This is an archive of prayers, songs, and other individual works relevant to the final course of the seder for Pesaḥ (Passover): Nirtsah, containing piyyutim and the counting of the Omer. Click here to contribute a work or a transcription and translation of a historical work that you have prepared for Nirtsah in the Seder Pesaḥ. Filter resources by Name Filter resources by Tag Filter resources by Category Filter resources by Language Filter resources by Date Range
The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. Categories: Tags: Contributor(s):
The alphabetic acrostic piyyut, Adir Hu, in its Latin translation by Johann Stephan Rittangel as found in his translation of the Pesaḥ seder haggadah, Liber Rituum Paschalium (1644). Categories: Tags: Contributor(s):
This Western Yiddish alphabetical adaptation of Adir Hu is first found in the 1769 Selig Haggadah, under the name of “Baugesang” (meaning Building Song). It grew to be a beloved part of the Western Ashkenazi rite, to the point where the traditional German Jewish greeting after the Seder was “Bau gut,” or “build well!” Categories: Tags: Contributor(s):
The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. Categories: Tags: Contributor(s):
A litany of mythical guests and creatures presenting at the Passover seder. Categories: Tags: Contributor(s):
The text of the popular piyyut “Adir Bimlukhah” (a/k/a “Ki lo na’eh”) in Hebrew, with a Latin translation. Categories: Tags: Contributor(s):
Making sense of Ḥad Gadya beyond its explicit meaning has long inspired commentary. For me, Ḥad Gadya expresses in its own beautiful and macabre way a particularly important idea in Judaism that has become obscure if not esoteric. While an animal’s life may today be purchased, ultimately, the forces of exploitation, predation, and destruction that dominate our world will be overturned. Singing Ḥad Gadya is thus particularly apropos for the night of Passover since, in the Jewish calendar, this one night, different from all other nights, is considered the most dangerous night of the year — it is the time in which the forces of darkness in the world are strongest. Why? It is on this night that the divine aspect of Mashḥit, the executioner, is explicitly invoked (albeit, only in the context of the divine acting as midwife and guardian/protector of her people), as explained in the midrash for Exodus 12:12 Categories: Tags: Contributor(s):
A Ge’ez translation of the popular Passover seder song, Ḥad Gadya. Categories: Tags: 16th century C.E., 21st century C.E., 53rd century A.M., 58th century A.M., Aramaic, Beta Esrael, Ethiopian Jewry, Ethiopic translation, חד גדיא Ḥad Gadya, פיוטים piyyuṭim, predation, salvation, זמירות zemirot Contributor(s):
A Latin translation of the popular Passover song, Ḥad Gadya. Categories: Tags: Contributor(s):
A Judeo-Berber translation of the popular Passover song, Ḥad Gadya. Categories: Tags: Contributor(s):
The text of the popular Passover song “Who Knows One?” in its original Hebrew and Yiddish, with a translation in English. Categories: Tags: Contributor(s):
The text of the popular counting song “Who Knows One?” in its original Hebrew, with a translation in Latin. Categories: Tags: Contributor(s):
This is a German translation of the first nine stanzas of the counting song popularly sung at the Passover seder, made by Paul Christian Kirchner in 1717. Categories: Tags: Contributor(s):
Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. It is mostly written in Hebrew, counting up to 13, but there are versions that can be found in many different languages. This translation is in Bukhori, also known as Judeo-Tajik, as translated by the great Shimon ben Eliyahu Ḥakham (1843-1910), the chief rabbi of the Bukharan Jewish community in Jerusalem. His full translation of all liturgical additions in the month of Nisan for the Bukharan community can be found in חוקת הפסח Ḥuqat haPesaḥ (1904) – the source for this transcription on page 128-130 (see included). Shimon Ḥakham transcribed it into vocalized Hebrew script, which is included here alongside transliterations into Tajik Cyrillic and a Roman transcription. Categories: Tags: Contributor(s):
The text of the popular Passover song “Who Knows One?” in Hebrew set side-by-side with an Aramaic translation. Categories: Tags: Contributor(s):
Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. Counting up to 13, it is mostly written in Hebrew, but there are versions that can be found in many different languages. This translation is in the Judeo-Italian dialect of Siena, based on Geremia Mario Castelnuovo’s 1956 recording from Leo Levi’s collection of Judeo-Italian ethnomusicological recordings. A link to the original recording can be found here. Categories: Tags: Contributor(s):
A Judeo-Moroccan Arabic (Darija) adaptation of the Passover counting song Eḥad Mi Yodeaȝ, as found in Mahzor Moȝadé Hashem. Categories: Tags: Contributor(s):
Eḥad Mi Yodea has a place in Seder tables throughout Arda, and in many communities it was read in translation. This translation into Quenya is necessary for any good Lothlórien sedarim. But to be serious, Quenya was one of several languages developed by J.R.R. Tolkien. It serves as the sacred ancestral language of the Noldorin elves in the Middle-Earth legendarium. The editor here has developed this adaptation of the well-known seder table-song Eḥad Mi Yodea into Quenya, with thanks and credit to the experts at elfdict for their help. He has also transcribed it into a home-brewed transcription system into Hebrew script also used for his Min Yacincë translation of Ḥad Gadya. Categories: Tags: Contributor(s):
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A (kosher-for-Passover) prayer for redemption from exile. Categories: Tags: Contributor(s):
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