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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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2026 —⟶ March 🡄 (Previous month) :: 📅 February 2026 📅 April 2026 :: (Next month) 🡆 📅 Resources published in March 2026 Sorted Chronologically (old to new). Sort most recent first? A German-language Lied, or art song, retelling Ḥad Gadya, by the great cantor (and father of an even greater composer) Isaac Offenbach. First published in his 1838 “Hagadah, oder Erzählung von Israels Auszug aus Egypten” in Cologne, along with sheet music of a setting for voice and piano, it is here typed in modernized German spelling. Categories: Tags: Contributor(s): This is a German translation of the Passover table-song Ḥad Gadya as translated by Paul Christian Kirchner in 1717. Categories: Tags: 18th century C.E., 56th century A.M., Aramaic, Christian Hebraism, German vernacular prayer, חד גדיא Ḥad Gadya, haggadah supplements, פיוטים piyyuṭim, predation, salvation, זמירות zemirot Contributor(s): The full qedushtaot and “seder” azhara for Shabbat haGadol, largely by the great eleventh-century paytan R. Yosef Bonfils (with one additional rahit by Yannai), including all the catenae of verses and repeated refrains often skipped in Ashkenazi practice. Alphabetical texts are translated with alphabetical acrostics. Categories: Tags: 11th century C.E., 49th century A.M., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, עמידה amidah, אזהרות azharot, קרובות ḳerovot, פיוטים piyyuṭim, Public Amidah Contributor(s): A zulat (piyyut inserted into the blessing after the Shema) used in the Minhag Polin (Eastern Ashkenaz) rite for Shabbat hGadol, by R. Joseph Bonfils. This poem is a narrative of a debate between Pharaoh and the sons of Amram on whether the people Israel are engaged to God or not. Categories: Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, liberation from mitsrayim, Minhag Polin, יוצרות yotsrot, זולת zulat Contributor(s): An ofan (a piyyut inserted into the Qedusha d’Yotser) recited in the eastern Ashkenazi Minhag Polin rite for Shabbat haGadol. Signed “Benjamin,” Davidson ascribes it to the great paytan R. Binyamin bar Zeraḥ, possibly as part of the same poetic cycle as Itti MiLvanon (his yotser for the same day). Categories: Tags: 11th century C.E., 49th century A.M., Acrostic signature, Angels, Minhag Polin, ofanim, פיוטים piyyuṭim, יוצר אור yotser ohr Contributor(s): The Minhag Ashkenaz (Western Ashkenazi) yotser (piyyut inserted into the beginning of the first blessing of the Shema service) for Shabbat haGadol, by Binyamin bar Zeraḥ. Also recited by some eastern Ashkenazim, although not as commonly as Aamir Mistater (the standard in Minhag Polin). Translated here with preserved acrostic and rhyme scheme. This piyyut uses the language of Song of Songs to retell the story of the exodus via the language of a romantic relationship. Categories: Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, liberation from mitsrayim, Minhag Ashkenaz, פיוטים piyyuṭim, Shaḥarit l'Shabbat ul'Yom Tov, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): The nusaḥ Italki (Italian rite) preserves a full curriculum of Torah study in advance of the morning prayers. Included are passages from the Torah, Mishnah, and Gemarah familiar to other nusḥaot. In the Italian rite, the blessings over Torah study and ensuing passages appear after all the other birkhot hashaḥar, concluding it and providing a bridge to liturgy preceding the Zemirot (a/k/a Pesuqei d’Zimra). What is remarkable in this tradition is how interlinked the blessing and recitation of these passages is to the otherwise separate and adjacent section concerning the sacrificial offerings in the Temple and the rules of halakhic exegesis in Rabbinic hermeneutics. While additional portions and verses are presented, the passages provide an explicit justification for the otherwise radical innovation carried forth in rabbinic Judaism to offer services of prayer in place of the services of the Temple cult, providing Hosea 14:3 as the authority to do so — a necessity in an age where the Torah mandated arrangements of animal sacrifices, incense and grain offerings, and wine libations remains otherwise interrupted. Categories: Tags: Contributor(s): This is the form of the prophylactic prayers following the birkhot hashaḳar and which precede the birkhot Talmud Torah in the Italian nusaḥ attested by Rabbi David Prato from his siddur, תפלה לדוד Preghiere di Rito Italiano (1949), pp. 10-12. Categories: Tags: Contributor(s): The Minhag Polin (Eastern Ashkenazi) yotser (piyyut inserted into the beginning of the first blessing of the Shema service) for Shabbat haGadol, by the Sefaradi sage and paytan Joseph ibn Abitur. Translated with preserved acrostic and