanukkah in 5784 with integrity. How can it still be a source of wisdom and liberation? . . . תוספת בית למעוז צור לְמִלְחֶמֶת ”חַרְבוֹת בַּרְזֶל“ | Supplemental stanza to Maoz Tsur for the Ḥarvot Barzel War by Dana Pearl Contributor(s):A supplemental stanza to the popular 13th century piyyut, Maoz Tsur, for the Ḥanukkah occurring in the aftermath of the horrors on 7 October, as written and shared by דנה פרל. . . . איידי! סיליבראמוס | Айде! Селебрамос | Ayde! Selebramos — a Ladino adaptation of Mordkhe Rivesman’s “Oy Khanike” by Isaac Gantwerk Mayer Contributor(s):An original Ladino adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Chanukah” or in Hebrew as “Y’mei ha-Ḥanukka.” I’m aware that the custom of spinning tops was not originally a Sefaradi one. So sue me, I was looking for something to rhyme with “libertaḏ.” I’ve included the Rashi script, the Aki Yerushalaim orthography, and (as an added bonus) the Cyrillic transcription used by the Jews of the Balkans. . . . Yā Ḥanukka[t] | יָא חַנוּכָּה | يَا حَنُكَّة — a Judeo-Arabic adaptation of Mordkhe Rivesman’s “Oy Khanike” by Isaac Gantwerk Mayer Contributor(s):An original Judeo-Arabic adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Ḥanukkah” or in Hebrew as “Y’mei ha-Ḥanukka.” With thanks to Mazen Haddad for his help with the Arabic! Some notes: 1) Case endings and nunation, which would (in colloquial dialects) often be skipped or dropped, are transcribed in brackets. 2) The word “sufnāj” is a Moroccan Arabic dialectal word which is the agent noun for sfenj, a traditional type of North African doughnut. . . . Contributor(s):A supplemental stanza to the popular 13th century piyyut, Maoz Tsur, for the Ḥanukkah occurring in the aftermath of the horrors on 7 October. . . . תפילה להצלתם של הבחורים החטופים | Prayer for the rescue of the kidnapped youths, by Rabbi Shlomo Mosheh Amar (16 June 2014) Contributor(s):This prayer for the safe return of captives was offered by the (former) Sephardi chief rabbi of Jerusalem, Shlomo Moshe Amar, as published on the website, Srugim on 16 June 2014, amidst the crisis that summer sparked by the abduction and murder of three Yeshivah boys by HAMAS operatives in the West Bank. . . . The Many and the Few | רַבִּים בְּיַד מְעַטִּים (Rabim b’Yad M’atim) — a Hebrew adaptation of Woody Guthrie’s Ḥanukkah ballad by Isaac Gantwerk Mayer Contributor(s):Did you know that the great songwriter and activist Woody Guthrie wrote Ḥanukkah music? It’s true. Though Guthrie himself was not Jewish, Marjorie Greenblatt, his second wife and their children were, and he would write Ḥanukkah songs for the kids in his neighborhood in the 1940s. Two of these songs were recorded by Moses Asch, head of Folkways Records, in 1949 — a kid’s song called “Hanuka Dance,” and a twenty-verse ballad retelling the story of Ḥanukkah called “The Many and the Few.” Below is an original Hebrew translation of “The Many and the Few,” preserving the meter of the original. With a simple melody and a lot of historical research, it could certainly be sung at a Ḥanukkah event. . . . Contributor(s):This is a prayer offered by the Piacezna Rebbe, Rabbi Kalonymus Kalman Shapira (1889-1943) and likely written down sometime in the 1920s before it was printed among other letters and writings in his sefer Derekh haMelekh (1931). The prayer, vocalized from the 2011 Feldheim edition and translated into English, was circulated online via the Lost Princess Initiative of Rabbi Yaakov Klein (Eilecha) beginning 25 May 2023. . . . Contributor(s):This prayer by Rabbi Sabato Morais after the death of President Ulysses S. Grant (April 27, 1822 – July 23, 1885) concludes a eulogy published in the The Jewish Record on 14 August 1885, “General Grant: Substance of a Discourse Delivered Last Sabbath by the Rev. S. Morais.” A note in the preface to the article dates the eulogy to the preceding Sabbath, 8 August 1885. The article was preserved in a newspaper clipping found on page 338 of the Sabato Morais Ledger. . . . Prayer upon the death of President James A. Garfield, by Rabbi Sabato Morais (after 19 September 1881) Contributor(s):This prayer by Rabbi Sabato Morais after the death of President James Garfield is recorded in an undated newspaper clipping