“Vor dem Einsegnen des Neumondis (Desselben Inhalts)” was written by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. In the 1835 and 1842 editions, it appears as teḥinah №17 on pp. 24-25. . . .

“Wenn man Chala nimmt” was written by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. In the original 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion, it appears as teḥinah №14, on pp. 18-19. In the 1835 and 1842 editions, it appears as teḥinah №14, on pp. 21-22. . . .

“Wenn eine Frau den stiel vom Esrog ausbeißt” was written by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. In the original 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion, it appears as teḥinah №51, on pp. 73-74. In the 1835 edition, it appears as teḥinah №52, on pp. 91-92. In the 1842 edition, it appears as teḥinah №55, on pp. 96-97. . . .

“Am Todestage des Gedaljahu. Zom Gedalja.” was written by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. In the original 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion, it appears as teḥinah №41, on pp. 52-53. In the 1835 and 1842 editions, it appears as teḥinah №40, on pp. 63-64. . . .

These are Yehoshua Heshil Miro’s anthologies of teḥinot, beginning with תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1829), one of the earliest anthologies of teḥinot published in German rather than Yiddish. A slightly revised edition with six pieces added and three removed followed in 1833. That work served as the basis for a much larger compilation, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion (1835), which, for the first time, printed the tehinot in German in a Latin (rather than Hebrew) script using the then common Fraktur typeface. A slightly enlarged expanded edition of Beit Yaaqov published in 1842 contains an additional teḥinah (as well as approbations by Rabbi Abraham Geiger and Rabbi Solomon Tiktin). . . .

The second anthology of teḥinot published in Judeo-German rather than Yiddish. . . .

“Licht und Wahrheit (Light and Truth)” is a hymn translated by Felix Adler from Allgemeines Israelitisches Gesangbuch: eingeführt in dem Neuen Israelitischen Tempel zu Hamburg (1833), hymn №125, pp. 155-157, and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №12, pp. 24-25. We have tentatively dated this hymn to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). The hymn as printed in the Hamburg Temple Hymnal is nine stanzas long. That hymnal credits the hymn as printed in the collected sermons of Eduard Kley, Sammlung der neuesten Predigten (1826) where it appears on pages 49-50 in three stanzas as part of a discourse on Passover. . . .

“Brich aus in lauten Klagen” by Heinrich Heine was preserved in a letter he wrote to his friend Moses Moser dated 25 October 1824. The poem is included in Heinrich Heine’s Letters on The Rabbi of Bacharach, the manuscript of which only survived in a fragment, the rest having been lost, according to Heine, in a fire. The English translation here by Nina Salaman was transcribed from her anthology, Apples & Honey (1921) where it appears under the title of “Martyr-Song,” published at an earlier date in The Jewish Chronicle. . . .

“Am Überfhreitungsfest (At the Exodus Festival)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №26 on pages 85-90 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №26 in Henry Frank’s 1839 edition on pages 74-78. A variation can also be found in the Beer’s 1843 edition as teḥinah №27 on pages 70-74. . . .

“[Gebet] Für den Regenten (Prayer for the Regent)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №11 on pp. 31-32 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №11 in Henry Frank’s 1839 edition on pp. 27-29. A variation can also be found in Beer’s 1843 edition as teḥinah №9 on p. 14-15. . . .

“Gebet einer Shwangern (Prayer for a pregnant woman)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №60 on pp. 172-173 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №60 in Henry Frank’s 1839 edition on pp. 147-148. A variation can also be found in Beer’s 1843 edition as teḥinah №61 on p. 146-147. . . .

“Gebet einer Handelsfrau (Prayer for a merchant woman)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №40 on p. 129-132 where it was rendered in Judeo-German. The German rendering transcribed above follows that of Henry Frank’s 1839 edition on p. 110-112. . . .

“[Gebet] Nach der Entbindung (Prayer after the childbirth)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №62 on pp. 175-177 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №62 in Henry Frank’s 1839 edition on pp. 150-151. A variation can also be found in Beer’s 1843 edition as teḥinah №63 on p. 149-150. . . .

“[Gebet] Am Geburtstage (Prayer on a birthday)” was first published in Peter (Peretz) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №34 on p. 115-118 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №34 in Henry Frank’s 1839 edition on p. 98-100. A variation can also be found in the Beer’s 1843 edition as teḥinah №34 on p. 95-97. . . .

“[Gebet] In den letzten Monaten der Schwangerschaft (Prayer in the last months of pregnancy)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №61 on pp. 173-175 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №61 in Henry Frank’s 1839 edition on pp. 148-150. A variation can also be found in Beer’s 1843 edition as teḥinah №62 on p. 147-149. . . .

“Unglückliche Ehe (Unhappy Marriage)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №39 on p. 127-129 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №39 in Henry Frank’s 1839 edition on p. 108-110. A variation can also be found in the Beer’s 1843 edition as teḥinah №40 on p. 107-109. . . .

“Bei muthmaßlicher Gefahr zur Verführung (In suspected danger of seduction)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №66 on pp. 184-187 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №66 in Henry Frank’s 1839 edition on pp. 158-160. A variation can also be found in the Beer’s 1843 edition as teḥinah №67 on p. 157-159. . . .

The first anthology of teḥinot published in Judeo-German rather than Yiddish. . . .

In 1785 Friedrich Schiller wrote his ‘An die Freude an ode ‘To Joy’, describing his ideal of an equal society united in joy and friendship. Numerous copies and adaptations attest to its popularity at the time. The slightly altered 1803 edition was set to music not only by Ludwig van Beethoven in his Ninth Symphony but also by other composers such as Franz Schubert and Pyotr Tchaikovsky. Hs. Ros. PL B-57 contains a Hebrew translation of the first edition of the ode (apparently rendered before the 1803 alteration), revealing that the spirit of the age even managed to reach the Jewish community in the Netherlands. Whereas the imagery of Schiller’s original is drawn from Greek mythology, the author of the שִׁיר לְשִׂמְחָה relies on the Bible as a source. In fact, he not only utilises Biblical imagery, but successfully avoids any allusion to Hellenistic ideas whatsoever. . . .

A prayer upon preparing ḥallot for Shabbat. . . .