rhyme scheme. This piyyut juxtaposes the seven days of creation with the miracles of the Exodus as well as the promised future salvation in a three-by-three structure. Categories: Tags: acrostic, Acrostic signature, Alphabetic Acrostic, liberation from mitsrayim, Minhag Polin, פיוטים piyyuṭim, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): The poetic genre known as ḳerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar haḲalir’s Purim “Ḳrovetz“, a majestically interwoven piece of piyyut if ever there was one. This is the traditional Ashkenazi qerovot added to the Musaf repetition for Shabbat HaḤodesh, alongside a gender-neutral translation first made in 2022 but being posted here now. Categories: Tags: 45th century A.M., 7th century C.E., acrostic, Alphabetic Acrostic, עמידה amidah, four special parashot, קרובות ḳerovot, פיוטים piyyuṭim, Public Amidah, שבת החודש Shabbat haḤodesh Contributor(s): The complete qedushta cycle for Shabbat HaḤodesh by Qallir, including all the catenae of verses, repeated refrains, and additional rahitin often skipped in Ashkenazi practice. Alphabetical texts are translated with alphabetical acrostics. Categories: Tags: 45th century A.M., 7th century C.E., acrostic, Alphabetic Acrostic, alphabetic acrostic translation, עמידה amidah, four special parashot, קרובות ḳerovot, liberation, פיוטים piyyuṭim, Public Amidah, שבת החודש Shabbat haḤodesh Contributor(s): A zulat (a piyyut to be inserted before “Ezrat Avotenu” in the morning liturgy) attributed to Qallir, to be recited on Shabbat haḤodesh. Categories: Tags: 45th century A.M., 7th century C.E., acrostic, Alphabetic Acrostic, four special parashot, פיוטים piyyuṭim, rhyming translation, שבת החודש Shabbat haḤodesh, יוצרות yotsrot, זולת zulat Contributor(s): This is the piyyut, “Aamir Otekha Selah” by Elazar ben Qallir for Sukkot, as translated into rhyming English verse by Alice Montefiore Lucas, first published in her anthology of versified translations Songs of Zion by Hebrew Singers of Mediæval Times (1894). Her translation was later set opposite Qallir’s Hebrew text in Maḥzor Avodat Ohel Moed: Avodat Ḥag haSukkot (ed. Arthur Davis & Herbert Adler, 1908). This is a variation of the “Baugesang,” a variation of the piyyut Adir Hu sung in German translation. Better known in form found in the 1769 Selig Haggadah, this is a variation published in 1717 by Paul Christian Kirchner. Categories: Tags: 18th century C.E., 56th century A.M., אדיר הוא Adir Hu, Christian Hebraism, German vernacular prayer, haggadah supplements, פיוטים piyyuṭim, Temple restoration, זמירות zemirot Contributor(s): Doyen has a place in Seder tables throughout Arda, and in many communities it was read in translation. This translation into Quenya is necessary for any good Lothlórien sedarim. But to be serious, Quenya was one of several languages developed by J.R.R. Tolkien. It serves as the sacred ancestral language of the Noldorin elves in the Middle-Earth legendarium. The editor here has, to the best of his ability, developed this adaptation of the litany of thanksgiving at the culmination of Maggie into Quenya, with thanks and credit to the experts at elfdict and in the Vinyë Lambengolmor Discord server for their help. He has also transcribed it into a home-brewed transcription system into Hebrew script also used for his Min Yacincë translation of Ḥad Gadya, as well as his Minë mamo ista? Translation of Eḥad Mi Yodea. Categories: Tags: constructed languages, דיינו Daiyenu, High-Elven, Middle-Earth, פיוטים piyyuṭim, Quenya translation, זמירות zemirot Contributor(s): In the period following the second destruction of the Temple in Jerusalem, rabbinic Jewish liturgy reïfied the teaching to replace sacrificial offerings with offerings of the lips (per Psalms 51:18) by directly quoting those verses from the Torah dictating those sacrifices. This formula is evident in the the blessing meqadesh hashabbat for the musaf Shabbat Amidah, in which the musaf offering is invoked directly via Numbers 28:9, while blessing Hashem, hallower of the Shabbat. For this blessing, my ḥavrutah Jonathan Schachter would remind those davvening with him musaf that they could follow the recitation of this verse with that of Hosea 14:3, our oldest scriptural witness to a counter-tradition of prayer as a surrogate for animal sacrifice. We offer this amendment to the Shabbat musaf Amidah as a corrective to the notion that the return of the Temple cult must necessarily bring a return of animal sacrifice and to bolster long extant Jewish traditions that regard with love and dignify with inclusion all those tame animals (behemot) within our shabbat boundaries as respected members of our community (find Deuteronomy 5:14). Categories: Tags: Contributor(s): | ||
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