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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice | ||
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Emily Kesselman (art & transcription)  Emily Kesselman (art & transcription)Emily Kesselman (pen name, Emily K) is a cartoonist and illustrator based in Philadelphia, PA, whose work puts a spotlight on marginalized communities, courageous (often unsung) historical figures, and nerdy pop culture. Projects include webcomics “sad/funny/true” and “places you find cats,” as well as contributions to the anthologies Dirty Diamonds and Votes For Women: The Battle for the 19th Amendment. In addition to updating her online comics, Emily continues working on her original Jewish fantasy graphic novel, The Gathering of Sparks. Filter resources by Category Art & Craft | Entering Sacred Spaces | Hoshana Rabba | Incantations, Adjurations, & Amulets | Personal & Paraliturgical collections of prayers | Conception, Pregnancy, and Childbirth Filter resources by Tag Astrological | clipart | English Translation | entering | entering magical territory | fertility | German Jewry | German vernacular prayer | Jewish Women's Prayers | Magic | the pitom of the etrog | pregnancy | ritual power | סגולות segulot | תחינות teḥinot | תחינות tkhines | Yiddish vernacular prayer | 5th century C.E. | 19th century C.E. | 43rd century A.M. | 57th century A.M. Filter resources by Name Filtered by collaborator: “Aharon N. Varady (translation)” (clear filter) Sorted Chronologically (new to old). Sort oldest first? Gebet beim Eintritt in das Gotteshaus | Prayer upon entering the house of God, by Dr. Meïr Letteris (1846)Contributed on: 31 Dec 2021 by Emily Kesselman (art & transcription) | Meïr haLevi Letteris | Aharon N. Varady (translation) | ❧ “Gebet beim Eintritt in das Gotteshaus” was written by Meir Letteris and published in his anthology of teḥinot, תחנוני בת יהודה (Taḥnunei bat Yehudah) Andachtsbuch für israelitische Frauenzimmer…. In the 1846 and 1857 printings, it appears on p. 1. . . . | ||
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