preserved on page 176 of the Sabato Morais Ledger. The clipping appears next to one printed in the Jewish Record on 30 September 1881, a few days prior to Yom Kippur that year. From the column borders similar to both clippings, the prayer appears to also have been published in the Jewish Record, possibly as part of a service in eulogy for the fallen president sometime soon after 19 September. . . . Prayer for the Recovery of President James A. Garfield in the merit of the Founding Fathers, by Rabbi Sabato Morais (before 19 September 1881) Contributor(s):This prayer by Rabbi Sabato Morais during the lingering death of President James Garfield is recorded in an undated and unsourced newspaper clipping, “A Petition in the Synagogue. Rabbi Morais’ Fervent Petition Before the Mickve Israel Congregation” preserved on page 237 of the Sabato Morais Ledger. The prayer is unique in appealing in the merit of four of the Founding Fathers of the United States (the first three presidents: George Washington, John Adams, and Thomas Jefferson, along with Benjamin Franklin). . . . Contributor(s):This prayer by Rabbi Sabato Morais for the recovery of President James Garfield after his being shot on 2 July 1881 is recorded in a newspaper clipping preserved on page 236 of the Sabato Morais Ledger, “‘A Nation Wounded.’ Opinions as Expressed in the Synagogue by a Prominent Rabbi.” The origin and date of the clipping is not indicated, however, the prayer was offered during the dedication of a synagogue in the then newly built Philadelphia Jewish Foster Home and Orphan Asylum on 12 June 1881 in Germantown. If you know the date of this synagogue dedication or the newspaper from which this clipping was taken, please leave a comment or contact us. We know a handful of prayers for President Garfield offered by Rabbi Morais over the course of the former’s lingering death, and this prayer seems to us to be the earliest of them, probably given sometime in July following the assassination, and recorded in the Philadelphia Inquirer or another newspaper. . . . חַד גַּדְיָא | Un Kabritu (אוע קַאברִיטו) — a Papiamentu translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s):Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. The Caribbean island of Curaçao is home to the oldest Jewish community west of the Atlantic, and its local creole language of Papiamentu has substantial Jewish influence. This is a translation of Ḥad Gadya into Papiamentu, along with a transcription into Hebrew according to a new methodology for Papiamentu in Hebrew. . . . חַד גַּדְיָא | 𐌰𐌹𐌽 𐌲𐌰𐌹𐍄𐌴𐌹𐌽 | Ain Gaitein (ען גּעטיִן) — a Gothic translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s):Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one, but who knows? While there’s no known community of Jews who spoke Gothic or any other East Germanic language, there certainly were Jews who came into contact with it, such as the communities of Crimea (where variants of Gothic continued to be spoken until the 18th century). In any case this translation of Ḥad Gadya follows the grammar of Wulfila’s 4th-century Gothic translations. . . . 💬 ספר תולדות ישו, לפי נוסח שטרסבורג | The Book of the Generations of Yeshu, according to the Strasbourg Variant, cantillated and vocalized by Isaac Gantwerk Mayer Contributor(s):One of many variants of this notorious work, the Sefer Toldot Yeshu is an irreverent retelling? a bitter deconstruction? a mocking parody? of the Christian narrative of the birth, life, and death of Jesus of Nazareth. Taking its general structure from the gospels, it coöpts and alters it to make the main character look like a petty, vindictive sorcerer, his disciples into either sectarian liars or loyal rabbinic plants, and his followers into easily duped fools. Toldot Yeshu was a very popular work in medieval times, and you can tell — this sort of a text was certainly written by someone whose primary relationship with Christians was fear. It’s the bitter invective of an oppressed people without power for themselves, the dirty laundry that two thousand years of murder leaves behind. It’s also, just, like unspeakably, hilariously crude. Have a garlicky Nittel, everyone! . . . |
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