This is an archive of prayers, prayer-poems, and songs for the festival of חֲנֻכָּה (Ḥanukkah), commemorating the crucial victory of the Jewish people in retaining its culture, lifeways, and Temple vis-à-vis the oppressive hegemony of the Seleucid Greek kingdom around 164 BCE. Click here to contribute a prayer you have written, or a transcription and/or translation of a historic Ḥanukkah prayer or song in any language, familiar or obscure. Filter resources by Name Filter resources by Tag Filter resources by Category
This is a new version of the popular Ḥanukkah song, Banu Ḥoshekh. (The original by Sara Levi-Tanai can be found here.) Our new version does two things: 1) it avoids the association of darkness and blackness (shḥor) with evil and harm, which in our society gets tangled up with white supremacy, and 2) honors the darkness as something precious that we need, especially in our time of light pollution when so much of the time, so many people can’t even see the stars. . . . An interpretive version of Al HaNisim for Ḥanukkah that is playful, powerful, and embodied. May it fuel our activism, including the self-care and community-building that is part of activism. . . . A Ḥanukkah meditation on the hidden, infinite light of creation, the Or HaGanuz, with some of the midrashic and Ḥasidic sources it is based upon. . . . “How Much Light? A Ḥanukkah Meditation” by Rabbi Menachem Creditor was first shared on the second night of Ḥanukkah 5782 (2021) via the Open Siddur Project discussion group on Facebook. . . . A supplemental stanza to the popular 13th century piyyut, Maoz Tsur, for the Ḥanukkah occurring in the aftermath of the horrors on 7 October. . . . An original Judeo-Arabic adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Ḥanukkah” or in Hebrew as “Y’mei ha-Ḥanukka.” With thanks to Mazen Haddad for his help with the Arabic! Some notes: 1) Case endings and nunation, which would (in colloquial dialects) often be skipped or dropped, are transcribed in brackets. 2) The word “sufnāj” is a Moroccan Arabic dialectal word which is the agent noun for sfenj, a traditional type of North African doughnut. . . . An original Ladino adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Chanukah” or in Hebrew as “Y’mei ha-Ḥanukka.” I’m aware that the custom of spinning tops was not originally a Sefaradi one. So sue me, I was looking for something to rhyme with “libertaḏ.” I’ve included the Rashi script, the Aki Yerushalaim orthography, and (as an added bonus) the Cyrillic transcription used by the Jews of the Balkans. . . . A supplemental stanza to the popular 13th century piyyut, Maoz Tsur, for the Ḥanukkah occurring in the aftermath of the horrors on 7 October, as written and shared by דנה פרל. . . . In the midst of terrible violence and war in Israel and Gaza, these words came in response to the questions: how to engage meaningfully with Ḥanukkah in 5784 with integrity. How can it still be a source of wisdom and liberation? . . . Four things to pray and learn for the last night and day of Ḥanukkah. . . . The Opening Prayer given in the U.S. Senate on 12 December 2023 . . . An original announcement, or hakhraza, for days of thanksgiving (Purim and Ḥanukkah). Written in the style of other more well-known announcements, like the Sephardic announcement of fasts, or the Italian-rite announcement for Pesaḥ, and to be recited in the same location in the Torah service after the haftara. . . . An additional stanza to the popular Ḥanukkah song, Maoz Tsur, for the second Ḥanukkah after the massacres on 7 October 2023. . . . The poetic genre known as ḳerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar biRabbi Qallir’s Purim “Qrovetz“, a majestically interwoven piece of piyyut if ever there was one. But there are many other ḳerovot that have historically been recited, and this one is by the same author! The weekday qerovot cycle for Ḥanukkah, retelling the story of the Greek oppression using intricate poetic language. Included within is a qedushtah that instructs us on some of the halakhic requirements for the Ḥanukkah lights. . . . Eight qualities are mentioned in the prayer: Peace, Blessing, Hope, Return, Promise, Strength, Life, Courage. You can pick one to focus on each night. (You can do them in the order they appear in if you like.) Where do you find that quality in you? Where do you find it in the world? What will a life, or a world, transformed by that quality look like? Feel like? . . . Shnei Zeitim, by Shlomo ibn Gabirol, was once the most beloved song for Ḥanukkah. Though in recent years it has largely been replaced in popular consciousness by Maoz Tsur, in rites which preserve the customs of piyyut recitation within the Shema service it is still a beloved part of the holiday. The piyyut, a meorah — intended to introduce the ḥatimah for the Ahavah Rabbah blessing before the Shema, is included here with an original translation. Interestingly enough, Shnei Zeitim has an anti-Hasmonean focus, with emphasis on the importance of separation of powers between priest and king. For further discusson of this aspect, I’d recommend Yitzhak Szyf’s article on The Lehrhaus. . . . This Ḥanukkah prayer for the well-being of the captives taken during the massacres of HAMA”S and its allies on 7 October 2023, and for all in Israel affected by the ensuing war, was prepared by Rabbi Yuval Cherlow for Tzohar and Atid l’Otef. The prayer and its English translation were disseminated by social media and news services before Ḥanukkah on 25 December 2024. . . . |
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